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Does 'Star Trek 2' synopsis hint at the villain's ID?
By Don KayeSpecial to MSN Movies
We're still a few weeks away from seeing the first footage from this highly secretive film (nine minutes of which will be shown in front of IMAX screenings of "The Hobbit"), but earlier this week, an official synopsis for "Star Trek Into Darkness" was beamed onto film websites everywhere. And while it does spell out what the basic plotline will be, it leaves out a lot of details, primary among them the identity of the villain, which has been a closely guarded and much-speculated about mystery since the film went into production.
Bing: More about 'Star Trek Into Darkness' | More about 'Star Trek: The Original Series'
But now that the official synopsis has arrived, we think we can glean enough clues from it to take an educated stab at who the bad guy is. If it is who we think, then we can also thank Karl Urban, who plays Dr. McCoy -- and who let the cat accidentally out of the bag months ago.
First, the synopsis:
"In Summer 2013, pioneering director J.J. Abrams will deliver an explosive action thriller that takes Star Trek Into Darkness. When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew."
What does this all mean? Well, for one, we can pretty much rule out the long-held rumor that the villain is Khan, as in "The Wrath of ..." That was a popular one for a while, especially when it was leaked that the production had tried and failed to get Benicio Del Toro to appear in the film. In fact, word on the street was that the script was rewritten after Del Toro passed to change the villain completely -- but that's another discussion.
Notice that the unstoppable force of terror comes from "within" Starfleet and is a "one man weapon of mass destruction" (we'll just ignore how badly written "detonated the fleet" is). The hunt for this person becomes a "personal score" for Kirk (Chris Pine) to settle, and it's hinted that he loses the rest of his family (since "the only family" he has left is his crew) as a result of this person's actions (we're assuming that Kirk's mother and brother Sam are still living on Earth when this catastrophe strikes).
This all leads us to one conclusion: The villain is Gary Mitchell.
Mitchell (as played by Gary Lockwood of "2001"), Kirk's student, best friend and fellow hell-raiser in Starfleet Academy, was assigned to the Enterprise helm on the original series' 1966 second pilot, "Where No Man Has Gone Before" (the pilot was later broadcast as the third episode of Season 1). In that famous segment, the Enterprise attempts to pass through an energy barrier around the edge of the Milky Way. Energies inside the barrier give Mitchell and psychiatrist Elizabeth Dehner (Sally Kellerman) -- who already have latent psychic abilities -- enormous telepathic and telekinetic powers.
Mitchell becomes a superbeing, almost a god, and as a result begins to see the humans around him as insects that he will either dominate or wipe out. Kirk must eventually decide that he has to kill his friend to save the galaxy.
Doesn't that fit neatly into the plot revealed above for "Star Trek Into Darkness"? Our guess is that Mitchell somehow gets exposed to this energy -- perhaps in the same way -- and is taken back to Earth by the Enterprise, where he rages out of control, kills Kirk's family, and threatens the Federation before heading to a "war-zone world" -- the home, we can assume, of the Klingons, who are reported to be in this movie as well. Will Mitchell use the Klingons as his own personal army against the Federation?
Remember, this "Star Trek" universe is parallel to the original one since it was altered in the first new "Trek" movie four years ago. And although the writers have said that the villain comes from canon, it can be someone who died in the original series since this is a slightly different universe. That's a neat way to get Mitchell into the story without violating the original series' timeline.
Finally, if you need any more proof, here is that now-famous quote from Karl Urban, which he later retracted, about British actor Benedict Cumberbatch, who ended up being cast as the villain: "He's awesome, he's a great addition, and I think his Gary Mitchell is going to be exemplary."
We're not the betting type, but we might just lay a few bucks down that Gary Mitchell is indeed the villain in "Star Trek Into Darkness." And from the sound of that synopsis, he's going to give the Enterprise -- and the audience -- one hell of a terrifying ride.
"Star Trek Into Darkness" opens in theaters May 17, 2013.
Last year it was 'Hunger Games' nail polish, so this is a step up
Lionsgate surprised us today with the announcement of a new partnership between "The Hunger Games: Catching Fire" and Covergirl, the cosmetics giant:Bing: More about 'Catching Fire' | More about Covergirl
No word yet on when this makeup line will be in stores. I would imagine the display case would be very "Catching Fire."Today, Covergirl announced its first-ever major movie sponsorship of Lionsgate’s highly anticipated "The Hunger Games: Catching Fire", scheduled for release in North American theaters on November 22, 2013. Covergirl will launch a first-of-its-kind creative advertising campaign inspired by the film, featuring new products from the brand’s upcoming Capitol Collection from "The Hunger Games: Catching Fire," to be announced at a later date.
"With 'The Hunger Games: Catching Fire' partnership, we wanted to redefine cosmetics’ relationship to film with a fantasy-meets-reality beauty experience," said Esi Eggleston Bracey, VP and General Manager, Global P&G Cosmetics. "The film inspired Covergirl campaign coming out this fall truly will bring beauty transformation to life in an aspirational, dramatic fashion. All of us at Covergirl were captivated by Suzanne Collins' novels and the first film, so we’re thrilled to collaborate with Lionsgate on such a bold beauty partnership with the release of 'The Hunger Games: Catching Fire.'"
"We are excited to announce Covergirl as the exclusive makeup partner for 'The Hunger Games: Catching Fire'," said Paula Kupfer, Lionsgate's Vice President of Promotions and Consumer Products. "The exquisite beauty and style in the world of the Capitol is a focal point of this film. Partnering with an innovative brand like Covergirl to create an additional layer of beauty storytelling and inspiration for the fans is new territory that we're delighted to explore."
Covergirl's partnership with "The Hunger Games: Catching Fire" is the latest expression of the brand's passion and commitment to continue to break barriers in beauty.
Lionsgate and Covergirl will be celebrating the movie partnership at a Cannes Film Festival Gala on Saturday, May 18th.
Thoughts on this? Comment below.
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A spendy way to get people talking about the film seven months before its release
You cannot attend the 2013 Cannes Film Festival without seeing all the propaganda for "The Hunger Games: Catching Fire." Studios use many of the grand hotels' façades as backdrops or billboards to highlight their upcoming big ticket films, and Lionsgate is no different.Bing: More about 'Catching Fire' | More about Cannes Film Festival
The Majestic Barrière hotel's gorgeous building has been transformed, as you can see:

According to Deadline, Lionsgate is even throwing a beach blowout to promote "Catching Fire." Why is the studio spending so many Euros in Cannes?"Lionsgate co-chair Patrick Wachsberger whose wheelhouse is international also utilized Cannes to promote all the 'Twilight' movies when he ran Summit. Now that the two studios are merged, he says with candor that he's never done an event at this level." But because 'Hunger Games' is a "huge, huge, huge" franchise, this festival is "the perfect place" to start talking to distributors about positioning, he notes. Cannes events "are not cheap," he says. "And there is so much happening – like 10 parties the same night – so to do something that’s really out of the ordinary, you need the movie first and the talent and the event and the money," Wachsberger admits.""Catching Fire" is out in theaters Friday, November 22.
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Reception to pilot sealed series fate

Follow Don Kaye on Twitter @donkaye.
CW president says new prequel series is still in the works

Two-and-a-half glorious minutes of giant monsters and robots

Plus, DC superstar talks 'Justice League' comics, 'Arrow' and more

We spoke with Johns via phone and asked about ending his "GL" run, where his other books are headed, his thoughts on DC's "The New 52" relaunch, the "Arrow" TV series and DC's future on film, including the upcoming "Man of Steel."

Geoff Johns: Well, I've been working on the book for nine years, and since that time I've been really fortunate to work with as many great collaborators, both on the artist's side and the writer's side, as I have. I just got the final issue, and there are a lot of artists that we worked with over the course of the run that are in the issue, and I'm really proud of it. It's been a long run and it's been rewarding and, for me, the story -- the way the story was developing between Hal and Sinestro and what ultimately was going to happen in this issue -- it felt like the exact right time to close my run out and move on to new things.
How do you know when it is the right time to stop? Does the story feel like it's coming to a natural conclusion? What are the signs that it's time after a long run like that?
It's a bit of everything. For me, really, the story in this case really dictated it. I had been plotting the story out for quite a while and I knew that Hal was going to once again kind of sacrifice himself at this moment to attempt to use a black ring, and the whole idea was to get to rebirth once again, and Hal Jordan's "carpe diem" attitude is probably the best thing that describes that character: He lives for the moment. And he's so full of life that even death can't hold him down.
Once I got to the story line where it was really going to be kind of another return from the dead -- organically it felt like the perfect time to end the run. It felt very balanced. And the characters were in a similar spot at the end of this but very, very different characters. For me, with everything that happened between those it really ultimately just made perfect sense. It's always been about Hal Jordan and Sinestro, and this story line encapsulates that and pushes it one step further. This is the right story for me to bow out on.

Sure. With "Aquaman," we're in the middle of a story line right now where Aquaman is attempting to, you know, he's been forced to take the throne of Atlantis again after there was a war between Atlantis and the land. And he's a reluctant king. He grew up on land, he doesn't want to be king of Atlantis, but in this case he has no choice. They need a king and they need someone who's going to kind of heal the rift between land and sea, and that's his job. He's literally that and he's going to have to physically do that as well.
In Justice League right now we're building to a story line called "Trinity War" -- there's a couple of different teams that support the Justice League, and basically the death of a hero sparks some tension between these teams. Ultimately, as they go across the world trying to solve this murder the Leagues will face something else at the end of it that will head us into fall. We haven't really talked about that just yet ...

Well, I think like everything there's, you know, some characters, some titles that work and some that don't. But Dan (DiDio) and Jim (Lee) head up publishing, they've really spearheaded "The New 52" and I give them credit for it because it's been really strong. I think there are characters like Wonder Woman and Aquaman and Animal Man who've really benefited from kind of a fresh start. I look at "Aquaman" and Issue 1 did really, really well, partly because it was part of this big initiative. Everybody was looking at all these characters and all these "Number 1" issues. I think if you delivered on the book, you had a chance to find a bigger audience than you would have normally. There are a lot of great books out there.
What are some new writing projects that you can announce or talk about?
Well, I can say that Gary Frank and I are wrapping up "Shazam" right now. We've been telling the Shazam story and Justice League for just about over a year and Issue 21 of "Justice League" out at the end of June will be the final chapter of that story line. And then Gary and I will be moving on to Volume 2 of "Batman: Earth One." which is a graphic novel that will be due out late next year.
The first volume of "Batman: Earth One" was incredible.
The new one is going to be the next chapter in our "Batman: Earth One" saga. This volume is going to deal with Batman and how he learns to become a detective. He goes up against the Riddler and Killer Croc, and there's another villain in there. Plus, we continue the story with James Gordon and his daughter Barbara and Harvey Bullock and Alfred Pennyworth -- there's a very different Alfred Pennyworth in "Batman: Earth One" than people might know.
What are your thoughts on "Arrow"? It's a big success, but people were a little skeptical at first.
It started strong, but it got stronger and stronger over the course of the season. I'm really excited. Greg Berlanti and Andrew Crisford and Marc Guggenheim have taken the show in a great direction. It's fun to be part of the show and seeing success for a character like Green Arrow. I remember talking to some people and thinking, let people be skeptical. They should be skeptical because superhero shows are really, really hard to do. The fact that this one has found an audience is terrific. I'm excited because they've already started working on next season and I've heard a little bit about it and it sounds really great.
Are you going to do some writing for Season 2?
I should not say that yet.
Before we go, there's a lot of speculation about the DC Universe getting onto the big screen and "Man of Steel" possibly paving the way for "Justice League." Anything you can say about that?
I can't talk about that. Sorry, man.
Any general statements you want to make about "Man of Steel"?
I just can't wait until "Man of Steel" is out. I can't wait until people see it.
Vin Diesel back for third round as galactic anti-hero


Here's the lowdown on all your new 2013-2014 shows

"Believe": J.J. Abrams ("Lost," "Star Trek Into Darkness") and Alfonso Cuaron ("Children of Men," "Gravity") are executive producers on this program about a little girl (Johnny Sequoyah) with special powers like telekinesis and precognition who is pursued by interests who have their own agenda for her powers. So it's up to wrongly convicted prison escapee Tate (Jake McLaughlin) to protect her ... at all costs. Will this be another of Abrams' increasingly infuriating "mystery box" shows, or will Cuaron bring his magic to it as well? (Midseason on NBC)
"The Tomorrow People," "Star-Crossed" and "The 100": All three of these have been picked up by The CW, and their place on the network's schedule will be unveiled during its Thursday (May 16) presentation to the media. "The Tomorrow People" is based on a British series from the '70s about a group of young people who gain superpowers as part of the next stage of human evolution. "Star-Crossed" is about a teen romance between an alien boy and a human girl after he and several other of his people are assimilated into a high school -- boy, does this sound right up the CW's alley. Finally, "The 100" follows a group of young misfits who are sent back to a devastated Earth to recolonize the planet after nuclear war caused humanity to flee. And let's not forget "The Originals," a "Vampire Diaries" spin-off that will follow the Mikaelson clan as they head to New Orleans for more supernatural soap opera antics.
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