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'Apparition' star Ashley Greene emerges from 'Twilight'
By Don Kaye
Special to MSN Movies
Although the “Twilight” films are not considered true horror by most fans of the genre, the fact that they have vampires and werewolves as their main characters makes for at least a tenuous connection to the much darker and wider field. With “The Apparition,” however, “Twilight” cast member Ashley Greene – who has played the pixie-ish, psychically gifted vampire Alice Cullen in all five films – plunges directly into the other end of the horror pool.

Greene plays Kelly, a veterinarian in training whose new home with her boyfriend, Ben (Sebastian Stan), is haunted by a malevolent entity that feeds off their terror. “It’s much more fun to play Alice,” says Greene with a laugh as we sit down during a press day for the film. “But it’s nice to be able to kind of branch out and do different things and kind of push your limits and your buttons and kind of surprise yourself sometimes with some of the things you can do and some of the places you can go. And I think it’ll be nice for people to see me in something other than ‘Twilight.’"
Bing: More about Ashley Greene | More about 'The Apparition'
The 25-year-old Greene initially hoped to be a model, but soon turned to acting after moving to Los Angeles at the age of 17. She struggled to land jobs for a while before getting her big breakout in the “Twilight” series. Yet despite getting offers for other horror films in the recent past, Greene says she’s shied away from the genre.
Photos: Scenes from 'The Apparition'
“Generally with any horror film, the first instinct is no,” she admits. “Because I don’t see the appeal in playing this helpless character that’s always doing all the wrong things. So it was really nice and refreshing to find a character (in "The Apparition") that is smart and kind of does take charge and makes good decisions and strong decisions. … Kelly’s a pretty strong character and she drives a lot of the movie, and I feel like you don’t see that a lot in horror films and thriller films.”
Greene adds that she was also drawn to first-time director Todd Lincoln’s approach to the genre, which relied more on mood and keeping the title being largely unseen. “Just talking to Todd about the direction he wanted to go in was extremely helpful,” she says. “He mentioned films like ‘Poltergeist’ and ‘Rosemary’s Baby’ and really wanted this to be kind of an elevated film and not about cheap scares, plus he wanted it to be smart. … I feel like the unknown is one of the most challenging things -- it’s scarier than something being right in your face, and I like the fact that you’re not quite sure what’s going on in a lot of the film, and there’s a lot of anticipation and tension that kind of builds up.”
Although her own career has been relatively short as well, Greene has nothing but praise for her novice director, saying, “You always hope for the best (working with a new director). I mean, I knew from talking to him that he’s a pretty smart guy and he had a really great vision and he was really detail-oriented and this was his baby, so I had full faith that he was going to make this film the best that he could.”
With outdoor locations filmed in California and indoor sets shot in Berlin, “The Apparition” proved to be a formidable physical challenge for the actors as well. But Greene says that her most taxing scene was an emotional one. “There a scene where Kelly sees this video that was really, really difficult for me,” she recalls. “It was this combination of realizing what she’s up against, and the reality setting in that this is not her imagination, mixed with this kind of betrayal and nothing being what she thought it was. Her whole world crumbles down in this one scene.”
With “The Apparition” coming out now, Greene is currently filming her role as Lisa Kristal, daughter of legendary rock club owner Hilly Kristal, in the movie “CBGB.” But first, of course, fans will see her one last time as Alice in this November’s finale, “The Twilight Saga: Breaking Dawn, Part 2.” Like many members of the cast, who were largely unknown before landing their roles in the romantic vampire franchise, Greene has mixed feelings about its ending.
“I’m going to miss it,” she admits. “It’s been really fun playing Alice and being able to work with the different directors and add layers to her. You know, it’s really fun whenever you get to work with your friends, and having these fans that are so passionate and so supportive and so respectful and loving the work that you’re doing is a very nice feeling. It’s been really great, but it is nice to move forward as well because I feel like it has opened up so many doors for me that it’s really exciting to take on new roles and discover new things. So, ‘bittersweet,’ I think, is probably the most appropriate word.”
“The Apparition” is in theaters on Friday, Aug. 24.
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Follow Don Kaye on Twitter @donkaye.
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In honor of 'Fast & Furious 6,' horror/sci-fi on the road

"Duel" (1971): This early Steven Spielberg thriller was made for television but was later expanded for theatrical release in Europe. Dennis Weaver plays a traveling salesman who is caught in a deadly cat-and-mouse game with a massive tanker and its unseen driver, who seems intent on running Weaver to his death. Based on a story by Richard Matheson, this gripping and lean shocker will keep you watching the rear view mirror the next time you're on a lonely road.
"Horror Express" (1972): We're going to jump briefly from cars and trucks to trains for this Spanish-British production that put Christopher Lee, Peter Cushing and Telly Savalas on the Trans-Siberian Express with an ancient frozen ape creature that is actually the hiding place of an alien entity from another galaxy. By the time it starts turning everyone on the speeding locomotive into zombies, you'll be hooked by this wild, over-the-top horror/sci-fi/runaway train mashup.
"Death Race 2000" (1975): Roger Corman produced this now-classic sci-fi satire, set in a future fascist America where the annual Transcontinental Road Race provides the ultimate in violent reality TV to keep the masses distracted. The more pedestrians you kill, the more points you acquire. Crashes and chases ensue -- and all of it seems eerily plausible these days.
"Race With the Devil" (1975): Two couples accidentally stumble upon a satanic ritual and are pursued in their RV across Texas by the cult. Peter Fonda and Warren Oates are the menfolk, Loretta Swit and Lara Parker are the ladies, and the movie builds a decent amount of tension while also delivering some knockout chase scenes.
"The Car" (1977): Notice how a lot of these movies are from the '70s, when films based around autos were very popular? "The Car" is as simple as it gets: A black Lincoln Continental begins laying waste to the citizens of a small Utah town. Why? It's possessed by a demon, silly. James Brolin plays the lawman tasked with stopping the infernal machine. Look for future "Real Housewives of Beverly Hills" sisters Kyle and Kim Richards as his daughters.
"Damnation Alley" (1977): This cheesy post-apocalyptic film was based loosely on a novel by sci-fi great Roger Zelazny and follows four men as they travel in 12-wheeled Landmasters across "Damnation Alley," the devastated heartland of what was once America that is now populated by freakish weather and giant mutated insects. The Landmasters almost outshine the actors -- Jan-Michael Vincent, George Peppard, Paul Winfield and others -- in one of two sci-fi films released in 1977 by 20th Century Fox. This one was supposed to be the hit. The other? "Star Wars."
"Mad Max" (1979) and "The Road Warrior" (1981): Australian director George Miller delivered some of the finest action sequences of their time in these brilliant first two entries in the "Mad Max" trilogy, starring a young Mel Gibson as a cop who lives through the collapse of society to become a near-mythic hero. The slamming automobile action in "Mad Max" paved the way for the climactic extended chase in the second film, surely one of the greatest in modern cinema.
"Maximum Overdrive" (1986): When the director -- who happened to be Stephen King -- calls his own picture a "moron movie," you know you're in for either a painful sit or an enjoyably bad time. Sadly, "Maximum Overdrive," which first-time (and only-time) director King based on his short story "Trucks," leans closer to the former. The idea of trucks, cars and other vehicles and machines coming to life and coming for us is a fun one, but King just sends it all into the ditch.
"Drive Angry" (2011): Car-chase movies with a supernatural or sci-fi slant dropped off the pop culture radar for a long time, but director Patrick Lussier and star Nicolas Cage tried to bring them back with this 3-D exercise, which does feature some well-staged automobile action but an ultimately dull story. Cage does the same loony schtick he's been doing for the past decade, while William Fichtner races off with the picture as the demonic Accountant.
Be prepared for moments between Plutarch and President Snow

During a Stella Artois-sponsored media event at the 2013 Cannes Film Festival, "Catching Fire" director Francis Lawrence revealed that the film, while keeping very faithful to the book, will also feature some entirely new scenes:
"Lots of new stuff—new cast members, new action, a new arena and a fantastic story. There's very little that's been taken out—there's some additional scenes with some of the characters," says Lawrence, who specifically mentions new moments between Gamemaker Plutarch Heavensbee (Philip Seymour Hoffman) and President Snow (Donald Sutherland).Could the still image shown above be from one of the scenes?
Bing: More about 'Catching Fire' | More about Francis Lawrence
Jennifer Lawrence has revealed, when asked about how "Catching Fire" compares to "The Hunger Games," that, "Visually, it's a lot bigger this time. We get a little deeper into The Capitol as Katniss is trying to get her life back together."
As the book is written from Katniss' perspective, we only see The Capitol as she does. We'd definitely be fascinated to see more of what goes on behind President Snow's closed doors.
"Catching Fire" is out in theaters Friday, November 22.
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