
FEATURED POST
'Who' premieres this week with big changes afoot
By Don Kaye
Special to MSN Movies
Spoiler alert, just in case the show is still sitting on your DVR: When we last left the 11th Doctor (Matt Smith) at the end of the sixth season of the modern “Doctor Who,” the Time Lord had fooled his enemies – the history-manipulating Silence – into thinking he was dead, at least for the time being, while admitting that he had gotten “too big” and was prepared to slip back into the “shadows” for a while. Perhaps, like James Bond – who is celebrating his 50th anniversary in 2012 as a big screen hero, just one year ahead of the Doctor’s own 50th on the small screen – the Doctor has realized that he can work much more effectively if less people know who he is.

That may be a difficult task, because the Doctor’s popularity has grown to new heights over the past few years. While the original incarnation of the show – which started all the way back in 1963 on the BBC, where it ran until 1989 – was nothing more than a cult oddity in the U.S., glimpsed fleetingly on PBS stations, the modern version launched in 2005 has become more popular than ever both in its native U.K. and here in the States, where it is one of the crown jewels of the BBC America cable channel (“Who” panels at the annual Comic-Con are regularly jam-packed).
Bing: More about 'Doctor Who' | More about BBC America
With the premiere of the seventh season finally set for this Saturday (Sept. 1) after being kept a mystery for quite a while, anticipation for the Doctor’s next set of adventures is reaching new heights. The show actually appeared on the cover of a recent issue of Entertainment Weekly, surprising for a cable series with ratings that, while impressive, are still relatively small compared to major network series. The other huge buzz happening around the new season (which will air its first five episodes this fall, with the rest coming in 2013) is a significant change in the regular cast: The Doctor’s husband-and-wife companions, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), will exit the show in the fifth episode, titled “The Angels Take Manhattan.”
Related: 'Doctor Who' gets season premiere date
Cast changes are nothing new for “Who,” of course: The ancient Doctor himself changes bodies every few years – that is, a new actor takes over the role when the current one decides he’s had enough. When the hugely popular David Tennant left as the 10th Doctor in 2009, fans wondered how the show would survive this time, but Matt Smith has proved to be a worthy successor. When Amy and Rory say farewell – in what is being billed as a “heartbreaking” story that takes place in Manhattan (a first for the series) and features the frightening Weeping Angels – they will be followed by a new companion, played by Jenna-Louise Coleman, who will make her debut in the 2012 Christmas Special.
Fans have loved Amy – the spunky, red-headed Scot has been more than up to the task of following the madcap Doctor – but have been less enamored with her somewhat passive yet good-hearted and ultimately courageous hubby. Two of the Doctor’s last three companions before them, Rose (Billie Piper) and Martha (Freema Agyeman), had unresolved romantic feelings for the Doctor, which gave the new series a fresh emotional underpinning (Catherine Tate as Donna, Tennant’s final companion before he left, had a strictly platonic view of the Time Lord). Although it seemed Amy might head in the same direction as Rose and Martha, the rise of Rory threw a wrench in the works, although any hints of a romantic “triangle,” as far as it could go, were more or less downplayed.
What path will the new companion (rumored to be named Clara) take? Will she, too, develop feelings for the 900-year-old alien who looks like a 29-year-old man? Showrunner Steven Moffat has promised she’ll be different from previous traveling buddies. Meanwhile, the new season will also feature, in its premiere episode, the return of the dreaded robotic race the Daleks – and this time, it will reportedly feature Daleks from across the show’s entire run. That itself may foreshadow 2013, the show’s 50th anniversary, where plans are afoot for some kind of celebratory event. Could all the surviving Doctors – which include Smith/Tennant predecessor Christopher Eccleston, Paul McGann (the eighth Doctor), Sylvester McCoy (the seventh), Colin Baker (the sixth), Peter Davison (the fifth) and the legendary Tom Baker (the fourth and still, with seven seasons, the longest-serving Doctor) -- be assembled for this extraordinary milestone?
We’ve still got a year to go before that happens. In the meantime, “Doctor Who” – the longest running TV series of its kind, and in all of science fiction -- will no doubt keep surprising, scaring and delighting us. All aboard the TARDIS, everyone …
'Scream 4' star signs on for more terror

Follow Don Kaye on Twitter @donkaye.
Find out how human pilots drive those massive robots

In honor of 'Fast & Furious 6,' horror/sci-fi on the road

"Duel" (1971): This early Steven Spielberg thriller was made for television but was later expanded for theatrical release in Europe. Dennis Weaver plays a traveling salesman who is caught in a deadly cat-and-mouse game with a massive tanker and its unseen driver, who seems intent on running Weaver to his death. Based on a story by Richard Matheson, this gripping and lean shocker will keep you watching the rear view mirror the next time you're on a lonely road.
"Horror Express" (1972): We're going to jump briefly from cars and trucks to trains for this Spanish-British production that put Christopher Lee, Peter Cushing and Telly Savalas on the Trans-Siberian Express with an ancient frozen ape creature that is actually the hiding place of an alien entity from another galaxy. By the time it starts turning everyone on the speeding locomotive into zombies, you'll be hooked by this wild, over-the-top horror/sci-fi/runaway train mashup.
"Death Race 2000" (1975): Roger Corman produced this now-classic sci-fi satire, set in a future fascist America where the annual Transcontinental Road Race provides the ultimate in violent reality TV to keep the masses distracted. The more pedestrians you kill, the more points you acquire. Crashes and chases ensue -- and all of it seems eerily plausible these days.
"Race With the Devil" (1975): Two couples accidentally stumble upon a satanic ritual and are pursued in their RV across Texas by the cult. Peter Fonda and Warren Oates are the menfolk, Loretta Swit and Lara Parker are the ladies, and the movie builds a decent amount of tension while also delivering some knockout chase scenes.
"The Car" (1977): Notice how a lot of these movies are from the '70s, when films based around autos were very popular? "The Car" is as simple as it gets: A black Lincoln Continental begins laying waste to the citizens of a small Utah town. Why? It's possessed by a demon, silly. James Brolin plays the lawman tasked with stopping the infernal machine. Look for future "Real Housewives of Beverly Hills" sisters Kyle and Kim Richards as his daughters.
"Damnation Alley" (1977): This cheesy post-apocalyptic film was based loosely on a novel by sci-fi great Roger Zelazny and follows four men as they travel in 12-wheeled Landmasters across "Damnation Alley," the devastated heartland of what was once America that is now populated by freakish weather and giant mutated insects. The Landmasters almost outshine the actors -- Jan-Michael Vincent, George Peppard, Paul Winfield and others -- in one of two sci-fi films released in 1977 by 20th Century Fox. This one was supposed to be the hit. The other? "Star Wars."
"Mad Max" (1979) and "The Road Warrior" (1981): Australian director George Miller delivered some of the finest action sequences of their time in these brilliant first two entries in the "Mad Max" trilogy, starring a young Mel Gibson as a cop who lives through the collapse of society to become a near-mythic hero. The slamming automobile action in "Mad Max" paved the way for the climactic extended chase in the second film, surely one of the greatest in modern cinema.
"Maximum Overdrive" (1986): When the director -- who happened to be Stephen King -- calls his own picture a "moron movie," you know you're in for either a painful sit or an enjoyably bad time. Sadly, "Maximum Overdrive," which first-time (and only-time) director King based on his short story "Trucks," leans closer to the former. The idea of trucks, cars and other vehicles and machines coming to life and coming for us is a fun one, but King just sends it all into the ditch.
"Drive Angry" (2011): Car-chase movies with a supernatural or sci-fi slant dropped off the pop culture radar for a long time, but director Patrick Lussier and star Nicolas Cage tried to bring them back with this 3-D exercise, which does feature some well-staged automobile action but an ultimately dull story. Cage does the same loony schtick he's been doing for the past decade, while William Fichtner races off with the picture as the demonic Accountant.
Be prepared for moments between Plutarch and President Snow

During a Stella Artois-sponsored media event at the 2013 Cannes Film Festival, "Catching Fire" director Francis Lawrence revealed that the film, while keeping very faithful to the book, will also feature some entirely new scenes:
"Lots of new stuff—new cast members, new action, a new arena and a fantastic story. There's very little that's been taken out—there's some additional scenes with some of the characters," says Lawrence, who specifically mentions new moments between Gamemaker Plutarch Heavensbee (Philip Seymour Hoffman) and President Snow (Donald Sutherland).Could the still image shown above be from one of the scenes?
Bing: More about 'Catching Fire' | More about Francis Lawrence
Jennifer Lawrence has revealed, when asked about how "Catching Fire" compares to "The Hunger Games," that, "Visually, it's a lot bigger this time. We get a little deeper into The Capitol as Katniss is trying to get her life back together."
As the book is written from Katniss' perspective, we only see The Capitol as she does. We'd definitely be fascinated to see more of what goes on behind President Snow's closed doors.
"Catching Fire" is out in theaters Friday, November 22.
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Kryptonian fight comes to Earth in spectacular new footage
That's what series star Sam Neill says

Matt Smith, Steven Moffat also set to return

Follow Don Kaye on Twitter @donkaye.
Odds favor 'Doctor Strange' and 'Hulk' movies

We already know what lies ahead for the rest of Phase Two: "Thor: The Dark World" arrives in November, followed next April by "Captain America: The Winter Soldier" and in August 2014 by the weirdest, most cosmic new addition, "Guardians of the Galaxy." Those, of course, will all lead up to "The Avengers 2" in May 2015, for which writer-director Joss Whedon has already confirmed the addition of mutant brother-sister act Quicksilver and the Scarlet Witch to the roster. But what happens after that presumably takes in its billion-plus box-office earnings?
Next comes Phase Three, and plans for that have been, until now, mostly murky. But Marvel president Kevin Feige, the public face of the studio, just gave an extensive interview to EW.com in which he discussed a number of potential candidates for Phase Three movies and gave some better chances of making the schedule than others. So let's take a look at the possibilities and lay our own odds on which heroes, villains and otherworldly beings could be blasting onto movie screens in 2015, 2016 and 2017:






And then there are the wayward children who have recently come home: the rights to "Daredevil," "Ghost Rider," "Punisher" and "Blade" have all reverted to Marvel from the studios that owned them previously. But don't expect to see any of them -- even Blade, the vampire hunter whose hit 1997 movie arguably launched the current wave of comic book movies -- back on the big screen in the near future.
Why? Because with the exception of Blade, none of these characters have truly caught on with the public. The first "Ghost Rider" and "Daredevil" were modest hits despite being widely regarded as lousy movies, while the second "Ghost Rider" and the "Punisher" films have been almost complete write-offs in both quality and commercial success. No one's asking for a new movie about Ghost Rider, and we suspect it will be a long time before anyone is.
Plus, there's only so much room in Phase Three, unless Marvel expands beyond its current pace of two films a year. With "Ant-Man" locked in and, say, "Doctor Strange" or "The Inhumans" making their debut, Feige and company still have to figure out where to put a "Thor 3" or a "Captain America 3" or, depending on how current negotiations go with Robert Downey Jr., an "Iron Man 4." This is a quality problem, one that will keep the Marvel brain trust up nights and the rest of us speculating madly until Phase Three is officially unveiled at Comic-Con 2015.
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