Albert Finney will also return in next summer's installment in the spy series
By William Goss Jul 27, 2011 9:45AM
I've missed Joan Allen. If IMDb is to be believed, she has indeed made films since her colorful turn in 2008's remake of "Death Race," but they have either been made for Lifetime ("Georgia O'Keeffe"), gone straight to DVD ("Hachi: A Dog's Tale") or not yet been released at all ("Good Sharma").So it brings me a not unreasonable amount of joy to read that she will be returning to the big screen proper with next summer's "The Bourne Legacy" (even if Matt Damon won't be). According to The Hollywood Reporter, CIA agent Pamela Landy will factor into the adventures of new agent Jeremy Renner, as will Albert Finney as Dr. Albert Hirsch, the nefarious mastermind behind the agency's brainwashing program.
After "Supremacy" and "Ultimatum," director Paul Greengrass will not be returning either, but he has been replaced by capable writer-director Tony Gilroy ("Duplicity," "Michael Clayton"), who has had a hand in every "Bourne" screenplay to date. I feel that the bar was set pretty high by the last film, but between Gilroy as director, Renner as star, Edward Norton as the bad guy and the triumphant return of Ms. Allen, things would seem to be on the right track for August 3, 2012.
Puts Drake Doremus on notice
By Corwin Neuse Jul 26, 2011 9:13PM
Although it doesn't come out stateside for another month, reviews are starting to trickle in for Zoe Saldana's new thriller "Colombiana." Reviews that should be irrelevant, thanks to the fiery incandescence of its star and the staggeringly awesome power of Megaton's hopefully factual name. Is he French? (Yes.) Is he some kind of shape-shifting alien robot? (No, that's Megatron.) Does he explode with the force of a thousand dying suns? (Possibly.)
Plus, the perils of 'Friends With Benefits'
By Corwin Neuse Jul 26, 2011 8:14PM
It's an age old quandary. Do you take your date to the bawdy, hilarious romantic comedy? Or the boring, poorly attended political documentary? And other rhetorical questions.
By Corwin Neuse Jul 26, 2011 6:39PM
After apparently making the decision to only appear in movies where he can wear stylishly retro headwear, Harrison Ford has signed on to play famed lawman Wyatt Earp in "Black Hats." The film will mark his second consecutive quasi-western after "Cowboys and Aliens," and cements his status as this generation's John Wayne: the grizzled, gravelly voiced, slightly grumpy, yet still somehow lovable paragon of all stoic manliness. Not to mention one of the biggest movie stars in the world.Since beginning his career playing charismatic rogues like Han Solo and Indiana Jones, Ford has graduated to more authoritarian roles, portraying a series of aggrieved patriarchs, esteemed doctors, and now lawmen. "Black Hats" will reportedly have him depicting an aging Wyatt Earp teaming up with former deputy Bat Masterson to rescue Doc Holiday's son from gangster Al Capone. The script will be written by "300" screenwriter Kurt Johnstad, based on a novel from "Road to Perdition" author Max Allan Collins.
What do you think, Hitlisters? Excited by Harrison Ford's new career turn? Intrigued by the talent behind the new movie? Is Clint Eastwood actually this generation's John Wayne? Or is the only John Wayne actually John Wayne?
[via the Hollywood Reporter]
Watch the new trailer for Garry Marshall's 'New Year's Eve'
By MSN Movies Jul 26, 2011 5:38PM
Ashton Kutcher. Robert De Niro. Zac Efron. Jessica Biel. Alyssa Milano. Lea Michele. Michelle Pfeiffer. Hilary Swank. Halle Berry. Need I say more?
So, tell us what you think in the comments below...
The Dude's abode from 'The Big Lebowski' is on the market, man
By William Goss Jul 26, 2011 4:45PM
Calling all Dudes, His Dudenesses, Duders and El Duderinos (if you're not into the whole brevity thing): these Venice, California realtors have a six-bungalow property for sale -- the very same featured in the 1998 Coen Brothers' comedy, "The Big Lebowski," as home to Jeff Bridges' The Dude -- at the mere asking price of $2.3 million.Before you balk, everything's been renovated and touched up since filming, which means you may need to bring your own rug to tie the room together. (I also assume that a nihilist has fixed the cable by now.) Plus, you can rent out the other five units to five fellow fans (ferrets optional) and use that money to put the Little Lebowski Urban Achievers through college.
Okay, I don't think I can possibly cram another reference in here. Time for a White Russian...
[via The Scoop]
If Chunky Bracelets for Men Become a New Trend? "I'll Take the Blame for It. I'll Start a Line of Them."
By James Rocchi Jul 26, 2011 4:04PM
With his stoic demeanor, strong features and quick-trigger reflexes, Daniel Craig's nameless wanderer in "Cowboys & Aliens" is in many ways the face of the film -- and, surprisingly, its heart and soul, as his character gets not only to save the day but to discover -- and redeem -- the man he was. But in person, Craig laughs easily, and his enthusiasm for his co-stars and crew is fairly evident; in other words, he couldn't be more removed from the dour, dark gunslinger he plays on screen. We spoke with him in Montana. When you read the script and you realize, 'I'm playing the classic Western man with no name,' how much fun is that?
Craig: I was given the script, I read it, and I found my people, and I said, "That's amazing; it's great. I'd love to see this movie. I don't know why I'm in it." I sat down with (screenwriters) Bob Orci and Alex Kurtzman and Jon (Favreau), and we talked about it. They said, "We want you to do it; we want you in it." It was a dream come true.
Was there a blink factor from the title, trying to reconcile the idea of how quick and brief the mental image of the title gives you versus the fullness of the film?
Craig: Those two things were one of the biggest appeals that there was no shying away from the fact this is what it's called. We're not going to change the title. It's not "Lonergan's Progress" or "Dolarhyde's Dilemma": it's "Cowboys and Aliens," and that's what happens. Within that, you hire the best talent you can and a great director, and you tell a story. I hope the audience is going to get whipped up enough by the story and emotionally involved with the characters enough to care for them when the s**t hits the fan.
Prior adaptation of Erich Remarque's WWI novel took home Best Picture in 1930
By William Goss Jul 26, 2011 2:54PM
As many filmmakers do, Mimi Leder came up through TV first. Then, in 1997, she got a break with DreamWorks' first release, the still fun George Clooney-Nicole Kidman vehicle "The Peacemaker." The next year brought "Deep Impact," and in 2000, Leder directed "Pay It Forward" before returning to the small screen for the past decade. (She would direct the 2009 Antonio Banderas-Morgan Freeman thriller "The Code," which -- for whatever reason -- went straight to video in the States.)Maybe it was a matter of preference on her part, or maybe the work just didn't come, but after two sizable hits and one cloying drama, it was strange to see her career path revert as it did. Now, Leder is back with "All Quiet on the Western Front," which is either a remake of the 1930 Best Picture winner about WWI trench warfare or, if you'd rather get picky about it, a second adaptation of Erich Remarque's acclaimed novel. (UPDATE: a commenter has brusquely but correctly noted that the novel had been previously adapted into a 1979 TV movie starring Ernest Borgnine.)
According to Deadline, production probably won't begin until late 2012, but with a little luck, it'll mean bigger and better things for Leder after that.
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