Plus, the perils of 'Friends With Benefits'
It's an age old quandary. Do you take your date to the bawdy, hilarious romantic comedy? Or the boring, poorly attended political documentary? And other rhetorical questions.
After apparently making the decision to only appear in movies where he can wear stylishly retro headwear, Harrison Ford has signed on to play famed lawman Wyatt Earp in "Black Hats." The film will mark his second consecutive quasi-western after "Cowboys and Aliens," and cements his status as this generation's John Wayne: the grizzled, gravelly voiced, slightly grumpy, yet still somehow lovable paragon of all stoic manliness. Not to mention one of the biggest movie stars in the world.Watch the new trailer for Garry Marshall's 'New Year's Eve'
Ashton Kutcher. Robert De Niro. Zac Efron. Jessica Biel. Alyssa Milano. Lea Michele. Michelle Pfeiffer. Hilary Swank. Halle Berry. Need I say more?
So, tell us what you think in the comments below...
The Dude's abode from 'The Big Lebowski' is on the market, man
Calling all Dudes, His Dudenesses, Duders and El Duderinos (if you're not into the whole brevity thing): these Venice, California realtors have a six-bungalow property for sale -- the very same featured in the 1998 Coen Brothers' comedy, "The Big Lebowski," as home to Jeff Bridges' The Dude -- at the mere asking price of $2.3 million.If Chunky Bracelets for Men Become a New Trend? "I'll Take the Blame for It. I'll Start a Line of Them."
With his stoic demeanor, strong features and quick-trigger reflexes, Daniel Craig's nameless wanderer in "Cowboys & Aliens" is in many ways the face of the film -- and, surprisingly, its heart and soul, as his character gets not only to save the day but to discover -- and redeem -- the man he was. But in person, Craig laughs easily, and his enthusiasm for his co-stars and crew is fairly evident; in other words, he couldn't be more removed from the dour, dark gunslinger he plays on screen. We spoke with him in Montana. When you read the script and you realize, 'I'm playing the classic Western man with no name,' how much fun is that?
Craig: I was given the script, I read it, and I found my people, and I said, "That's amazing; it's great. I'd love to see this movie. I don't know why I'm in it." I sat down with (screenwriters) Bob Orci and Alex Kurtzman and Jon (Favreau), and we talked about it. They said, "We want you to do it; we want you in it." It was a dream come true.
Was there a blink factor from the title, trying to reconcile the idea of how quick and brief the mental image of the title gives you versus the fullness of the film?
Craig: Those two things were one of the biggest appeals that there was no shying away from the fact this is what it's called. We're not going to change the title. It's not "Lonergan's Progress" or "Dolarhyde's Dilemma": it's "Cowboys and Aliens," and that's what happens. Within that, you hire the best talent you can and a great director, and you tell a story. I hope the audience is going to get whipped up enough by the story and emotionally involved with the characters enough to care for them when the s**t hits the fan.
Prior adaptation of Erich Remarque's WWI novel took home Best Picture in 1930
As many filmmakers do, Mimi Leder came up through TV first. Then, in 1997, she got a break with DreamWorks' first release, the still fun George Clooney-Nicole Kidman vehicle "The Peacemaker." The next year brought "Deep Impact," and in 2000, Leder directed "Pay It Forward" before returning to the small screen for the past decade. (She would direct the 2009 Antonio Banderas-Morgan Freeman thriller "The Code," which -- for whatever reason -- went straight to video in the States.)On Makeovers, Comedy and Bein' Smooth with the Ladies
In "Crazy, Stupid, Love.", Steve Carell plays a long-married man whose imploding life-long marriage leaves him adrift and lost -- the perfect kind of human jetsam for smooth seducer Ryan Gosling to meet, mentor and make-over after childhood sweetheart Julianne Moore pulls the adult trick of crushing his heart. Carell's character, flailing and failing, is the center of "Crazy, Stupid, Love." -- with the intriguing irony that Carell's never been more in control of his career; the comedy marks the first release backed by his own production company. We spoke with Carell in New York.
This film looks at a lot of big relationship issues and a lot of things about truth, but let's talk about the tough stuff first: You get a pretty good makeover.
Carell: I do.
Was that gratifying to see that happen?
Carell: Yeah, I needed it.
You're certainly a stylish gentleman in the real world.
Carell: For sure.
When they slump you down and then you get to twirl as if by magic and you're like Cinderella at the ball with Ryan Gosling --
Carell: It's a dream come true.
The caps are loaded for the awards season's starting pistol
Sometimes, friends or colleagues ask me what vested interest I could possibly have in any given year's awards season. Like clockwork, many of our favorite films and performances get snubbed by a system that operates mostly on marketing power and almost entirely outside of our control. I like to think it's akin to those friends and colleagues and their likely fascination with certain sports - they can make their predictions, study the statistics, but they're never going to affect the outcome themselves.movie news
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