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Film is latest from lauded arthouse director Jeff Nichols

By Kate Erbland Jan 16, 2013 10:47PM
Approximately one minute and thirty seconds into the first trailer for Jeff Nichols' "Mud," the newly-released piece of marketing tells us perhaps the only thing we need to know about the film. It's not that it's the latest film from the incredibly talented "Take Shelter" filmmaker, or that it features Reese Witherspoon in the rare unlikable role, or that it involves a boat in a tree, or even that the always-welcome Michael Shannon is in it. Instead, it's that, as Jason Solomons of "The Guardian" sees it, "Matthew McConaughey gives the best performance of his career" in it.


Considering that McConaughey has been steadily churning out stunning performance after stunning performance lately (from the grease-stained "Killer Joe" to the glitzy "Magic Mike" to the insanely likable "The Lincoln Lawyer"), that's not a compliment to take lightly. Also not to be taken lightly? Any film from Nichols, no matter how straightforward this first trailer might appear to be.

The film is billed as "a coming-of-age drama centered around two fourteen-year-old boys who encounter a mysterious fugitive hiding out on an island in the Mississippi. Intrigued by this man, they enter into a pact to help him evade capture and reconnect with the love of his life. Though it is hard for the boys to discern truth from fiction when it comes to Mud, it isn't long until their small Arkansas town is besieged by a beautiful girl with a line of hunters in tow." Something tells us that not everything is as it seems for either Mud or the boys (but it sure will look good!).

Check out the first trailer for "Mud," thanks to Yahoo! Movies, after the break. 

Sofia Coppola takes on the kid crooks who both exploited and embraced tabloid culture

By William Goss 20 minutes ago
Rating: 3.5/5 stars

In 2008 and 2009, a group of L.A. teens used their Internet savvy to determine where celebrities lived, when they'd be out of town (as well-documented by tabloid sites and the like) and how best to help themselves to more than $3 million worth of designer clothes, goods and cash, with their victims either unaware of the burglaries or unwilling to report the break-ins. What's more, their eventual capture would only result in the type of arbitrary celebrity status that their own glamorous role models enjoyed.

It's a fascinating story that encapsulates today's entitled youth culture, online transparency and do-anything desire for attention, one which namely resulted in a 2010 feature in Vanity Fair (brilliantly titled "The Suspects Wore Louboutins") and, now, a film in the form of Sofia Coppola's "The Bling Ring," which doesn't explore the who's and why's of the scenario so much as the how's and why-not's.
 

Of course it will be in 3D

By Kate Erbland 16 hours ago
Fans of the number one paid app of all time are finally getting what they want, which bizarrely seems to mean making said app into a movie that doesn't involve any kind of gameplay, can't be held in your hand, and will cost even more to enjoy. That's right, "Angry Birds" is going to be a movie!


Bing: More on 'Angry Birds'


Sony Pictures Entertainment announced this week via press release that they've picked up the worldwide distribution rights to the "eagerly anticipated" film from Rovio Entertainment, which will unsurprisingly be an animated 3D feature (want to get us interested in an "Angry Birds" movie? make it live action). The film does not yet have a writer, director, or voice cast in place, but while we'll make fun of such a film until the pigs come home, Sony has certainly had great luck with their other animated properties, including "Cloudy with a Chance of Meatballs," "Arthur Christmas," and "The Pirates! Band of Misfits," so they will likely trot out some big name talent to puff up their new prize property. 


Bing: More on Rovio Entertainment


There's also no word on the finer plot details of the film, but we can only assume that it will center on some pissed off birds, desperate to exact revenge on the green pigs who have stolen their eggs. Perhaps the film will be an origin story of sorts, one that explains why the pigs are green and why they would steal oodles of eggs from some birds with anger issues. There's so many questions to answer!


The "Angry Birds" movie will open on July 1, 2016.

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Remember all the good times? And also that other movie?

By Kate Erbland 16 hours ago
Let's all take a moment to remember the first "Hangover" film, a relatively simple story about three idiots, a tiger, a naked man, a baby, a stripper, Las Vegas, and a quest to find a dear friend. Remember how things seemed so innocent back in 2009, when the worst thing that could happen was that dear friend Doug (Justin Bartha) wouldn't be found in time to make it to his own wedding? Remember how shocking things like Mike Tyson and an abandoned baby and a visit to a strip club were back then? Remember the singing? Oh, the good old days.


When director Todd Phillips hit the jackpot with the first film, there was no question that the film would spawn a sequel, if not an entire franchise, but the film's immediate follow-up proved that perhaps comedic lightning really only does strike once. After all, "The Hangover Part II" was so clearly a complete rip-off of the first film (just set in Thailand, and made all the more wacky and over-the-top and totally impossible to believe) and that's what most audiences didn't like about it, so what could possibly happen in a third film that would endear the franchise to people again?


Apparently, nostalgia, plenty of f-bombs, and stakes a whole hell of a lot higher than "oops, I may not make it to a major life event!" - at least, that's what at play in a new red band trailer for the film. The first half of the red band trailer mixes up plenty of scenes from both the first film and its sequel (have fun trying to pick which scene is from which film!) in order to ramp up audience emotion for the final film (aw, the Wolfpack!), and it's followed by a bigger look at the final film (including tons of Ken Jeong and enough swearing to really earn that red band designation). If this trailer won't get you pumped for "The Hangover Part III," nothing will, and that's probably what Warner Bros. is betting on. Are you sold?

Check out the new red band trailer for "The Hangover Part III," thanks to Warner Bros., after the break. 

Videodrone's take on the biggest, best, coolest and culty-ist releases of the week

By SeanAx 22 hours ago

New Releases:

"Cloud Atlas" (Warner), the sprawling, dazzling, ambitious collaboration between "Matrix" makers Lana and Andy Wachowski and Germany's Tom Tykwer weaves together the six distinctive stories in six different eras with a cast that reappears throughout the timelines. At once literal and evasive, this is a film that wears its heart on its beautifully stitched sleeve and its meaning in its design and yet finds so many facets in which to mirror its ideas throughout its incarnations. It failed to connect with audiences on its initial release, but gets a second chance on home video, where its 170-minute length may not be such an issue. Blu-ray, DVD, and On Demand. Videodrone's review is here.

 

Check out MSN's exclusive "Cloud Atlas" infographic and enter to win a Blu-ray combo pack from MSN and Warner Home Video.

 

"A Glimpse Inside the Mind Of Charles Swan III" (Lionsgate), the first feature from Roman Coppola since "CQ" more than a decade ago, stars Charlie Sheen as a hedonistic, ego-fueled graphic artist facing an early-life crisis. Blu-ray and DVD, also at Redbox.

 

"Frankie Go Boom" (Universal), a comedy about sibling rivalry and practical joking gone awry starring Charlie Hunnam and Chris O'Dowd "possesses a surprisingly sweet heart," recommends MSN film critic Kat Murphy. Blu-ray and DVD

 

Plus: the latest reboot of the landmark horror film titled simply "Texas Chainsaw" (Lionsgate, Blu-ray, Blu-ray 3D, DVD, On Demand and at Redbox) and the historical epic "Back to 1942" (Well Go, Blu-ray, DVD, and On Demand) from China.

 

Most releases are also available as digital download and VOD via iTunes, Amazon, and other web retailers and video services.

 

Browse the complete New Release Rack here

  

TV on Disc:

The central conflict of "Dexter: The Seventh Season" (Paramount), Showtime's blackly-comic series about TV's favorite serial-killer hero, isn't with another killer. This season Dexter's (Michael C. Hall) adoptive sister Debra (Jennifer Carpenter), who happens to be a police detective, discovers his secret and has to come to terms with the fact that her brother is the killer she's been hunting all these seasons. Family secrets can be so divisive. Blu-ray and DVD. Videodrone's review is here.

 

"The Bletchley Circle" (PBS) is a self-contained British mystery mini-series set in 1950s London, but it could easily launch a continuing series based on the strength of its characters, a quartet of women who were code breakers during World War II, and its setting. Blu-ray and DVD. Reviewed on Videodrone here.

 

Film stars Robert DeNiro, Morgan Freeman, Kevin Kline, and Michael Douglas

By Corwin Neuse Thu 8:40 PM
Call this "The Hangover" for the AARP set. Starring Robert DeNiro, Morgan Freeman, Kevin Kline, and Michael Douglas—Academy Award® winners all—"Last Vegas" at least has a prestigious pedigree going for it. Timeliness? Not so much. Nor does it's target audience usually leave the house. For anything except groceries. Or damnably serious Oscar-bait like "The Artist" or "The King's Speech." So, while "Last Vegas" might be a hoot and a half, and will certainly garner massive ratings whenever it premiers on CBS or Turner Movie Classics, a shoe-in for massive box office returns it is not.

What's the plot? Michael Douglas is getting married, and invites his old cohorts/partners in metaphorical crime DeNiro, Freeman, and Kline to meet him in Las Vegas for his bachelor party. Debauchery and, presumably, hilarity ensue. Also lots of old people jokes, plus Morgan Freeman gets drunk on Red Bull and vodka and then starts dancing by himself. So if you've ever wanted to see that—who hasn't?—there it is.

What say you, Hitlisters? Does "Last Vegas" have a chance to become the highest grossing "old people doing inappropriate things" movie since "Waking Ned Devine?" Could they somehow combine this with the "RED" franchise, just to add a few explosions? Check out the clip, posted after the break, courtesy of Yahoo!, and let us know what you think in the comments...
 

Mostly silent clip shows off the film's more cinematic aspects

By Corwin Neuse Thu 8:09 PM
Disney released a promising new teaser for its upcoming "Cars" spinoff "Planes" today, giving us hope that the Dane Cook-led animated flick might not be all that bad. Sure, it still seems primarily designed to sell a boatload of toys—and, hmm, speaking of which, could a Disney's "Boats" be that far off?—but the action sequences are sumptuous enough, and certainly justify the studio's decision to release the project theatrically instead of sending it straight to DVD.


Due to recent casting changes—Cook was only recently added to the film's extensive roster of voice talent, which includes Brad Garrett, Teri Hatcher, Cedric the Entertainer, Julia Louis-Dreyfus, John Cleese, Sinbad (!), the "Top Gun" duo of Anthony Edwards and Val Kilmer, plus sportscasters Colin Cowherd and Brent Musburger—the two plus minute long clip doesn't contain any spoken dialog. Not that it suffers for it. In fact, the whole effect is such that it makes us wonder why Disney couldn't release the film as is, as a silent film with only music. Although we're technically missing Dane Cook's dialog, we're not exactly missing him, if you know what we mean...

What do you think, Hitlisters? Check out the trailer, posted below, and let us know in the comments, or tell us on MSN Movies Facebook and Twitter.
 

Plus Lars von Trier's 'Antichrist,' the original 'The Corsican Brothers,' classic film noir and more

By SeanAx Thu 6:02 PM

Horror films take top honors in the Netflix new releases this week.

 

Newly-anointed Oscar winner Jennifer Lawrence takes a detour into horror in "House at the End of the Street" (2012), playing the new girl in a neighborhood where a grisly crime wiped out an entire family except for the enigmatic teenage son. Ill-advised curiosity ensues. In words of MSN film critic Glenn Kenny, "originality, or lack thereof, isn't really the movie's problem. Execution is."

 

"Dead Snow" (2009) – There's blood on the snow when Nazi zombies rise from the powder of the Norwegian Alps to feed on the flesh vacationing innocents in this dryly hilarious horror comedy. Writer/director Tommy Wirkola gives it a macabre sense of splatter humor a la "Evil Dead 2" (complete with zombie hunters armed with chainsaws and other deep woods implements of destruction) without self-conscious wisecracking of the genre, and accomplishes it all with a crisp professionalism.

 

"Kill List" (2011) is a British hit-man thriller that swerves into a jangly horror film. Directed by Ben Wheatley ("Down Terrace"), the film is "harrowing, inventive, disturbing and shudderingly brisk," in the words of MSN film critic Glenn Kenny. It's also pretty darn dark and very unsettling as it takes viewers down unexpected alleys.

 

For fans of extreme cinema, here are a couple that will shake up even the hardiest souls. Lars von Trier's "Antichrist" (2009) with Willen Dafoe and Charlotte Gainsbourg is a harrowing portrait of marriage and mourning as a morass of anger, suspicion and power in a diseased world, a vision both beautiful and sour, serious and seriously screwed up. Gaspar Noe's violent "Irreversible" uses the cinema as an assault weapon to tell the story of a loving couple (Monica Bellucci and Vincent Cassel) destroyed by a random rape and the rage-fueled revenge, in reverse: a fever-induced nightmare reimagining of “Memento.”

 

On the lighter side is "Lagaan" (2001), a sweeping epic-length Bollywood musical that spins romantic triangles, solidarity through teamwork, and simple melodramatic clashes of good and evil into explosions of color, song, and happy endings and climaxes with a three day long cricket match (!) between arrogant British colonial rulers and a scruffy team of underdogs in 19th century India.

 

Dax Shepard writes, co-directs, and stars in "Hit & Run" (Universal), and action comedy with Kristen Bell, Kristen Chenoweth, and Tom Arnold. MSN film critic Glenn Kenny calls it "one of the summer's most enjoyable surprises, a consistently disarming romantic comedy…"


More recommended new arrivals at Videodrone


For more releases, see Hot Tips and Top Picks: DVDs, Blu-rays and streaming video for week of May 14

 

The Noah Baumbach film follows the exploits of a floundering 27-year-old woman in Brooklyn who is trying to grow up

By DannyMiller Thu 5:03 PM

Frances (Greta Gerwig) lives in New York, but doesn’t really have an apartment. Frances has a best friend named Sophie (Mickey Sumner) but they aren’t really speaking. Frances throws herself into her dreams even as their possible reality dwindles. Frances wants so much more than she has, but lives her life with unaccountable joy and lightness. “Frances Ha” is a modern comic fable in which director and co-writer (with Gerwig) Noah Baumbach explores New York, friendship, class, ambition, failure, and redemption. Filmed in glorious black and white, “Frances Ha” evokes the best of Woody Allen with a little Lena Dunham thrown in for good measure. The film also stars Adam Driver, Charlotte d’Amboise, and Grace Gummer. I spoke with Greta Gerwig in Los Angeles.

 

MSN Movies: This is such a great character and the film seems like it is a very personal project for you.

 

Greta Gerwig: It is, and it’s very exciting to finally be able to show it to people. Usually when I’ve acted in things I’ve come to it much later in the process so it’s not as long as a wait until it gets out there. But writing it and casting it and getting it into production and acting in it and the whole editing process—I feel like I’ve lived with it for so long now. So when people like it, you think, “Thank God, because that was two years of my life!”

 

When you co-write a character like this and then play that character, are there times on set where you think, “Hold it, Frances wouldn’t do that!” Did you and Noah Baumbach have discussions about what was right for Frances while you were making the film or were you always on the same page?

 

Well, when we were writing it, I actually had to not think about playing the character at all. I just removed myself from that completely otherwise I would have felt very self-conscious and creatively blocked. But once we were on set, we both kind of knew when it was working and when it wasn’t. There were days when it took me a second to find exactly how I needed to do it and to feel Frances’s rhythms and the way she should look and sound but other times it was there very quickly.

 

It must feel different when you’re the writer and the actor. I’m sure there are times on other movies when you’re struggling a little bit and find yourself thinking, “Who wrote this thing?” But here the answer is, “Oh crap—I did!”

 

(Laughs.) Yes, there were definitely moments like that! Especially because Noah and I were very specific about words and word order. We didn't really do any improvisation in this movie or changing of lines. People on this movie didn’t “make the lines their own.” We worked really hard in the writing stage to make the script as specific as possible. We had very specific rhythms and sometimes I would get so frustrated because I would be tripping over something that I had written and I would be like, “What does it matter if she says it this way or that way?” And then the writer in me would say, “It does matter! You don’t want other people to mess it up, so now you have to treat it with the same respect.”


Bing: More on Greta Gerwing | More on 'Frances Ha'

 

I mean this as a total compliment, but it wouldn’t have surprised me if you said, “We had the basic idea for certain scenes but then we just let the actors go.” The dialogue just sounded that natural. But on the other hand, it makes sense to hear that you had a very tight script because some of those scenes could never have seemed as “real” and as uncomfortable if you were improvising that dialogue.

 

No, and it’s also much easier to disguise certain plot points if you have a solid script. I think that when you’re improvising, you’re not clever enough in the moment to finesse those moments but as writers, you can say, “Okay, this information needs to come out but it has to feel like they're not broadcasting it.” I like to improvise in my actual life, but I’ve gotten to a place with acting where I really enjoy sticking very close to a script. I find it’s more fun to work with actors that way. There are such great actors in this movie and they really get to show what they can do with text.

 

And obviously there are so many different ways you can approach a line, so I guess as actors you’re always improvising to some extent.

 
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