Then get your sick self to Halloween Horror Nights
Adapting Paul Auster's novel joins the auteur's long line of potential projects
Teams up with Ben Stiller to make caper comedy
In unrelated news, the Mayan apocalypse is only 17 months away
From Tragedy to Comedy, with Stops for Gummy Bears
With his capability to flip-flop from role to role with incredible ease -- playing a Jewish skinhead and then a soulful Nicholas Sparks hero, a warm-hearted doll fetishist and then a broken-hearted hipster -- watching what Ryan Gosling will do next has become almost as much of a pleasure as watching Ryan Gosling. In "Crazy, Stupid, Love." Gosling is Jacob -- a swaggering pick-up artist whose relationship with Emma Stone's Hannah makes him realize all the ways he's picking girls up is in fact letting them, and him, down. We spoke with Gosling in New York.
This is a different kind of you that we've seen before: You're a type-A womanizer. It's interesting to see you in that role. That must have been the fun of taking it on, am I correct?
Gosling: Yeah, although I just did it to work with Steve Carell.
That was the number one appeal?
Gosling: I love him. He is my hero.
Film marks his first post-Twilight starring role
Clooney will co-star with Ryan Gosling in the political morality tale
Based on Beau Willimon’s play “Farragut North,” multi-hyphenate George Clooney is bringing the political morality tale to the screen, starring himself and a fantastic cast, including Ryan Gosling, Paul Giamatti, Philip Seymour Hoffman, Evan Rachel Wood, Marissa Tomei, and Max Minghella. Clooney’s take on the play will be released under the title “The Ides of March,” and is already set to premiere on August 31 at the Venice International Film Festival.
The first trailer for the film has been released, and it serves as a solid first look, especially in terms of introducing the major players of the film’s story. Though Clooney is getting top billing here as Mike Morris, a governor campaigning for the presidency, the plot of “Ides” truly belongs to Gosling’s character, Stephen Myers. Stephen’s official title within Morris’ campaign is press secretary, but he’s much, much more than just that – he’s the brains behind Morris’ entire operation. Within the first ten seconds of this first trailer, Stephen’s philosophy is laid bare – he believes in doing the “right thing” (sometimes). The film plots some of the most important days on the campaign trail, as Stephen finds his loyalty called into question by a number of outside influences – other staffers, a sexy intern, a reporter out for a big story, and another campaign.
Willimon’s play is loosely based on the 2004 campaign of Howard Dean, but some of the biggest similarities that are fairly obvious in the play seem to have been sloughed off in this new version. I saw the play (twice, it was just that good) back in 2009. Gosling’s role was played by Chris Pine (whose theatrical experience is rarely discussed, which is a shame, because he’s magnetic on the small stage), with Chris Noth playing the character Hoffman will portray in the film. It’s a dynamic, engaging work, and it really toys with the ideas of hubris, pride, ambition, and loyalty to heart-stopping effect. I hope that the pounding sense of urgency and involvement that runs through the play translates to the screen in Clooney’s version.
How do you make a gripping sci-fi film with no money?
When they were shooting their new indie flick “Another Earth,” director Mike Cahill and co-writer/star Brit Marling clearly had no budget to speak of. They used Cahill’s mother’s home in Connecticut, they borrowed cars from family and friends, and they engaged in guerilla filmmaking techniques to get the shots they needed.
Marling described some of their tricks on a recent interview on NPR’s “All Things Considered.” When the film’s main character, Rhoda Williams (Marling) is seen leaving the prison where she’d been incarcerated for a drunk driving episode that killed a little boy and his pregnant mother, they did not have the financial means to secure a prison location for the scene. What to do? Go to an actual prison building…and shoot fast! With cameras trained on the front of the facility, Brit grabbed a yoga mat and waltzed through the main entrance, cheerfully announcing that she was there to give the prisoners a yoga lesson. After a few blank stares from puzzled prison officials, Marling simply dropped the yoga mat and walked out of the building as Cahill’s cameras turned. The required shot was in the can!
In some cases, the lack of an adequate budget might sink a fledgling film, but for “Another Earth,” a brooding, introspective look at how individuals with once-promising futures grapple with sadness, guilt, and redemption, the budget challenges may have helped create the tone that gave the film such a buzz at Sundance and sparked a bidding war for the rights (Fox Searchlight is distributing the film).