The 'Midnight Cowboy,' 'Goldfinger' composer passes away at 77
He will be greatly missed in the film community and has created some of the most enduring movie scores ever, from "Beat Girl" to the James Bond films to "Midnight Cowboy" and more.
Here's a wonderful Vanity Fair piece (written by Bruce Handy) about Barry before he passed away. It encapsulates his magic quite well:
"I was a melancholy kid, and growing up I found myself drawn to bright but melancholy music: Simon and Garfunkel, the gloomier Beatles tunes (George Harrison’s stuff), Smokey Robinson’s 'The Tears of a Clown,' and—a less likely favorite—the soundtrack to 'Midnight Cowboy,' which for years my parents played every night at cocktail hour, so much so that even now, whenever I hear it, I get a potent sense memory of the smell of gin and tonic. The soundtrack combined pop songs, including Harry Nilsson’s plaintive version of 'Everybody’s Talkin’, with a handful of orchestral cues, notably the movie’s main theme, with its loping, bittersweet melody played on harmonica.
"I hadn’t seen the movie—it was rated X when it came out in 1969, and I was 10—but the music spoke to me. It was sad but also glamorous, urban, and it had scope, a kind of wide-screen sweep—the score for a Western re-written as an Eastern. As I got older, I realized it was witty. And when I finally saw 'Midnight Cowboy,' I realized the music fit the movie’s odd meld of comedy and pathos perfectly: underneath it all, like the losers played by Jon Voight and Dustin Hoffman, the music yearned.
"I knew from the LP jacket that John Barry had written the instrumentals and supervised the rest, which didn’t mean much to me until I saw my first James Bond movie, 'You Only Live Twice.' Watching it (in re-release) at the age of 11 was a revelatory experience, like mainlining a brand of movie heroin formulated especially for pre-adolescents—a peak filmgoing experience I’ve never really equaled. I noticed Barry’s name in the credits for that too. The same guy who did the sad, sparkling music for 'Midnight Cowboy' also did that sexy, almost excruciatingly exciting James Bond music? This may have been my first intimation of what 'genius' means. Or at least 'range.'"
Crazy good ...
Which movie won? Considering it's positive buzz, it's not so, like, crazy.
Read here, from MSN:
"A film about young lovers in a long-distance relationship called 'Like Crazy' was awarded the grand jury prize for a U.S. drama at the 2011 Sundance Film Festival. Its star, Felicity Jones, also received a special jury prize for acting in the movie.
"America Ferrera presented the acting award to Jones, who was not in attendance at the Saturday night ceremony, saying "the 2011 Sundance Film Festival will go down as the year of the actress.'
"Peter D. Richardson's film 'How to Die in Oregon' won the grand jury U.S. documentary prize. It follows terminally ill patients living in Oregon, the first state to legalize physician-assisted suicide.
"Also recognized were Mike Cahill and Brit Marling's sci-fi film 'Another Earth,' which won a dramatic special jury prize and the Alfred P. Sloan award.
"Cahill, who directed and co-wrote the movie, said 'this is the greatest week of our lives.' The film is about two strangers brought together the night before the discovery of a duplicate planet Earth.
"The Festival's awards ceremony was hosted by actor Tim Blake Nelson, who appears in the comedic bank heist film 'Flypaper,' which premiered at Sundance. Nelson told the audience, 'If you win a prize today, that's fantastic. Congratulations. But if you don't, persevere because if you have made it this far, trust me, your film will find a home.'"
Portman, Firth win top honors
Here's the winners of the Screen Actors Guild award via TheWrap:
"'The King's Speech' continued its week-long dominance of key awards contests on Sunday night, winning the feature film ensemble cast award from the Screen Actors Guild and reasserting its position as the clear favorite for the Best Picture Oscar.
"As expected, Colin Firth won best actor for 'The King’s Speech' and Natalie Portman won best actress for her role in 'The Swan.' [That's 'Black Swan,' by the way, TheWrap might one to get on that typo or too swiftly written entry]
“'The Fighter,' David O. Russell’s boxing drama, yielded both supporting actor wins, with Christian Bale Melissa Leo taking home trophies."
Through their poster art ...
The Shiznit writes: "Join us as we dare to dream and imagine a world where the 10 Best Picture nominees had posters that had to tell the truth about the movies they advertise. What a magical land... "
The mighty wisdom of wine ...
That would be Emilio Estevez and his budding wine vineyard. The vineyard down the street from his parents, Martin and Janet Sheen. Can we have a collective ... awwww?
And on that note, Charlie --- please. Once you're out of the hospital, take a break, hang with the family, play with your kids, eat some cheese and stomp some grapes. Don't drink the final product quite yet, but, and, I'm going to make an assumption here, your family seems pretty nice. I have a feeling they'd make it easier for you.
Here's the story from the New York Times:
“'One day I came home and he had dug up all the grass,' recalled Sonja Magdevski, Mr. Estevez’s fiancée. 'He was like: ‘We’re going to plant! We need more space!’
"The year was 2005, and Mr. Estevez was working on 'Bobby,' a film he wrote and directed, about the assassination of Robert F. Kennedy. The couple lived, as they still do, in a Spanish-style home on a one-acre lot in Malibu — not exactly a prime locale for vintners.
"Mr. Estevez had already planted the front yard with vines, ignoring the protests of his parents, Martin and Janet Sheen, who live right down the street. (According to him, they said: 'You’re out of your mind. What are you doing?') Now, excepting the house, the pool and the bocce court, he was determined to fill almost every square inch of the property with 800 vines."
We love Ricky Gervais, and we think Hollywood still does too ...
His recent, David Brent-style hat-tip to Steve Carrell in the series he created --"The Office" -- is strangely ... touching.
Watch it here.
This time: Peter Jackson's health
Here's more from Next Movie:
"But despite the amount of money the film is guaranteed to make, 'The Hobbit' has struggled to get off the ground for nearly eight years, being delayed by everything from the studio refusing to greenlight it, to original director Guillermo del Toro dropping out to the New Zealand film community staging a labor protest.
"And now this: just when the movie seemed ready to start filming, 'The Hobbit' has been delayed yet again due to a sudden medical emergency — involving Peter Jackson himself.
Yes, unfortunately, it’s true: according to the New Zealand website Stuff, Peter Jackson was rushed to the hospital last night with a perforated ulcer, which required immediate surgery. The good news is Jackson is expected to make a full recovery. The bad news is, of course, that filming on “The Hobbit” will be delayed yet again.
"Of course, it could have been far worse; perforated ulcers are no joke, as they involve acid from your stomach eating its way out and literally burning through your body. Eerily, 'Hobbit' and 'Lord of the Rings' author J.R.R. Tolkein himself died from complications caused by a perforated ulcer. Luckily for everyone, however, Jackson appears to be in no danger thanks to the magic of modern medicine."
The 2011 Sundance Short Film Awards
With such wonderfully eclectic, innovative, moving, funny, disturbing and beautifully crafted shorts to choose from, Sundance jury duty was not an easy task.
But it was an exciting and thought-provoking task, and one that I, along with fellow jurors Sara Bernstein (vice president of HBO Documentary films) and Barry Jenkins (director/writer of "Medicine for Melancholy") were honored to be a part of. And we had a lot of fun, too. Many thanks to everyone at Sundance for allowing us to judge. We were mesmerized by so many pictures.
So last night, with much anticipation and happiness, we took to Park City's Jupiter Bowl (and it really is a bowling alley) and ambled onstage (me, nervously so) to hand out the awards. First came the honorable mentions. The impressive, diverse group of shorts included "Choke," by Michelle Latimer (Canada), "Diarchy," by Ferdinand Cito Filmomarino (Italy), "The External World," by David O'Reilly (Germany/Ireland), "The Legend of Beaver Dam," by Jerome Sable and Eli Batalion (Canada), "Out of Reach," by Jakub Stozek (Poland) and "Protoparticles" (shown above), by Chema Garcia Ibarra (Spain).
The Jury Prize in International Short Filmmaking went to Ariel Kleiman's "Deeper Than Yesterday" (Australia, in Russian), a haunting, gritty, mysterious, gorgeously crafted depiction of a lonely Russian submarine crew that was both horrifying and touching and then something like a fairy tale. It was a film that left us in awe -- the acting, the actors' faces, the story and the absolute assuredness of big-screen filmmaking. It's an unforgettable picture.
Matt Piedmont's irreverent, inventive, charmingly Mandom-esque, animated (with dolls) short, "Brick Novax parts 1 and 2," nabbed the U.S. Jury Prize in Short Filmmaking. It's a short that we hope to see extended into a series. We yearned to know more of Brick's past adventures (from folk singer to slacks designer), and we hope Piedmont gives everyone the chance to experience one of the coolest men in the world. Never mind the fact he's a doll.
Watch the video of the event after the jump. Congratulations to all of the filmmakers!