"Larry Crowne" (Universal), directed and co-written by and starring Tom Hanks, just wants to be liked. Hanks plays a department store salesman who gets downsized in the economic climate and enrolls in community college to get a degree and a new start and he's as sweet and unassuming and genuine a fellow as you'll see in a film this year. Of course he's just the guy to pull his speech teacher (Julia Roberts) out of the funk of career burnout and a miserable marriage (Bryan Cranston, a procrastinating writer who spends his days searching vintage porn).

 

Hanks wants to tap into the zeitgeist of the era -- Larry is just another hard working citizen upended in the culture of economic instability and career turmoil -- but the script (co-written with Nia Vardalos, who has a way of softening any material to inoffensive mush) lacks any sense of gravity. Hanks has too much moxie to let little things like unemployment and an underwater mortgage get him down and good old Larry lets go of everything with so little anxiety that it's like he was never invested in the first place.

 

What the film has going for it mostly is the company. Larry is so unthreatening that the cutest girl in school (Gugu Mbatha-Raw) makes him her new BFF, much to the frustration of her would-be boyfriend (Wilmer Valderrama), and he ends up charming the entire motor-scooter club. That's right, it's community college and these guys buzz around on buzzing little scooters. That's how this film rolls.

 

"The script is often treacle and silly, and it's filled with little bits and conceits that are neither well-justified nor satisfactorily followed up, but it is kind of an exemplary structure," defends MSN film critic Glenn Kenny, who was more charmed than I was by the not-to-be-dismissed auras of Hanks and Roberts. "The picture appears to be very generous in doling out to its characters ample and ostensibly entertaining bits to execute. And since said characters' parts are being filled with really lively and appealing and sometimes unexpected performers (it's rather delightful to see Julia Roberts bantering with Pam Grier, still beauteous and formidable, playing an academic colleague), the bits really are entertaining."

Add to that George Takei having a ball as an economics professor with a flair for theatrics and Holmes Osborne as the glad-handing college dean, and you've got a pretty likable group of folks to spend time with. (There's also Cedric  the Entertainer and Taraji P. Henson, but he's just doing Cedric shtick and she's simply not given much of anything to do). The problem is, it doesn't feel like a movie as much as highlights from a season of TV: "Community" as a gentle, heartwarming tale of a man rediscovering his potential. It's only Hanks and company that make it work as well as it does.

 

On DVD and Blu-ray, with a featurette, deleted scenes a "Fun on the Set" montage of behind-the-scene footage. And yeah, I have no doubt that this was a fun set to be on.

For more releases, see Hot Tips and Top Picks: DVDs and Blu-rays for November 15

 

Here's what happening on home video this week.

New Releases:

Tom Hanks and Julia Roberts carry "Larry Crowne" (Universal), a romantic comedy of downsizing, second chances and making friends at community college. It has all the grit of double mocha but then it's not really about economic anxiety. Hanks has too much moxie to let little things like unemployment and an underwater mortgage get him down. Videodrone's review is here.

 

Speaking of second chances, "Beginners" (Universal) stars Ewan McGregor as an artist challenged to open up his life after his father (Christopher Plummer) comes out of the closet at age 75 and engages fully for the first time in his life. Plummer's performance is superb and already Hollywood is talking Oscar. Videodrone's review is here.

 

"The Tree" (Zeitgeist), directed by Julie Bertuccelli, was the closing night film at Cannes 2010. Charlotte Gainsbourg stars as French widow in Australia whose youngest daughter thinks her dead father is speaking to her through the fig tree in their yard.

 

"Bellflower" (Oscilloscope) is a scruffy American indie about cars, friendship, romance and building the perfect flame thrower. "Griff the Invisible" (Vivendi) , from Australia, stars Ryan Kwanten (of "True Blood") as a sad sack by day turned self-made superhero at night.

 

"Main Street" (Magnolia) stars Colin Firth, Ellen Burstyn, Patricia Clarkson, Amber Tamblyn and Orlando Bloom in the final screenplay by Horton Foote and Jonathon Nossiter directs Charlotte Rampling, Bill Pullman, Irene Jacob and Fisher Stevens in "Rio Sex Comedy" (FilmBuff). From China comes a remake of "What Women Want" (China Lion) starring Andy Lau and Gong Li in roles created by Mel Gibson and Helen Hunt.

 

On the non-fiction front is "The Topp Twins: Untouchable Girls" (Disinformation), about the New Zealand lesbian twin sister music-and-comedy duo, and portraits of the counterculture clown "The Wavy Gravy Movie: Saint Misbehaving" (Docurama) and the real life citizen "Superheroes" (Docurama) patrolling city streets today.

 

Browse the complete New Release Rack here

 

TV on DVD:

"Being Human: The Complete First Season (U.S.)" (eOne) is the American incarnation of the original British series about a vampire, a werewolf and a ghost who become roommates and try to live like regular folk. Which, of course, is complicated when you sprout fangs at the promise of fresh blood or turn into a hairy, feral killer at the full moon.  Videodrone's review is here.

 

"It Takes a Thief: The Complete Series" (eOne) features the entire three-season run of the sixties international espionage series starring Robert Wagner as a career criminal turned playboy agent: 66 episodes on 18 discs, plus bonus interviews and a set of coasters. Videodrone's review is here.

 

"Neverwhere: 15th Anniversary Edition" (BBC) remasters the 1996 British mini-series adapted by Neil Gaiman from his own novel (reviewed here, with an exclusive clip), and "Crime Story: The Complete Series" (Image) collects the two seasons of Michael Mann’s sixties-era gangster series in bargain-priced edition (reviewed here).

 

Flip through the TV on DVD Channel Guide here

Cool, Classic and Cult:

Criterion has a reputation for presenting the greatest film of world cinema in superb editions, but with week they top even their own high standards. "Three Colors: Blue White Red" (Criterion) offers newly remastered editions of the Krzysztof Kieslowski films, a sublime trilogy given a magnificent treatment. And Jean Renoir's "The Rules Of The Game" (Criterion) is rereleased in a new, improved high-definition master with additional supplements. Videodrone's review is here.

 

Alex Cox went south of the border to make "Highway Patrolman" (Microcinema) in 1992 and came up with a superb low-budget crime thriller of morality and corruption. And "Giorgio Moroder Presents Metropolis" (Kino) is the 1984 reconstruction of Fritz Lang's silent classic with newly-discovered footage, lavish tints and a rock soundtrack, all but displaced by recent restorations but influential in its day.

 

All of the Cool, Classic and Cult here

 

Blu-ray Debuts:

A pair of classic, Oscar-winning musicals go Blu this week: "West Side Story: 50th Anniversary Edition" (Fox) is released in two editions, including a deluxe four-disc set filled with supplements and featuring a bonus tribute CD and a booklet (reviewed here, with an exclusive clip), and "My Fair Lady" (Paramount) features the wealth of extras originally presented on the DVD special edition.

 

"Looney Tunes Platinum Collection: Volume 1" (Warner) presents the HD debut of 50 of the greatest Looney Tunes cartoons in a three-disc set with commentaries, featurettes and hours of bonus documentaries. Videodrone's review is here.

"Farscape: The Complete Series" (A&E) features all four seasons of the wild made-for-cable science fiction series (but not the mini-series finale) along with all the commentary tracks, featurettes and other supplements from the DVD incarnations.

 

"Evil Dead II: 25th Anniversary Edition" (Lionsgate) is simply the latest excuse to rerelease this cult classic, while "Mysterious Island" (Twilight Time) is the debut Blu-ray release from the boutique label Twilight Time. Plus there's "Infernal Affairs" (Lionsgate), the film that inspired Martin Scorsese's "The Departed," and "Despair" (Olive), Rainer Werner Fassbinder's English language debut.

 

Peruse all the new Blu-rays here

 

The complete calendar of releases this week is after the jump:

 

It's a self-sacrifice recall!

 

The DVD release of "Atlas Shrugged Part One" describes the film as such: "Ayn Rand's timeless novel of courage and self-sacrifice comes to life for a new millennium." That's right, "courage and self-sacrifice." Which, as anyone familiar with the objectivist philosophy of Ayn Rand knows, is the complete opposite of everything she stands for. Self-sacrifice? Are you kidding? Or could this be a kinder, gentler Ayn Rand?

 

Naaah, it's just another misstep in the film's awkward stumble to insignificance and anonymity. In fact, it's supposed to read "Ayn Rand's timeless novel of rational self-interest," because as we all know, nothing is more courageous or rational than self-interest. Copies of the DVD and Blu-ray sold through the film official website have the correct text but retail editions are all about the self-sacrifice.

 

So copies of DVDs and Blu-rays on the shelves are being recalled and corrected, and a website has been set up for anyone who already purchased a copy. Because surely SOMEONE bought a copy of the DVD, right?

My question: why would you want to replace it? Not because Harmon Kaslow, CEO of Atlas Productions and producer of the film, thinks that "You’ve inadvertently got yourself a real collector’s item there." I just think that if you're going to leave the "comes to life" part on the case, then why quibble about the rest of inaccuracies?

 

Thanks to The Slog for the tip.

 

Here's the complete press release (from the Atlas Shrugged Movie website), after the jump.

 

Known as "The Platinum Blonde" and "The Blonde Bombshell," Jean Harlow was a natural sex symbol for the thirties: gorgeous and shapely, yes, and her fondness for skipping undergarments and wearing low-cut gowns didn't hurt either, but she was also street smart and savvy.

Though never a greatest of actresses (she didn't hold a candle to Carole Lombard, for one), she could hold her own opposite the best of them and MGM paired her up with their top actors: William Powell (her great love), Spencer Tracey and especially Clark Gable, with whom she starred in six film. Even in her most glamorous roles, there was a little of the girl who grew up scrapping her way to success, and her death in 1937 at the age of 24 (from kidney failure) kept her image frozen in place: the all-American sex bomb, both glamorous and down-to-earth.

 

See below for a clip of Harlow from "Reckless"

 

Most of her greatest films have already been released on DVD—"The Public Enemy," "Platinum Blonde," "Red Dust," "Dinner at Eight," "Libeled Lady"—but not all of them. The Warner Archive box set "Jean Harlow 100" (Warner Archive) features seven films from her prime including one of her best ever, the snappy screwball showbiz satire "Bombshell" (1933).

 

Harlow plays Hollywood superstar Lola Burns, a not-so-thinly veiled riff in her own persona (in one scene, she's called in for retakes on the "Red Dust" rain barrel scene, certainly one of the real-life Harlow's most famous screen moments), and Lee Tracy is pure mercenary drive as an unscrupulous publicist who actually enjoys the torment he puts her through as he manufactures scandals and breaks up romances with his con-man shenanigans. The script was reportedly inspired by the real-life ordeals of Harlow and Clara Bow and Harlow is clearly in on the gag and having fun with it, playing the public role of the big screen glamour girl while her private life is all chaos and frustration. Victor Fleming, one of the sturdiest of MGM's house directors, and a solid cast of supporting players (Frank Morgan as her fraud of a father, Una Merkel as her sassy assistant, Pat O'Brien as her exasperated director) keep the film running in top gear.

 

It's the only out-and-out comedy in the collection, but all of these films are smorgasboards of Hollywood entertainment: romance, melodrama, comedy and even a musical number or two in most films and right up front in "The Girl From Missouri" (1934) and "Reckless" (1935). Both of these films feature Harlow as a showgirl, though she's dubbed in the singing scenes and even body doubled for some dancing sequences (see the clip below and you can hear and see for yourself) and co-star Franchot Tone, who in these early years made a specialty of the inebriated society playboy with a penchant for grand gestures. But William Powell is the real romantic lead in the latter as a sports promoter who took Harlow out of the carnival and into the big time and still carries a torch for the dazzling girl. Also directed by Fleming, the film is a romantic drama with screwball attitude, show-biz color and a melodramatic streak, an alchemy that isn't always smooth but seems just right for the era.

 

J. Edgar Hoover was as much a publicist as he was a lawman over his career, making himself the face of the FBI as far as the media was concerned. He was credited as consultant on numerous films, TV and radio shows and even books, seen in newsreels and portrayed as a figure of paternal authority whenever seen or referred to in classic movies. So it's kind of surprising that no biopic ever surfaced until after his death. You'd think he would have nurtured quite the big screen hagiography in his lifetime.

 

Instead, the first Hoover bio-pic hardly makes him out to be an American hero. And it wasn't by Clint Eastwood, either. "The Private Files Of J. Edgar Hoover" (1977) was a labor of love project from exploitation legend Larry Cohen, an independent director (and writer and producer) if there ever was one, and it was the closest that he ever got to an all-star cast.

 

Oscar winner Broderick Crawford is Hoover, the once-dedicated agent who cleans up the bureau out of moral indignation over abuses and then builds it into his own private duchy of power and control, using information and blackmail to maintain his position and authority through every successive administration. Rip Torn is the young agent who becomes disillusioned by Hoover's abuses and a guest cast of historical figures is incarnated by a great collection of character actors and class acts: Howard Da Silva as Franklin D. Roosevelt, Michael Parks as Robert Kennedy (who is actually far more convincing than "J. Edgar"'s Jeffrey Donovan), Raymond St. Jacques as Martin Luther King, Andrew Duggan as Lyndon Johnson, Jack Cassidy as Damon Runyon and Lloyd Gough as Walter Winchell. José Ferrer, Celeste Holm, Ronee Blakley, John Marley, June Havoc, Lloyd Nolan and George Plimpton also costar.

 

Dan Dailey (once a comic lead and song-and-dance man) is his trusted "friend" Clyde Tolson, the man whispered to be his gay lover, but Cohen doesn't give in to rumor of Hoover's cross-dressing and closeted identity. His Hoover is a highly sexually repressed man (possible impotent), anxious when it comes to sexual contact with women, aroused only when listening to secret recordings made of the sexual activities of other people (including his own agents). Eastwood revisits all these in his film, but Cohen was there 35 years earlier. There are plenty of contradictions in this Hoover, all of them designed to create Cohen's portrait of a man who isn't really aware of his contradictions.

 

Available by order only from the MGM Limited Collection, from Amazon, Screen Archives Entertainment, Classic Movies Now and other web retailers.

 

Here's what's new on DVD and Blu-ray this week as featured on Videodrone

 

Hot Tips and Top Picks: DVDs and Blu-rays for November 8

 

New Releases:

'Harry Potter and the Deathly Hallows – Part 2' brings a satisfying conclusion to the beloved series

Foreign Affairs: Catherine Breillat's 'Sleeping Beauty,' 'Human Resources' and 'A Better Tomorrow' - Remade

The New Release Rack: 'The Change-Up,' Shrugging off 'Atlas' and a Remake called '13'

 

TV on DVD:

'Page Eight': David Hare in John Le Carre-land

'Doctor Who: Series Six, Part Two' - The Once and Future Death of The Doctor

TV on DVD Channel Guide: 'Case Histories,' 'Mr. Magoo' and 'A Child's Garden of Poetry'

 

The Cool and the Collectible:

Gift Guide Goodies: 'Band of Brothers/The Pacific Special Edition Gift Set'

Humphrey Bogart sits at 'The Left Hand of God,' a new edition of the 1951 'A Christmas Carol,' the documentary 'Great Directors" and more

 

Blu-ray Debuts:

Exclusive clip: The Unseen 'Blue Velvet' (NSFW)

David Lynch's 'Blue Velvet' at 24

Blu-ray Round-up: Bergman's 'Fanny and Alexander' and Hoffman is 'Little Big Man'

Plus 'Mutiny on the Bounty' with Brando, 'To Die For,' 'The Fisher King' and more

 

Streams and Channels:

Beyond Netflix: Alternatives for streaming video

Bargain for the Week: Celebrate 11-11-11 with 'This is Spinal Tap'

 

Coming up next week:

"Larry Crowne" (Universal)

"Beginners" (Universal)

"Griff the Invisible" (Vivendi)

"Bellflower" (Oscilloscope)

"The Tree" (Zeitgeist)

"Three Colors: Blue White Red" (Criterion)

"Giorgio Moroder Presents Metropolis" (Kino)

"Being Human: The Complete First Season (U.S.)" (eOne)

"West Side Story: 50th Anniversary" (Blu-ray) (MGM)

"Evil Dead 2: 25th Anniversary" (Blu-ray) (Lionsgate)

"The Rules of the Game" (Blu-ray) (Criterion)

"Farscape: The Complete Series" (Blu-ray) (A&E)

 

For calendar of upcoming releases, click here

 

“Right across the board, eleven, eleven, eleven….” – Nigel Tufnel, 'This Is Spinal Tap'

 

It's the holiday that comes once a… well, ever. Or never, actually. Nigel Tufnel Day isn't a real holiday, of course, it's just an excuse to celebrate the greatest fake rockumentary ever made and its contribution to the world of rock and roll: the amp that goes up to eleven. It's one higher, you see.

 

So of course there's a sale. Starting today (11-11-11) and continuing through Monday, November 14, you can get "This Is Spinal Tap" on digital download for $4.99 on Amazon, iTunes and X-Box. And Amazon is also dropping the price on DVD and Blu-ray editions.

 

For more releases, see Hot Tips and Top Picks: DVDs and Blu-rays for November 8

 

"Blue Velvet" (MGM), David Lynch's masterpiece of the rot under the picture-perfect façade of small town idealism, debuts on Blu-ray with a treasure trove of recently discovered deleted scenes. Videodrone's review is here and you can view an exclusive deleted clip on Videodrone here.

 

"Fanny and Alexander Box Set" (Criterion) - Ingmar Bergman explores the joys and conflicts of the Ekdahl family, a sprawling bourgeois clan living in turn-of-the-century Sweden, through the eyes of ten-year-old Alexander in his most autobiographical film. “Bergman's 1982 career summation (is) the kind of rich, timeless, cautionless magnum opus we can only receive, like benedictions, from artists who've paid their generation's dues of sweat, risk, tears, and honesty,” writes Village Voice critic Michael Atkinson. “Exploring his own psycho-aesthetic roots and how they sprouted in his earlier films (the iconography, from household spaces made menacing to ghosts and suggestions of God himself, virtually catalogs the '50s-'60s filmography), Bergman locates a generosity and élan that make "F&A" feel like his youngest film."

Bergman announced that it would be his last film and approached it as his swan song, creating two versions: a three-hour theatrical film (which won awards around the world, including four Academy Awards) and a longer mini-series version created for Swedish television. Both are presented in new digital restorations on the three-disc Blu-ray set, along with the documentaries "The Making of Fanny and Alexander" (a feature-length film directed by Bergman himself) and the 2004 "A Bergman Tapestry" (featuring interviews with the cast and crew) and the hour-long interview "Ingmar Bergman Bids Farewell to Film" that film critic Nils Petter Sundgren recorded for Swedish television in 1984. Also features commentary on the theatrical version by film scholar Peter Cowie, video footage of the models for the film sets, costume sketches, a still gallery and a booklet with essays by Stig Bjorkman, Rick Moody, and Paul Arthur.

 

Dustin Hoffman is "Little Big Man" (Paramount) Jack Crabbe, a 121 year old survivor who narrates his adventures of the old west and surviving Little Big Horn, in Arthur Penn’s modern classic, a revisionist western adapted from Thomas Berger’s novel. Adventure, comedy, social satire, and tragedy are rolled together in this unforgettable, often rollicking tour of the old west through the eyes of a man who lived among both the settlers and Indians (as the adopted son of a Cheyenne Chief, played with easy charm by Chief Dan George). Penn deftly balances the shifts in tone and creates a film that manages to be warm, winning, and unendingly entertaining, while still delivering a painful lesson in America’s genocide of the Native American population. More than simply myth deflated, it’s history run through the ringer. Faye Dunaway co-stars as his adopted white “mother” (whose interest in the young man rescued from the redskins is more than maternal) and Robert Mulligan almost steals the film as the flamboyant and borderline insane General George Custer. No supplements.

 

The 1962 version of "Mutiny on the Bounty" (Warner), the second version of the real life story (as dramatized by Charles Nordoff and James Norman Hall in their famous novel) of the most famous mutiny in British naval history, is a handsome but creaky piece of filmmaking. An attempt to mount a mighty epic in the David Lean vein, it gets swamped by its arch dramatics, insistent "grand" imagery (show all that location money in every shot) and Brando's eccentric, fascinatingly foppish interpretation of Fletcher Christian. Brando's ego famously ran amok during the production, causing production delays and forcing original director Carol Reed to drop out, replaced by old Hollywood hand Lewis Milestone. The new Blu-ray is pretty darn gorgeous and shows off the craft of the 70mm production quite nicely, but at three hours that's an awfully long video postcard of the South Seas. Trevor Howard is a walking barnacle of a career navy man who prizes authority and punishment over leadership and Richard Harris apparently walked in from another movie as the seaman who leads the sailor revolt. Features the original, uncut roadshow version, as seen in initial reserved-seat engagements, complete with Overture, Intermission, Entr’acte and Exit Music. Supplements include alternate prologue and epilogue sequences, the 2006 featurette "After the Cameras Stopped Rolling: The Journey of the Bounty" about the ship built for the film, and four vintage featurettes.

 

The 1995 "To Die For" (Image), directed by Gus Vant Sant, is a wicked little satire starring Nicole Kidman as an ambitious weather girl as ruthless as she is shallow. Kidman is superb and Joaquin Phoenix is heartbreaking in an early role as an impressionable, troubled teen seduced by the older woman and manipulated into murdering her husband (Matt Dillon). Van Sant brings a cutting edge and sly humor to the script by Buck Henry (who also has a small role), a little indie attitude in a Hollywood film. Stay through the closing credits, which are darkly witty and very satisfying. No supplements.

 

Robin Williams gets top billing in "The Fisher King" (Image) as a mad homeless man who has retreated into a fantasy world after the terrible murder of his wife but Jeff Bridges is the story's tragic hero, a damaged soul who undertakes a quest. Washington Post critic Desson Thompson celebrates the film as "A modern epic that fuses myth with hard-edged reality, it's a one-of-a-kind, thoroughly engaging experience." Terry Gilliam directs. No supplements.

 

Angelina Jolie is "Gia" (HBO), the streetwise Philadelphia working class kid who became America’s first supermodel, in the 1998 made-for-HBO drama. As told by Michael Cristopher, Gia was a casualty of the late 70s high life and drug scene, and Jolie’s earthy, passionate portrayal provides an anchor for the glamour-rebel attitude. Features the unrated version of the film.

 

The original web series Mortal Kombat: Legacy" (Warner), starring Michael Jai White and Jeri Ryan, arrives on home video in a Blu-ray edition only (no DVD). The nine-part series, based on the video game and the movie franchise, is a prequel that looks in on characters before the first tournament and runs about 100 minutes The disc also includes five featurettes.

 

Frank Henenlotter's tongue-in-cheek horror comedy "Frankenhooker" (Synapse), about a nerdy inventor who rebuilds his dead girlfriend from the body parts of prostitutes prostitutes he sacrifices to the cause, is played broad and silly, resulting in an inconsistent and sloppy (though often hilarious) gore comedy. Oddly enough, it’s the most successful film of the cult filmmaker's career to date. Features commentary by Henenlotter and make-up effects designer Gabe Bartalos and four featurettes.

 

And the rest:

 

William Wyler's 1965 "The Collector" (Image), starring Terence Stamp as a disturbed young man who collects women he collects butterflies, adapts the John Fowles novel with restraint, avoiding the psycho-thriller potential in favor of a psychological drama. Nominated for three Academy Awards, including Best Actress for Samantha Eggar.

Paul Newman earned an Oscar nomination for "Absence of Malice" (Image), a drama about journalistic ethics directed by Sydney Pollack. Includes a featurette and a deleted scene.

 

Burt Reynolds, Farrah Fawcett, Dom DeLuise and Roger Moore headline "The Cannonball Run" (HBO), the 1981 speed-and-slapstick outlaw car race comedy from director Hal Needham. Features bits by Dean Martin, Sammy Davis Jr. and Jackie Chan, among others. The Blu-ray includes commentary by Needham and producer Albert S. Ruddy.

 

"The Adventures of Sharkboy and Lavagirl" (Lionsgate), Robert Rodriguez's superhero famtasy for kids, was originally presented in 3D. No such dimension on the Blu-ray, but by now it has another selling point: Taylor Lautner takes his first lead as Sharkboy. With director commentary and a featurette.

 

"A Christmas Carol: 60th Anniversary Diamond Edition" (VCI) also debuts this week, covered on Videodrone here.

 

For more releases, see Hot Tips and Top Picks: DVDs and Blu-rays for November 8