Bradley Cooper is a golden boy on a drug that makes him more perceptive, more creative, and just plain more in "Limitless" (Fox), a cerebral thriller with science fiction elements and the irresistible premise that genius and awareness is the ultimate high. The story isn't always clear but Cooper's performance is sharp and savvy and the film is a rush. Videodrone's review is here, along with an exclusive clip from the DVD/Blu-ray supplements.

 

"Take Me Home Tonight" (Fox) goes for nostalgia with Topher Grace and friends (Anna Faris, Dan Fogler and Teresa Palmer) saying goodbye to their days of being wild with an all-night party. MSN film critic Glenn Kenny describes as "an amiable enough pastiche in which "That '70s Show" star Grace, who co-executive-produce​d and co-concocted the story, such as it is, does the '80s thing…"  But Kenny is not charmed by the film or the nostalgia, complaining that "the comic tone is both strained and straining, Grace himself too smooth, handsome and ingratiating to make his character's dissembling-because-​he's-genuinely-awkwa​rd-and-lost routine register. In less fancy terms, he's too cute to be a convincing near-loser."

The film was actually made four years ago and the DVD and Blu-ray offer a "Cast Get Together" reunion featurette, with the cast back together after all those years to reminisce about the production. Also features deleted scenes and jukebox access to songs in the film (called "Boombox" here, to carry on the eighties theme). The Blu-ray also features a digital copy.

 

Catherine Deneuve stars in François Ozon’s seventies satire "Potiche" (Music Box). The title is French slang for "trophy wife," but Deneuve's character doesn't remain so for long; when her philandering industrialist husband (Fabrice Luchini) is kidnapped by striking workers, she take the reigns of the company and finds herself more than capable to right the foundering ship. "You don't need to know the original material or French politics to enjoy Ozon's latest," explains MSN film critic James Rocchi. "You just need an appreciation for human folly, and an understanding that, in love and politics, the battle is often the fun." Gérard Depardieu co-stars as a leftist politician who gets involved in the negotiations and Karin Viard, Judith Godreche and Jeremie Renier co-star.

 

The DVD and Blu-ray releases both include a feature-length documentary on the production (in French with English subtitles, like the film), costume tests and the film's seventies-style trailer.

 

Sleeper of the week is "Small Town Murder Songs" (Monterey Video), an indie drama about a small town sheriff (Peter Stormare) struggling with the ghosts of his own past while investigating a murder. "Ed Gass-Donnelly, who wrote, directed, and edited, knows that roads and streets become beautiful and auspicious if you put your widescreen camera in the right place and honor the power of the frame," writes Richard T. Jameson at Parallax View. "There’s nothing in this nowhere community that could be called scenic or even picturesque, yet Gass-Donnelly allows us to soak in the ambience and become haunted by it." Features deleted scenes.

 

Renée Zellweger and Forest Whitaker star in "My Own Love Song" (Inception), the English-language debut of French director Olivier Dahan ("La Vie en Rose"), which features an original soundtrack by Bob Dylan and, in the words of IFC.com film critic Stephen Saito, "scenes of animated flamingos and kingfishers, a batshit Forest Whitaker and Elias Koteas, and Nick Nolte serving up slices of a psychedelic chocolate cake. Sadly, these things overshadow Renee Zellweger's first genuine performance in years."

 

"Peep World" (IFC) is a satire of family relations that unravels at a reunion after the youngest son publishes a novel that is a thinly veiled portrait of his clan. MSN film critic James Rocchi finds it disappointing, given the potential: "Its cast is exemplary -- Michael C. Hall, Sarah Silverman, Rainn Wilson, Ron Rifkin, Kate Mara, Taraji P. Henson and the always-great Stephen Tobolowsky -- but Barry Blaustein's direction of Peter Himmelstein's script never gives its cast the room or resources to truly swing for the fences like you know they can." Features deleted scenes.

 

John Carney follows up his indie hit musical drama "Once" with the comedy "Zonad" (FilmBuff/MPI), about an escaped rehab patient who somehow convinces the locals that he's really an alien from outer space. Eva Green and Juno Temple headline the boarding school psychodrama "Cracks" (IFC).

 

Non-fiction:

"The Sound of Insects" (Kino Lorber) recreates the true story of a man who recorded his thoughts as he starved himself to death in the Austrian wilderness. "Dive! Living Off America's Waste" (First Run) looks into the enormous scale of food waste in the country and the culture of dumpster diving to reclaim some of it. Doug Block ("51 Birch Street") again turns the camera on his family in "The Kids Grow Up" (Docurama), this time focusing on his daughter. "Dumbstruck" (Magnolia) profiles ventriloquists and "Card Subject to Change" (Cinema Libre) looks at the professional wrestling underground.

 

And the rest:

"House of the Rising Sun" (Lionsgate) is an action film built around WWE fighter Dave Bautista, with Amy Smart, Dominic Purcell and Danny Trejo brought in to give him some kind of screen cred. Lea Thompson in "Mayor Cupcake" (Phase 4) in the PG-rated family comedy. "The Way of the West" (aka "The Mountie") (Lionsgate) is a Canadian western with Andrew Walker and Jessica Paré. "The Reef" (Image) is an Australian thriller about a family on a sinking yacht surrounded by Great White Sharks.

 

For more on DVD this week, visit weekly DVD listings in MSN.

 

"Torchwood: The Complete Original UK Series" (BBC) began life as a spin-off of the Russell T. Davies "Doctor Who" reboot (note the title is an anagram of the original series) for a more adult science fiction audience. Former Doctor Who confederate Captain Jack Harkness (John Barrowman) takes the lead in what begins as a high-energy goof on "X-Files" featuring a British special cases squad of energetic young agents with more energy than experience and a high-tech equipment locker that has everything but an instructions booklet. And there's a nod to "Buffy the Vampire Slayer" with the idea that their Cardiff HQ is located on the "Rift," sort of a cosmic Hellmouth of converging lines of dimensional energy that brings bout space travelers and dimensional warps.

 

This group is making it up as they go along, as beat cop Gwen Cooper (Eve Myles) discovers when she stumbles upon their activities and exhibits enough spunk to get recruited into the crew, and the show takes its time finding its footing and its sensibility. The rubber-mask aliens and techno-toys are right out of the "Doctor Who" playfulness while the show adds a darker tone (a lot of people die, some quite violently, through the course of the shows) to its brightly colored adventures. And give the show credit for offering TV's first out-and-proud bisexual action hero, a revelation that neither defines nor redefines him as much as it simply adds another piece to his mystery. The guy is eternal and, as we come to know, as tortured and tormented a guy as we'll meet.

 

But it's fair to say that show really came into its own with "Torchwood: Children of Earth," a five-part mini-series within a series (which originally played over five consecutive nights on British TV and BBC America) with a scope that recalls the "Quatermass" shows and a creepiness that echoes "Children of the Damned." It opens with every child on the face of the Earth pointing to the sky and chanting in unison "We are coming" while the government immediately sends a hit squad to kill the Torchwood team, and it gets darker from there. While he and his team fight to save the children of earth from a truly horrific fate, we discover just how much Captain Jack has suffered and sacrificed through his gift/curse of eternal life: he's an immortal with the trials of Job and the torments of Prometheus. Creator/writer Russell T Davies doesn't take any prisoners in this production.

 

"Torchwood" has returned to TV with a new mini-series: "Miracle Day," a co-production between the BBC and the American cable network Starz that sends Captain Jack and Gwen Cooper stateside, and the BBC has taken the opportunity to release the complete original series on both DVD and Blu-ray. It's 31 episodes all together, on 14 DVDs or 12 Blu-rays, and it includes all of the original supplements (but offers no new ones): Commentary on all 13 episodes of Season One, all of the "Torchwood Declassified" ten-minute featurettes plus additional featurettes on the characters, creatures and technology. Comes in a nice, sturdy bookleaf digipak in a slipsleeve.

 

The premise behind "Limitless" (Fox) is irresistible. How many times have we heard that we only consciously access 10% or so of our brains? Without complicated scientific blather, the film offers up a drug that gives the user access to the entire brain, making them more focused, more efficient, more perceptive, more creative, and, well, just more.

See an MSN exclusive featurette from the DVD/Blu-ray release below

 

Which is just what happens when would-be novelist Eddie (Bradley Cooper) takes a sample of an experimental drug from a freelance pharmaceutical rep (think high-concept pusher) and (quite literally) cleans up his act before knocking out a good chunk of that novel he's been putting off for months.

 

Bradley Cooper developed the property (based on a novel by Alan Glynn) as a vehicle to show off his leading man chops and he's perfect in the role of the slacker in a creative funk and motivational spiral who takes a hit of NZT and taps into all of his unused potential. His entire look, demeanor, body language changes when he's on, a man suddenly in charge of himself and his world, and director Neil Burger offers a slick shorthand for the rush of perception with a few simple tricks, enough to kick the film into overdrive for Eddie's flights of uber-cognition. He's confident, magnetic, engaged, and his eyes glow an incandescent blue that recalls the spice-laced Fremen of "Dune." At one point he channels the Kennedys, a golden boy ready to take on the world with a smile. And when he comes down he crashes, becoming sloppy and stupid and depressed, which is a bad place to be when there are killers looking for this wonder drug that he's managed to stash away.

 

It starts off as an addiction metaphor—the first dose is free and the addiction is both a matter of chasing the high of an experience junkie and of physical survival (withdrawal is a killer)—but also taps into dreams lost in the long haul of life and youthful ambition and energy stirred back to life. And it shifts into a quasi-Philip K. Dick future-shock of corporate control through science with the drug coming at a price.

 

The biggest price appears to be selling out for the basest of power grabs, though even that is a means to an end. It's the endgame that's a little vague. Well, a few things are vague, from basic story points to technical details, but it doesn't unduly harm this head trip. It's not the science that's important, it's the momentum, the conceptual journey, the dynamism of the head games and chemically-enhanced battle of wits, and the laser-sharp performance by Cooper. Robert De Niro and Abbie Cornish co-star.

 

"Neil Burger ("The Illusionist") deploys this genre mishmash with all the aplomb of a director on speed, while Bradley Cooper puts pedal to the metal in a performance that fast-forwards from schlub to über-Gordon Gekko to Bruce Lee action hero to Teflon politico," aggress MSN film critic Kat Murphy. "Yes, you wish "Limitless" was smarter and sharper about its tantalizing premise (drawn from Alan Glynn's 2001 novel "The Dark Fields"), but… "Limitless" delivers some pleasurable punch -- and rarely makes you feel small."

 

The film arrives on video in both the original theatrical cut and an unrated extended cut, accompanied by the featurettes "A Man Without Limits" and "Taking it to the Limit: The Making of Limitless" and an alternate ending. The Blu-ray also features a bonus digital copy. 

'Limitless' Exclusive Featurette: "A Man Without Limits"

This exclusive featurette showcases the changes of Eddie (Bradley Cooper) after taking the top-secret pill, NZT. 'Limitless' is out on Blu-ray/DVD, July 19.

 

New Releases:

Bradley Cooper is a golden boy on a drug that makes him more perceptive, more creative, and just plain more in "Limitless" (Fox), a cerebral thriller with science fiction elements and the irresistible premise that genius and awareness is the ultimate high. The story isn't always clear but Cooper's performance is sharp and savvy and the film is a rush. Videodrone's review is here.

 

"Take Me Home Tonight" (Fox) goes for nostalgia with Topher Grace and friends saying goodbye to their days of being wild (and to the 1980s) with an all-night party in what MSN critic Glenn Kenny describes as "an amiable enough pastiche." Renée Zellweger and Forest Whitaker star in "My Own Love Song" (Inception), the English-language debut of French director Olivier Dahan ("La Vie en Rose") and Eva Green and Juno Temple headline the boarding school psychodrama "Cracks" (IFC).

 

Sleeper of the week is "Small Town Murder Songs" (Monterey Video), an indie drama about a small town sheriff (Peter Stormare) struggling with the ghosts of his own past while investigating a murder. And Catherine Deneuve stars in François Ozon’s seventies satire "Potiche" (Music Box).

Browse the complete New Release Rack here

 

TV on DVD:

"Torchwood: The Complete Original UK Series" (BBC) boxes up all 31 episodes of the BBC episodes of the "Doctor Who" spin-off just as Captain Jack Harkness heads stateside for a new American incarnation of the show. It's an entertaining show with clever twists but it really comes into its own in the final episodes of its British run. Videodrone's review is here.

 

And speaking of The Doctor, "Doctor Who: Season Six, Part One" (BBC) features seven episodes of the most recent season starring Matt Smith and produced by Steven Moffat. And it features an episode written by Neil Gaiman. Cool! The season concludes on BBC America later this summer. More on Videodrone here.

 

"Hey Dude: Season One" (Shout! Factory) is the nostalgia release of the week: Nickelodeon's first live-action sitcom debuts on DVD. Which is not a recommendation, merely a heads up to all you Christine Taylor fans.

Flip through the TV on DVD Channel Guide here

 

Cool, Classic and Cult:

Satyajit Ray arrived on the international film scene with a pair of powerful dramas in the poetic realist vein. "The Music Room" (Criterion), his fourth feature, struck out in a new direction. Graceful, melancholy, directed with a reserved elegance, it observes the old-world feudal life of the 1920s fading into irrelevance with both sympathy and disparagement. That balance, as well as Ray's more confident mastery of cinematic expression, makes this one of his masterpieces, and the Criterion release (on DVD and Blu-ray) features a rich collection of supplements. Videodrone's review is here.

 

Otto Preminger's "Skidoo" (Olive) is a truly strange time capsule of Hollywood in 1968 trying to bring social satire and counterculture hipness to garish comedy: career criminals and fun-loving hippies colliding in a comedy of flower power, slapstick, psychedelia and Groucho Marx as an absurdist Godfather. I can't say it's good butt it surely is unique. More on Videodrone here.

 

The CinemaScope pre-Biblical epic "The Egyptian" debuts on DVD and Blu-ray (see more on Videodrone here). "Tekken" (Anchor Bay), a live-action film based on the popular videogame, is an America/Japanese co-production with low-rent actors and fighting superstars, and "Hey, Boo: Harper Lee & To Kill A Mockingbird" (First Run) is a documentary about the influential novel and its author.

All of the Cool, Classic and Cult here

 

Blu-ray Debuts:

One the most loved films of all time and the most eerily beautiful fairy tale ever brought to life on film,  Jean Cocteau’s "Beauty and the Beast" (1946) (Criterion) is the quintessential fairy tale for grown-ups. It's been remastered for Blu-ray and is packed with marvelous supplements. Videodrone's review is here.

 

John Singleton became the youngest director ever nominated for a Best Picture Academy Award in his accomplished debut feature "Boyz 'N The Hood" (Sony). And it's a double feature of French delights with "Amélie" (Lionsgate) and "Chocolat" (Lionsgate).

 

Build Your Library Essential of the Week:

Jean Cocteau’s "Beauty and the Beast" (1946) (Criterion). The Beast is truly a beautiful creation, the B&W photography by Henri Alekan shimmers, and the eerie imagery of the living statuary and animated objects of the castle creates a texture of visual poetry and cinema magic never been equaled in the years of fairy tale cinema since. And there is nothing like black-and-white on Blu-ray.

 

The complete calendar of releases this week is after the jump:

 

Here's what's new on DVD and Blu-ray this week as featured on Videodrone

 

Hot Tips and Top Picks: DVDs for July 12

 

New Releases:

"Rango" – A Lizard in the Old West

The New Release Rack: "The Lincoln Lawyer" defends "Uncle Boonmee," plus "Arthur," "Miral" and "Insidious"

 

TV on DVD:

"ER: The Complete Fifteenth and Final Season"

"Damages: The Complete Third Season" – Patty Hewes takes on Bernie Madoff

TV on DVD Channel Guide: More from "MI-5," "Entourage" and "Robot Chicken," plus more from the BBC

 

The Cool and the Collectible:

Buster Keaton Begins: "Buster Keaton: The Short Films Collection (1920-1923)"

Cult Watch: "Battle Beyond the Stars"

Cool, Classic and Collectible: Keaton and Corman and Shameless Exploitation

 

Blu-ray Debuts:

Terry Gilliam's "Brazil" and Mike Leigh's "Naked"

Buster Keaton Begins: "Buster Keaton: The Short Films Collection (1920-1923)"

Cult Watch: "Battle Beyond the Stars"

MOD Movies:

Samuel Fuller's "Park Row"

Coming up next week:

"Limitless" (Fox)

"Take Me Home Tonight" (Fox)

"Potiche" (Music Box)

"Cracks" (IFC)

"The Music Room" (Criterion)

"Skidoo" (Olive)

"Doctor Who: Season Six, Part One" (Warner)

"Young Justice: Season 1 Volume 1" (Warner)

"Beauty and the Beast" (Blu-ray) (Criterion)

"Boyz N The Hood" (Blu-ray) (Sony)

"Amélie" (Blu-ray) (Lionsgate)

"Torchwood: The Complete Original UK Series" (Blu-ray) (BBC)

 

For more upcoming releases, click here

 

Free press and free enterprise are uniquely intertwined in "Park Row" (MGM Limited), Samuel Fuller's tribute to the pioneers of the modern American press in 19th century New York City. Gene Evans—Fuller's burly alter ego in "The Steel Helmet" and "Fixed Bayonets!"—plays Phineas Mitchell, a newsman with big ambitions who goes rogue as the editor of his own paper, launched with a skeleton staff, second-hand equipment, butcher paper in place of newsprint and more circulation-boosting​ ideas than all his competitors put together.

 

The line between responsible journalism and bald-faced stunt isn't blurred here, it's non-existent. He builds his paper on manufactured controversy and populist positioning, but Phineas draws the line at outright lies and violence, something his nemesis Charity Hackett (Mary Welch), isn't all that squeamish about such niceties. She's a society lady who demands a façade of dignity for her paper but doesn't mind hardball tactics behind the scenes. Phineas, for all his hucksterism as a wizard for front page headlines and circulation gimmicks, is still a journalist at heart with a fierce competitive streak and an entrepreneurial idealism.

 

"Park Row" is driven by Fuller's love of old-school journalism ideals and newspaper wars. It’s filled with journalism lore, historical landmarks (the birth of linotype!), the day-to-day details of physically printing a broadsheet and the philosophy and business of managing a daily paper. Fuller plays the whole thing out in a half-scale reproduction of the Park Row of old, the street of newspapers from the 19th century, and his camera constantly tracks back and forth along the avenue, creating energy simply out of the kinetic activity. But this is still the two-fisted Fuller behind the camera and Phineas, while not one to start a brawl, is not shy about finishing one. When he finds a thug who attacked one of his men, he drags him out to Park Row and give him a lesson in American history by hammering the man's noggin against the plaque on the base of Benjamin Franklin's stature, as if trying to beat his words of wisdom directly into his skull.

 

"Park Row" isn't Fuller's best film by far—it's talky and melodramatic and, for all his ingenuity, very B-movie looking, with its cramped sets and underfunded settings. His pulp dialogue and brash energy enlivens the film without quite defining it and his bizarre love story is a contrivance that seems to arrive from another movie all together. But Fuller made it with passion and commitment and you can't help but appreciate that quirky spark that drives the film.

 

Available by order only from the MGM Limited Collection, from Amazon and other web retailers.

 

MOD stands for "Manufacture on Demand" and represents a recent development in the DVD market, where slipping sales have slowed the release of classic, special interest and catalogue releases. These are DVD-R releases, no-frills discs from studio masters, ordered online and "burned" individually with every order. You can read a general introduction to the format and the model on my profile of the Warner Archive Collection on Parallax View here 

"Buster Keaton: The Short Films Collection (1920-1923)" (Kino), "Battle Beyond the Stars  30th Anniversary Special Edition" (Shout! Factory) and "Damnation Alley" (Shout! Factory) all debut on Blu-ray this week. Click on the titles to see the Videodrone reviews.

 

Terry Gilliam's "Brazil" (Universal), a dark, dense science fiction fantasy, is like “1984” rewritten by Monty Python, an absurdist nightmare of Kafka-esque dimensions. Jonathan Pryce is the dreamer trapped as a worker bee in the bureaucratic maze as deadly as it is indifferent, until he falls in love with a woman he thinks may belong to the terrorist underground. Fittingly the film took its own circuitous route to release. Universal stalled the release and even reedited the film, until Gilliam screened the film himself for the Los Angeles film critics, who championed the film and lavished it with end of the year awards. It been released on home video in multiple versions and now debuts on Blu-ray in the 132 minute theatrical cut but with no supplements. Which is too bad, as this is one film that deserves the Criterion treatment and Gilliam's preferred 142-minute director's cut, which Criterion released on DVD years ago.

 

Criterion, meanwhile, offers their HD upgrade of Mike Leigh's 1993 "Naked" (Criterion), perhaps the director's most controversial film. David Thewlis stars as a charming, eloquent, and relentlessly vicious drifter in London in Mike Leigh’s corrosive portrait of his nocturnal odyssey through the city. It’s "a brilliant somersault of a movie that lands this fine English director in dark new cinematic territory," wrote New York Times critic Vincent Canby. ""Naked" is as corrosive and sometimes as funny as anything Mr. Leigh has done to date. It's loaded with wild flights of absurd rhetoric and encounters with characters so eccentric that they seem to have come directly from life. Nobody would dare imagine them." The Blu-ray includes all the supplements from the earlier DVD release: commentary by director Mike Leigh and stars David Thewlis and Katrin Cartlidge, an archival interview with Leigh conducted by author Will Self for the program "The Art Zone," a video interview by filmmaker Neil LaBute, Leigh’s 1987 short comedy "The Short and Curlies" starring Thewlis (with optional commentary by Leigh), the trailer, and a booklet featuring essays by film critics Derek Malcolm and Amy Taubin.

 

IMAX Movies:

Two IMAX films of the 1990 debut on Blu-ray: "Ring of Fire" (Inception Media Group), featuring active volcanoes from around the world, and "Tropical Rainforest" (Inception Media Group).

 

Not just one of the greatest and most inventive slapstick comics of all time, Keaton was an artist and a filmmaker could warp gags and spin situations until they left the plane of reality, taking audiences with him in a blast of laughter. "Buster Keaton: The Short Films Collection (1920-1923)" (Kino) collects them all 19 of his solo short comedies in a single set in superb editions. Videodrone's review is here.

 

"Battle Beyond the Stars  30th Anniversary Special Edition" (Shout! Factory), which launched Richard "John Boy" Thomas into a space-age "The Seven Samurai," was Roger Corman's budget-minded answer to "Star Wars." But this knock-off also sports a screenplay by John Sayles and inventive art direction from an ambitious young filmmaker named Jim "James" Cameron. See Videodrone here.

 

Also from Shout! Factory is the seventies post-apocalyptic thriller "Damnation Alley" (Shout! Factory) with Jan-Michael Vincent, Dominque Sanda, Paul Winfield and George Peppard. It's adapted from the novel by Robert Zelazny, though not with much fidelity or concern for scientific accuracy. With commentary by producer Paul Maslansky and featuring

 

The late David Carradine made one of his final screen appearances as a genetic scientist mucking with mother nature in the SyFy Channel creature feature "Dinocroc Vs. Supergator" (Anchor Bay), from producer Roger Corman and B-movie legend Jim Wynorski (directing under the name Jay Andrews). Entertainment Weekly critic Ken Tucker proclaimed it "impeccable Saturday-night junk entertainment" in his TV blog. "Scoff if you want, but there are gradations of junk, and I’d rather watch a TV-movie like this than "CSI: Miami" or "America’s Got Talent" any night." Features commentary by Corman and Wynorski.

 

For pure, unadulterated exploitation, there is the "Women In Prison Triple Feature" (Panik House), which features the "Mr. Skin" seal of approval. The notorious "Chained Heat" (1983), starring Linda Blair, Sybil Danning, Stella Stevens and John Vernon as the sadistic warden, leads off the collection, which has been remastered for this release. Linda Blair and Sylvia Kristel get dropped in a prison behind the iron curtain in "Red Heat" (1985) and Sybil Danning is grabbed by South American drug lord in "Jungle Warriors" (1984).

 

"The Sweet Life" (Synapse) is a 2003 indie of comedy fraternal one-upmanship between two brothers in New York City, where they find themselves competing for the affections of the same girl. Features commentary by director Rocco Simonelli and stars James Lorinz and Barbara Sicuranza, a making-of featurette, deleted and extended scenes and outtakes.

 

More horrors:

Intervision continues its archeology of video-generation horror with two unearthed artifacts. "The Secret Life: Jeffrey Dahmer" (Intervision) is a low-budget 1993 shocker starring Carl Crew as the infamous sex offender, serial killer and cannibal. (For an interesting perspective on the film, check out Arbogast on Film.) "Things" (Intervision), starring adult film veterans Barry J. Gillis and Amber Lynn, is a "canuxploitation" cheapie shot in 8mm for the video market. Both feature commentary, and "Things" also includes new interviews and featurettes.

 

Newer is "George A. Romero Presents Deadtime Stories Volume 1" (Millennium) is an anthology of three short films, though none are actually directed by presenter Romero. Jeff Monahan, Michael Fischa and Matt Walsh direct the half-hour horrors written by Monahan.