"Modern Family: The Complete Second Season" (Fox) was the reigning champ of the 2011 Emmy Awards with five wins, including "Outstanding Comedy Series," a match set of "Supporting Actor" (Ty Burrell) and "Supporting Actress" (Julie Bowen) trophies, and awards for Directing and Writing. This is the show's second win for top comedy and it earns it once again, updating the classic American family sitcom with an extended family that is nothing if not diverse. And funny. 24 episodes on three discs on DVD and Blu-ray, plus featurettes, deleted scenes and a table read for one of the season's scripts among the supplements.

 

"Mike & Molly: The Complete First Season" (Warner) crowned its debut season with an Emmy for its leading lady Melissa McCarthy (who was a hysterical scene stealer in "Bridesmaids," also out this week). The comedy, from "Two and a Half Men" creators Mark Roberts and Chuck Lorre and sitcom legend James Burrows, follows the stumbling romance between two plus-sized singles (McCarthy and Billy Gardell) who meet at an overeaters anonymous meeting and fumble through courtship like teenagers. It was the hit new comedy of the 2011 season and McCarthy's win inspired a generous gesture of solidarity and support from her fellow nominees, who coronated her before her acceptance speech. (You can see that highlight -- sadly truncated -- below, after the jump.) Reno Wilson, Katy Mixon, Nyambi Nyambi and Swoosie Kurtz co-star. 24 episodes on three discs on DVD and two discs on Blu-ray, plus two featurettes, deleted scenes and a gag reel.

 

"The Kennedys" (New Video), starring Greg Kinnear as Jack Kennedy, Barry Pepper as Bobby and Katie Holmes as Jackie, hit TV earlier in 2011 with a notorious backstory: originally created for the History Channel, the $25 million mini-series was turned down for factual inaccuracies and a focus on lurid gossip and picked up by Reelz, a virtual unknown among cable channels. But it came into the Emmys with ten nominations and left with a win for Pepper for "Outstanding Lead Actor in a Miniseries of Movie." Hollywood Reporter TV critic Tim Goodman complains that it "feels like a paint-by-numbers recitation of history and a not-very-sordid waste of artistic license." The eight-part series (which runs about six hours sans commercials) arrives on DVD and Blu-ray (both are three-disc sets) with the bonus featurette "The Kennedys: From Story to Film."

 

For more releases, see Hot Tips and Top Picks: DVDs for September 20

 

Not all winners are yet available on home video or digital download – neither "Mildred Pierce" nor the first seasons of "Boardwalk Empire" or "Game of Thrones" have been announced by HBO (through subscribers can view them via their new HBO Go service) and don't expect the second season of "Justified" until late spring, when the third season begins.

 

These winners, however, were released earlier this year:

 

"Mad Men: Season Four" (Lionsgate) – Outstanding Drama Series

 

"Downton Abbey" (PBS) – Outstanding Miniseries or Made for Television Movie, Supporting Actress (Maggie Smith), Directing (Brian Percival) and Writing (Julian Fellowes)

 

"Friday Night Lights: The Fifth And Final Season" (Universal) – Lead Actor in a Drama Series (Kyle Chandler) and Writing (Jason Katims for the series finale)

 

"The Big Bang Theory: The Complete Fourth Season" (Warner) – Lead Actor in a Comedy Series (Jim Parsons)

 

"The Good Wife: The Second Season" (Paramount) – Lead Actress in a Drama Series (Julianna Margulies)

 

Based on the pilot episode of "Body of Proof: The Complete First Season" (Disney), one might think the show was trying to create a Dr. House for the forensic crime genre. Dana Delaney's Dr. Megan Hunt, a former neurosurgeon who had to give up that career after a car accident left her with debilitating nerve damage (and a patient dead on the operating table under her knife), is now a forensic pathologist working directly with the police. In that first episode, it's more like she's competing with them, challenging them, even take over their interrogations with a surly unpleasantness. "Don't believe everything you've heard about me," she cautions one veteran investigator. "The truth is much worse."

 

Thankfully all that unpleasantness and arrogance is tone down in the second episode and the brilliant Dr. Hunt becomes merely headstrong and demanding. She's also more human, and that's what the show really is supposed to be about. Once a blindly ambitious career surgeon, neglecting her family with a self-righteous attitude that drove her husband (Jeffrey Nordling) to divorce, she's trying to build bridges and reconnect with her teenage daughter, her society mother (Joanna Cassidy) and even her ex-husband, whose vindictiveness in the pilot calms down out over time.

 

Jeri Ryan is Cuddy to her House, the boss who tends to cover for her star doctor, and John Carroll Lynch (so often comic relief or villain) and Sonja Sohn (of "The Wire") are the very capable detective she comes  to respect. Unlike the "CSI" shows, this forensic pathologist actually works WITH the police, not in place of them, and through  the course of the abbreviated first season, they start to feel like a team. It's all pretty familiar and, at root, conventional, but the baggage of Dr. Hunt's life has interesting dramatic potential that one hopes will be developed in the second season.

 

Nine episodes on two discs, plus featurettes on cadaver make-up and the costuming and the obligatory blooper reel.

 

For more releases, see Hot Tips and Top Picks: DVDs for September 20

 

Kristin Wiig co-writes and stars in the hit girl-bonding romp "Bridesmaids" (Universal), a hit comedy that reminds us that women can have just as much fun playing in the comedy sandbox of adolescent behavior, poor judgment and gross-out gags. Videodrone's review is here and Videodrone talks to Kristin Wiig about the film and DVD here.

 

Speaking of brides, "Bride Flight" (Music Box) is a romantic drama about three Dutch women emigrating to New Zealand to meet their husbands-to-be in 1953 and one young man emigrating for a better life. Set during the Last Great Air Race from London to Christchurch, the chance meeting becomes a turning point in their lives. Film critic Roger Ebert writes that ""Bride Flight" takes this melodrama and adds details of period, of behavior, of personality, to somewhat redeem its rather inevitable conclusion." It's the most expensive film ever made in the Netherlands and features an appearance by Rutger Hauer in his first role in a Dutch film in years. In English and Dutch with English subtitles. Arrives on DVD and Blu-ray, both with a featurette and bonus interviews, plus Digital Download and OnDemand.

For more foreign language release, check out the "Foreign Affairs" spotlight here.

 

"Brand New Day" (Fox) follows a runaway Aboriginal teenager on his way back home to reunite with his girlfriend while his boarding school headmaster (Geoffrey Rush) is hot on his trail. The Australian musical road movie was originally released under the title "Bran Nue Dae." NPR film critic Ella Taylor writes: "Enjoyable and forgettable in equal measure, the lovably cheesy Australian movie Bran Nue Dae is a must for children bitten by the musical-revival fever, for all who heart American Idol, and for anyone who came of age in the late 1960s - and is willing to hear the beloved pop standards of their youth massacred for a new age." On DVD and Blu-ray.

Bruce Willis goes direct-to-DVD in the heist thirller "Set Up" (Lionsgate) and he gets second billing to Curtis "50 Cent" Jackson to boot. If that's not a career wake-up call, I don't know what is. Ryan Phillippe and Randy Couture co-star. On DVD and Blu-ray, with commentary, featurettes and interviews.

 

Non-fiction:

"Circo" (First Run) follows a small family circus traveling the backroad circuit of rural Mexico. Los Angeles Times film critic Kenneth Turan describes it as "a marvel of a documentary, a clear-eyed and affectionate film that tells a remarkable story with both visual and personal sensitivity. More impressive still, it's largely the work of one man." Features an interview with director Aaron Schock and a follow-up featurette among the supplements.

 

"4th and Goal" (First Run) chronicles the journeys of six college football players with NFL aspirations and "Ed Hardy: Tattoo the World" (Docurama) profiles the influential tattoo artist.

 

And the rest:

"Forever Plaid: The Movie" (Flatiron) isn't a movie, it's a recording of the theatrical musical fantasy. "Breaking the Press" (Fox) is a sports drama with a religious theme. Ray Liotta and Ving Rhames star in the murder mystery "The River Murders" (Sony). "Spooky Buddies" (Disney) is the latest direct-to-DVD sequel in the cute little puppy series.

 

For more releases, see Hot Tips and Top Picks: DVDs for September 20

 

Catherine Deneuve essentially plays herself in "I Want to See" (Typecast), a documentary/fiction hybrid about a famous French actress in Beirut and who, with a Lebanese actor (Rabih Mroue) acting as guide, driver and commentator, tours the devastation and reconstruction of South Lebanon. The unspoken politics behind the small talk is the elephant in the car but this is more conceptual art piece than documentary: strangers talking in a car as the world goes by outside. Like an Abbas Kiarostami film without the discipline or the design. The film is strongest when the cameras are turned outward to look at the world going by: urban ruins like rotting corpses, a village leveled to rubble, a coast buried in mountains of tangled of rebar and broken concrete, the surf orange from the detritus, and in between a verdant, green countryside that looks for all the world like a rural idyll. Except for the land mines. In Arabic and French with English subtitles.

 

Semih Kaplanoğlu's "Yusuf Trilogy" chronicles life in the Anatolian provinces of Eastern Turkey through the life of Yusuf, a poet raised by a single mother. The three films in the series -- "Yumurta" (Olive) (aka "Egg," 2007), "Sut" (Olive) (aka "Honey," 2008) and "Bal" (Olive) (aka "Milk," 2010) -- stairstep back through his life, from adulthood back to childhood, ending (or perhaps beginning in a rural village where (in the words of AV Club film critic Sam Adams) "sweetness is hard to come by, and its pursuit can be dangerous, even life-threatening. But its simple, unadulterated pleasures are matchless, and the same can be said for "Bal"’s best moments." The widescreen films are presented in soft, non-anamorphic editions from a lo-fidelity master, in Turkish with English subtitles. The films are only available separately in this release. Could be that a box-set edition will follow sometime in the future but no such plans have been announced at this time.

 

Patricio Guzman directs the documentary "Nostalgia For The Light" (Icarus), a poetic portrait of the Atacama Desert in Chile, the driest place on Earth, with a political undercurrent. "This film demands patience from the viewer, unfolding its themes and its spectacular images gradually," writes Salon film critic Andrew O'Hehir. "But it packs a potent intellectual and emotional wallop, combining a post-Augustinian philosophical consideration of time with a passionate desire to uncover Chile's painful recent history." On DVD and Blu-ray, both with five bonus short films by Guzman. In Spanish with English subtitles.

Don Kaye reviews "The Silent House" (IFC), a thriller from Uruguay shot in a single, unbroken take, at MSN's Parallel Universe: ""The Silent House" (or "La Casa Muda") is certainly an impressive technical achievement. But what Hernandez accomplishes with his digital camera cannot replace the lack of a strong story, well-developed characters, or the sense that we've seen a lot of this before." In Spanish with English subtitles.

"We Are the Night" (IFC) is a German vampire drama about a quartet of forever-young women living high in the nocturnal nightlife of Berlin's nightclubs. Dennis Gansel (of "The Wave") directs. "Blades of Blood" (Lionsgate) is a South Korean martial arts costume picture.

 

For more releases, see Hot Tips and Top Picks: DVDs for September 20

 

"What kind of cops are you?"

"The new kind."

 

"Hawaii Five-0: The First Season" (Paramount) revives the old cops-in-paradise crime series with a young cast and a maverick new sensibility. This Five-0 is a special branch of the Honolulu PD, personally created by the Governor (guest star Jean Smart) to take on major crimes and high-profile cases, and it makes up its rules. Think of it as a classic cop show on steroids and suntan lotion.

 

Alex O'Loughlin is the new model Steve McGarrett, the local boy made good: a former Navy SEAL hardcase with a cowboy approach to police work and the looks of a GC model. Danno (Scott Caan), a Jersey transfer with a sardonic streak, helps cut through McGarrett's intensity and counterbalance his single-minded pursuit of the men who murdered his McGarrett's father. Filling out the team is disgraced officer Chin Ho (Daniel Dae Kim), accused of a crime he didn't commit, and surfer girl turned fresh Police Academy graduate Kono (Grace Park).

 

This is boilerplate stuff: Steve McGarrett takes a job on the force to get the man who killed his father (guest appearance by William Sadler; get that man his own series) and stays on to run his own team. Between the weekly rotation of new cases, he digs into the web of criminal conspiracy and finds Wo Fat (Mark Dacascos, like O'Laughlin a good-looking and stylish new model villain) and corruption infiltrating the department and even the government.

 

O'Loughlin apprenticed under Michael Chiklis's Vic Mackey on "The Shield" and apparently brought some of those ideas to the island, but he's not crooked, merely reckless. Remember that thing about making up his own rules? He and his team heists $10 million from a police evidence locker and then lose it before he can sneak it back in, and then walk right into a major frame-up in the cliffhanger season closer. Danno's job here isn't so much to keep McGarrett honest but to remind him of all the lines he's stepping over, and then back his plays unconditionally. I can appreciate that kind of loyalty, but this is one cowboy cop who could use some push back from his partner.

 

24 episodes six discs plus commentary on two episodes and a big complement of supplements. A lot of those are basic promo pieces (like the "behind the scenes" look at recording the new incarnation of the iconic theme song) but there's also "Shore Lines: The Story of Season 1," a substantial half-hour featurette, plus "Picture Perfect: The Making of the Pilot," highlights from the Comic-Con panel and the usual deleted scenes and gag reel.

 

It's also coming out on Blu-ray, but it's exclusively available through Best Buy for now.

 

For more releases, see Hot Tips and Top Picks: DVDs for September 20

 

Every couple of years, some film with a predominantly female cast becomes a big hit and suddenly every paper and online film site is reminded that women also go to movies. With "Bridesmaids" (Universal), the story was extended to the insight that hey, women can be funny too. Really. Wow, insight indeed.

 

Read Videodrone's interview with "Bridemaids" star/co-writer Kristen Wiig

 

No, the real story is that women can have just as much fun playing in the comic sandbox of adolescent behavior, poor judgment and gross-out gags and that both male and female audiences find it just as funny. "Bridesmaids" found box-office gold in a girl-bonding romp filled equally with outlandish bridal showers and alcohol-fueled slapstick aggression, grand romantic gestures and furtive sex, high couture and low blows.

 

Wiig, like so many underutilized and highly creative performers before her, answered the lack of substantial roles by writing one for herself and her fellow funny ladies, but she built the character of Annie on a foundation of disappointment and anxiety that women and men both can relate to. An entrepreneur picking up the pieces from a failed business, she's broke, in a job she hates, a roommate situation that drives her farther into depression and a relationship with a cad who undercuts her self-esteem with every sleepover. When her best friend (fellow "SNL" regular Maya Rudolph) announces that she's getting married, the sinkhole just gets worse, especially when she finds herself competing with a spoiled society girl (Rose Byrne) who proclaims herself the new best friend.

 

The anxiety of underemployment and the palpable humiliation of slowly losing her independence gives a human dimension to the over-the-top comedy and helps smooth out the sometimes spotty nature of this kind of filmmaking. But mostly, it's satisfying to see Annie act out in ways that movies allow men to constantly but rarely extend to women: responding to stress and jealousy like an overgrown adolescent, misbehaving out of pique and anxiety, screwing up big and getting the opportunity to make good and be forgiven.

 

 

New Releases:

"Bridesmaids" (Universal) is a necessary reminder that women can have just as much fun playing in the comedy sandbox of adolescent behavior, poor judgment and gross-out gags (they clearly do) and that audiences find it just as funny. Kristin Wiig co-writes and stars in this hit girl-bonding romp and gives a charming vulnerability to it all between the laugh. Videodrone's review is here and Videodrone talks to Kristin Wiig about the film and DVD here.

 

Speaking of brides, "Bride Flight" (Music Box) is a romantic drama about three Dutch women emigrating to New Zealand to meet their husbands-to-be in 1953, while "Brand New Day" (Fox) is an Australian musical road movie starring Geoffrey Rush.

 

On the foreign front we have a couple of horror films -- "We Are the Night" (IFC), a German vampire indie, and "The Silent House" (IFC), a haunting thriller from Uruguay shot in a single, unbroken take -- plus the Lebanese drama "I Want to See" (Typecast) starring Catherine Deneuve and the documentary "Nostalgia For The Light" (Icarus) from Chile. Videodrone's Foreign Affairs round-up is here.

 

Finally, Bruce Willis goes direct-to-DVD in "Set Up" (Lionsgate), getting second billing to Curtis "50 Cent" Jackson.

TV on DVD:

"Hawaii Five-0: The First Season" (Paramount) revives the old cops-in-paradise crime series with a young cast and a new sensibility. This Five-0 is a special branch that makes up its rules, sort of a classic cop show on steroids and sun tan lotion. The season ends with a cliffhanger rife with conspiracy, corruption and criminal frame-ups. Book 'em, Danno. Videodrone's review is here.

 

Dana Delaney returns to TV in "Body of Proof: The Complete First Season" (Disney), playing a flinty former neurosurgeon turned forensic pathologist who has to learn to tone down her attitude and reconnect with her estranged daughter after a car accident ends her surgical career. Videodrone's review is here.

 

There are more debut seasons: "Mike & Molly: The Complete First Season" (Warner), with newly-anointed Emmy winner Melissa McCarthy, "Happy Endings: The Complete First Season" (Sony), "Raising Hope: The Complete First Season" (Fox) and "Law & Order: Los Angeles – The Complete Series" (Universal), the latter reviewed on Videodrone here.

 

Also this week comes Emmy Award powerhouse "Modern Family: The Complete Second Season" (Fox), "Castle: The Complete Third Season" (Disney) and "The Mentalist: The Complete Third Season" (Warner), while on the classic TV front, "Mickey Spillane's Mike Hammer: The Complete Series" (A&E) stars Darren McGavin in a late-fifties version of the iconic detective and "The Dick Van Dyke Show 50th Anniversary Edition: Fan Favorites" (Image) offers 20 classic episodes. The vintage releases are reviewed on Videodrone here.

 

Cool, Classic and Cult:

"Le beau Serge" (Criterion) and "Les cousins" (Criterion), the first two films from Claude Chabrol, mark the official birth of the French nouvelle vague. The two confident, mature dramas don't have the stylistic flash or narrative invention of the more famous works by Godard and Truffaut that followed, but that was always the way with Chabrol, the classicist of the "Cahiers" crowd. They make their respective American home video debuts on beautifully-mastered​ DVD and Blu-ray editions from Criterion. Videodrone's review is here.

 

"Landmarks of Early Soviet Film: A Four-Disc DVD Collection Of 8 Groundbreaking Films" (Flicker Alley) may sound like dry lesson plan in film history on the surface but the diversity of films, from dynamic dramas to witty comedies to striking documentaries, makes this collection a revelation for lovers of silent films, classic cinema and adventurous filmmaking. Such a labor of love certainly gets some love from me in the Videodrone review.

 

Also debuting this week is "Visions of Eight" (Olive), the anthology documentary on the 1972 Munich Olympics with sequences by Milos Forman, Kon Ichikawa, Claude Lelouch, Arthur Penn, John Schlesinger, Mai Zetterling, Juri Ozerov and Michael Pfleghar, and "hitRECord RECollection" (hitREcord), a multimedia collection of short films, music and art collected in a hardcover book.

  

Blu-ray Debuts:

The 1941 Disney animated classic about a little circus pachyderm with big ears and the unlikely ability to fly, makes its Blu-ray debut with "Dumbo: 70th Anniversary Edition" (Disney) in newly remastered edition, reviewed on Videodrone here.

 

Audrey Hepburn is perfection as carefree and kooky New York party girl Holly Golightly in "Breakfast At Tiffany’s" (Paramount), Blake Edwards’ sparkling adaptation of Truman Capote's bittersweet novella, and Wes Craven's first two films get new Blu-ray editions.  Also new this week: "The Others" (Lionsgate), "Scary Movie 2" (Lionsgate) and "Scary Movie 3: Unrated" (Lionsgate).

 

The complete calendar of releases this week is after the jump:

 

Kristin Wiig, one of the only reasons to check in with "Saturday Night Live" in recent years, has been turning bit parts into defining comedy moment in films as "Ghost Town" and "Adventureland," not to mention a half dozen Judd Apatow comedies. Now Wiig takes charge as co-writer and star of "Bridesmaids," a boys night out comedy for women that defied all industry expectations, becoming a smash hit and the most successful comedy to date for producer Apatow. It’s also a necessary reminder that, Hollywood's obsession with making films for adolescent males aside, effective comedy cuts across gender lines. Especially when you throw in a little bathroom humor. "Bridesmaids" hits DVD, Blu-ray and Digital Download this week and Videodrone checked in with the multi-talented Ms. Wiig to talk movies, DVDs, Jon Hamm and doing nasty things in bridal shops.

 

MSN: I just listened to the "Bridesmaids" commentary track, with you, director Paul Feig, co-writer Annie Mumolo and most of your fellow bridesmaids.

 

Kristen Wiig: Uh-oh.

 

It sounds like you guys had a lot of fun.

 

Wiig: We did. I'm actually nervous because I haven't heard it yet. Did I say anything to embarrass myself?

 

Let's just say that you didn't say anything that was more embarrassing than anything you said in the movie.

 

Wiig: There! Okay, that's fair.

 

You recorded that commentary track the day before the film opened, when you had no idea that it was going to be huge.

 

Wiig: Yeah, that's crazy. I was probably very, very nervous. It's probably why we were drinking wine.

 

If the commentary track is anything to go by, it sounds like you all had quite a time on the set as well.

 

Wiig: We did. It was like summer camp for three months. It was so fun and the cast made it so special. We just got lucky. All the girls all fell in love with each other and, yeah, those are my girls.