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Cult: 'Miami Connection'

Taekwondo synth-rock orphans versus drug-dealing motorcycle Ninjas

By SeanAx Dec 15, 2012 1:46PM

"Miami Connection" (Alamo Drafthouse) resurrects a gonzo B-movie from the eighties created by Y.K. Kim, a martial arts instructor and inspirational speaker who took his talents to the big screen despite a complete lack of screen charisma or acting talent.

 

Kim takes top billing as Mark, ostensibly the rhythm guitar player in a synth-rock band (his air-guitar stylings are apparently modeled on "Archie" cartoons) formed with a "family" of fellow orphans and Taekwondo black belts. Various complications throw them into conflict with a rival rock band and a gang of drug-dealing motorcycle Ninjas, who take time out from killing rival smugglers to ambush our heroes and kidnap their lead guitar player (Angelo Janotti). That's serious business because he's the only guy who can actually play an instrument in this group.

 

Kim plays comforting elder to his rainbow coalition of Taekwondo brothers (they all live together in the same suburban home, "Monkees" style) between brawls and breaking bricks with his hands and head, offering up most of the tired homilies in the script while the rest of the boys go through the motions of their own dramas.

 

The awkward direction and stilted-beyond-belie​​f acting are broken up by the hilariously cheesy synth-rock numbers of Dragon Sound (their epic number "Against the Ninja" actually predicts the coming storyline: an example of musical foreshadowing?) and martial arts action scenes, which look downright competent next to the rest of the film.

 

Cast largely with martial arts instructors and students drafted into service, the performances are, shall we say, unconvincing. Some of them are inadvertently comic, and the often improvised dialogue exchanges are often surreal. The characters are named, by the way, John, Jack, and Jim, and are joined by female singer Jane, who is sister to bad guy Jeff. Hard to tell if screenwriter/co-star​​ Joseph Diamand had a sense of humor or was simply stuck for names.

 

The film was directed by Korean B-movie veteran Park Woo-sang (credited at Richard Park), whose final edit was apparently so bad that when producer / star Kim tried to sell the film, he was advised to simply "throw it away." So Kim rewrote the script with Diamand, reshot scenes himself (helped by a "How to" book), and released the film himself in a handful of local Orlando theaters. Even the hometown audiences snubbed it and after brief VHS release it disappeared, forgotten for decades until Austin's Alamo Drafthouse found an orphaned 35mm print and resurrected the film as a midnight movie. They tracked down Kim and distributed the film in special engagements across the country.


 

The newly-minted cult classic debuts on Blu-ray and DVD in a version that preserves its scruffy grindhouse origins. With no original materials at their disposal, Alamo Drafthouse mastered the disc from the 35mm print they bought off of eBay. The color is surprisingly vivid (all that "Miami Vice"-inspired deep blue night lighting comes through nicely) but the film shows wear, scratches, grit, and the usual detritus of a neglected film. Somehow it just adds to the experience.

 

Both the Blu-ray and DVD editions feature commentary by producer / co-writer / star Y.K. Kim and screenwriter / star Joseph Diamand, the 20-minute featurette "Friends Forever: The Making of Miami Connection" (which reunites all five members of the orphan family band!), deleted scenes (including the original ending), a 25th  anniversary Dragon Sound reunion concert (with Kim and the boys still faking their musicianship while Angelo Janotti carries the performance), and two archival Y.K. Kim promotional videos from the eighties.

 

And for real eighties junkies, there's a limited edition VHS tape version – only 400 copies run – available direct from the Miami Connection website.

 

For more releases, see Hot Tips and Top Picks: DVDs, Blu-rays and streaming video for the week of December 11

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about the blogger

Sean Axmaker, Videodrone blogger

Sean Axmaker is MSN's DVD columnist and the editor of Parallax View. He writes for Turner Classic Movies Online and his work has appeared in the Seattle Post-Intelligencer, The Seattle Weekly, The Stranger, Senses of Cinema, Asian Cult Cinema, Psychotronic Video and "The Scarecrow Video Guide."

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