Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Odds and Ends 012

Been Through Less Than They Think, These Guys

By Xgau Jun 19, 2012 2:03AM

 

Diamond Rugs: Diamond Rugs (Partisan)

Whose songs do you think stick out when the Deer Tick guy convenes yet another roots-rock supergroup with the Black Lips guy and the Dead Confederate guy? ("Christmas in a Chinese Restaurant," "Gimme a Beer") ***

 

The Obits: "Moody, Standard and Poor" (Sub Pop)

Perpetually PO-ed alt lifers get a grip on it ("I Want Results," "No Fly List") ***

 

Wavves: Life Sux (Ghost Ramp)

"A joke a stroke of genius/Probably somewhere in between" is tuneful enough, finally, but make that second line "Or only a waste of time?" and we might believe he's got some brain left ("Bug," "Poor Lenore") ***

 

The Rapture: In the Grace of Your Love (DFA)

Posers have real lives too‑-really‑-only it's really hard to care ("In the Grace of Your Love," "How Deep Is Your Love") ***

 

Herzog: Cartoon Violence (Exit Stencil)

Pop boys are always facing manhood, but that doesn't always spruce up their songs ("Your Son Is Not a Soldier," "Fuck This Year") **

 

Surfer Blood: Tarot Classics (Kanine)

EP embraces a maturity they define in part as saving your winners for Warners ("Drinking Problem," "I'm Not Ready") **

 

Art Brut: Brilliant! Tragic! (The End/Cooking Vinyl)

Guitarist often shines, lyrics often don't ("Clever Clever Jazz," "Bad Comedian") **

 

The Front Bottoms: The Front Bottoms (Bar/None)

Two-"man" Bergen County Nerd Liberation Front cell finish each other's bellyaches, hire or simulate trumpet commentary ("The Beers," "Maps") *


129Comments
Jun 19, 2012 10:03PM
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I suppose it's up to me (or I can leave it to Che Vauche, whatevs) to defend Herzog, which I think is the best thing Bellow ever wrote, and probably my favorite American novel of the 1960s. I'm not sure I follow the argument about nascent neo-conservatism (or, much more accurately in this case, U of C intellectual elitism) being an automatic insta-fail; have we not just been through a lengthy discussion of Neil Young's 1980's? This is a thing that we have to deal with with many artists. I can't stand Mailer, for example, but it's the prose more than the pose that bothers me. James Wood's excellent discussion of Hilary Mantel's Wolf Hall in the New Yorker recently made a good point about what makes that book so much better than most historical novels, such a moribound form: that the animating principle is just about everything. He means good writing, in a transhistorical sense--hard to teach and define, much easier to recognize. Herzog is pretty much the best example I can think of from the American postwar period of indirect discouse, circling layers of consciousness much like Flaubert's portrait of Mme. Bovary, but, I think, much more self-implicating, self-lacerating. And funny.

I'll concede the Mr. Sammler's Planet blows, though. And I have to admit I never considered Henderson one of his great novels.

Jun 19, 2012 9:11PM
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We've got a Saul Bellow list (few arguments there, to be honest), so here's the Werner Herzog filmography list you didn't ask for (chronological, and not exhaustive, and only the A list) :

Signs Of Life / A-
Even Dwarfs Started Small / A-
Land Of Silence And Darkness / A
Fata Morgana / A+
Aguirre, The Wrath Of God / A-
The Enigma Of Kasper Hauser / A-
Stroszek / A
Nosferatu The Vampire / A-
Woyzeck / A-
Fitzcarraldo / A-
Lessons Of Darkness / A
Grizzly Man / A-
Bad Lieutenant: Port Of Call New Orleans / A-
Cave Of Forgotten Dreams / A-


Jun 19, 2012 9:07PM
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Greg- Fear not, it was not me that was attacked by crows. They seem to like me for some reason. The Tippi Hedren in question was actually the wonderful Scott Erikson who along with his wife Jennifer were responsible for bringing the band to Wenatchee. The band even stayed at their house.

To your second point about Lisa's vocals in "Waiting Room", she can do no wrong in my eyes/ears. That said, the song worked better in the middle of the set like Wenatchee, rather than leading the show as in NYC and Seattle. Chuck, gentleman that he is likes Lisa to go first. it was "Little Paper Birds" in Wenatchee that kicked off that show. By the time they got to "Waiting Room" Lisa was in a groove.

Imagine my shock 3 days later when their stripped down set started with "Kung Fu Reference" from Lohio. I later told Chuck what the world needed was an **** Pony's comp hand picked by the Chuckster himself. I sure it would be better than my AP mix tape, and mines pretty good. Either that or re-recorded versions with Lisa doing harmonies. "We're doing this comp of Wussy songs in the UK first, but we'll see"

Jun 19, 2012 8:54PM
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THE ANTI-DEAN'S LIST: SAUL BELLOW

The Adventures of Augie March / A+

Henderson the Rain King / A

The Dean's December / A-

Seize the Day / A-

To Jerusalem and Back / B+

Herzog / B+

Mr. Sammler's Planet / B

Ravelstein / B

Humboldt's Gift / C-

More Die of Heartbreak / D

The Victim / ***

Dangling Man / **


Copyright, 2012 / Puppymaster, Inc.

Jun 19, 2012 8:06PM
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I presume that others use the Odds and Ends suggestions to mine deeper into the other cuts on the albums mentioned, right? I know that Gregg Allman has found lotsa love here, but as I was buying the recommended Jerry Lee songs from O and E 011 I saw an artist's credit for James Burton and Eric Clapton together. Heck, can't pass that one up even if I'm not so much of an EC fan. Putting the two of them together should have been done a long time ago. Turns out it's a tasty cover of "You Can Have Her" that does its business in a compact 2:37 with just the right touch of rockabilly boogie.
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"You can listen online: kbrd.org.  The playlist seems to be infinite."

Hot damn! Emmett Miller! Slim Gaillard! Ella Mae Morse! Bob Wills! Bessie Smith! Leadbelly! Hoosier Hot Shots! Maddox Brothers and Rose! King Oliver! Nana Mouskouri??
Jun 19, 2012 5:48PM
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Allen B.: Didn't figure out what was going on in the background of that cover til you said something.  Pretty sure it's: "There, how you like it when we club your babies? What goes around comes around, ****s."  Somebody show it to Morrissey, he'll like it.

(I couldn't club a baby seal or human, they're both adorable.  I'd probably club an adult human before a seal tho, seals stay pretty adorable.)
Jun 19, 2012 5:36PM
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My wife mentioned tune-yards about halfway through the first play.  We're both liking it quite a bit, too.
Jun 19, 2012 5:25PM
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gdash: I revere both Waugh and Powell, and you're right: they were more reactionary in life than in their books (I always thought that the post-war "Scott-King's Modern Europe" was a slam against Tito's Yugoslavia; turns out it was about Franco's Spain). And yes, Hitchens and Martin Amis wrote the most adoring essays on Bellow I've ever read.

On another matter, anybody else get the impression, from the percussion focus and the stereo tricks and the swooping vocal calisthenics, that Fiona Apple's been listening to a lot of Tune-yards? Good for her if she has, and the album's a good one.

Jun 19, 2012 4:46PM
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It's a listener-supported station that's been on the air since 1995, broadcasting from here in Olympia.  The signal fades about 20-25 miles from town.  You can listen online: kbrd.org.  The playlist seems to be infinite.

Until I saw a larger version of that Herzog album cover I thought the two seals were at a hockey game.  I'm not quite getting the joke - "There's a bunch of babies who won't grow up to be seal-clubbers"?  Seals are by nature psychotic, so don't hand one a club? A pun on the title that I'm not understanding?  Something much more dada? 
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"the ultra-oldies station (playlist goes from 1900 to around 1955) I listen to in the car"

Whoa, is that an actual commercial radio station??
Jun 19, 2012 4:22PM
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Politically Grace Paley was pretty much the anti-Bellow. But here she is interviewed at age 84 by Poets & Writers magazine:

P&W: There is such a strong, almost spoken voice to your stories. It feels like you are sitting there telling me the story. How did you discover this voice?

GP: 
I read a lot. In poetry, I liked W. H. Auden more than anyone. I loved British writers and the novels I grew up with, Twain, Dickens, and so on. I was not influenced say by Walt Whitman or anyone like that. His freedom was not my freedom, and so it didn’t affect me. But Saul Bellow had begun to write already. He freed the Jewish voice in some ways that I didn’t even recognize, but his work was all about men. Still, for Jews who are crazy about the English language, he was the one.

For this ex-Catholic writer growing up in New Zealand, crazy about the English language, Bellow was also the one, and it was all about voice. 
Jun 19, 2012 4:20PM
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There really ought to be an officially available Paul Rocks compilation - start with "I Saw Her Standing There" and the Little Richard covers, "I'm Down," "Helter Skelter,"...   "Beware My Love" most certainly.
Jun 19, 2012 4:10PM
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Did anyone notice that they started recording "Love Me Do" fifty years ago this month?
Jun 19, 2012 4:03PM
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Allen, I wouldn't quite call myself a McCartney non-fan. In the years that people were denigrating his Beatles work I was reminding them that the solo stuff was distorting their judgement. As it was, I liked some of the solo records, Band on the Run 

and 

Venus and Mars 

especially

but I had the Beatles albums, my brother had the McCartney albums, and when I moved out I never felt the need to replenish them. Still can't figure out why "Beware My Love" isn't on 

Wingspan, 

it’s two CDs for chrissakes.  [Been trying to correct this screwy post in editing, but it won't let me.]
Jun 19, 2012 3:51PM
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Che, the Saul Bellow  of 1956 was hardly a "nobody", he'd won the National Book Award two years before. 

sharpsm, Amis got more Blimpish as the years and drink wore on, which you hinted at. He did write a good booze book in the mid-Seventies with a hilarious chapter on throwing a party on the cheap, and a fine one on hangovers. I've set a few seasoned drinkers on their unsteady way with his Old Fashioned recipe.  

Waugh and Powell were major novelists (the former known best for one of his lesser novels, and that one celebrated for the wrong reasons, much like Hitchens), and I don't see Music of Time, sharp right through its penultimate volume, or, say, Handful of Dust in the same Blimpy shadow. Waugh personally is another matter.  By the way, I don't know his politics, but Henry Green was every bit these guys' equal.

I've noticed that English novelists and critics seem to rate Bellow higher than American ones. Any thoughts on this?
Jun 19, 2012 3:23PM
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I've been almost-attacked by crows (as in their little feet grazing the top of my head) in Seattle several times.  They get mean in nesting season. 

 

 

Current listening: In just the last few days the ultra-oldies station (playlist goes from 1900 to around 1955) I listen to in the car I've heard the original versions of "The Old Man From the Mountain," "Tiptoe Through the Tulips" and "The Call of the Wild Goose" (by Frankie Laine, with one of the most hilariously eccentric arrangements I've ever heard.  Every time I hear the bit about the "wandering foot" I think that it sounds like one of those afflictions that has its own medication advertised on TV - the kind where half the commercial is taken up with negative side effects).

Jun 19, 2012 2:33PM
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Jeff: And I wasn't all that impressed with Lisa's vocal on the opening "Waiting Room". Too broad and flat. Small price to pay though. Glad you liked it. Just like being there, as they say.

Am also wondering if John S. is the "friend from Wenatchee" in the Seattle Pike Place post described as being attacked by the crow.

Jun 19, 2012 2:14PM
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Big up to GMort for the Wussy link. They send that version of "Pizza King" airborne. Too bad Lisa's guitar is out of tune on "Little Miami," though.

And may I just add that the two recent Odds & Ends playlists make for excellent cookout music. (Attempting jerk chicken as soon as the coals go white.)
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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