Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

The Rough Guide to Highlife/Electric Highlife

Highlife as Pop and Not

By Xgau Jun 26, 2012 3:46AM

The Rough Guide to Highlife (World Music Network)

Although the label's second pass at this expandable concept--which as has been its regrettable recent practice isn't marked as such anywhere on a package that in this case is orange and bears the serial number 1280CD--tends quirkier and quieter, in-house compiler Rachel Jackson goes for the gut tunewise. From the surprising pre-Afrobeat Fela who opens to the gospel falsetto-as-girl group who close, every song stands out, so much so that Jackson really could have risked Celestine Ukwu's "Osundu" rather than repeating the oft-compiled "Igede." Special faves: the Black Beats' "Tsutsu Tsonemo" for hook, Gentleman Bobby Benson's "Taxi Driver" for lyric, Francis Kenya's "Memia" for guitar compression, and Chief Stephen Osita Osadebe's "Osondi Owendi" for guitar expansion. There's a slight tailoff before the gospel closer, but not so as to spoil your appetite for the bonus disc by the university-based trio Seprewa Kasa. On Riverboat four years ago, I found their preservationism a mite polite. Here the same album provides a graceful, restful, informative coda. A

 

Electric Highlife: Sessions From the Bokoor Studios (Naxos World '02)

Ghanaian-Nigerian highlife was a pop music not just because it was urban and popular, but because it produced something resembling hits and stars‑-in their world, the Victors Uwaifo and Olaiya were genuinely famous. Not these eight early-'80s guitar bands John Collins recorded in Accra. As all too part-time musicians in a ruined economy, they share a likably ramshackle feel, which infused by the good cheer they mustered in the face of 100 percent inflation is enough to sell this collection. But I noticed a funny thing when I looked closely at the second Rough Guide to Highlife, which is that its two finest tracks began their public life at Bokoor: the hummable one by the Black Beats, who had a long if varied career elsewhere, and the musicianly one by Francis Kenya, who seems to have been Collins's greatest protege. Think there were some players over in Ghana? Must have been. A MINUS

 

141Comments
Jun 29, 2012 9:36AM
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The United States of America-the only industrialized nation in the world without universal health care(No?).

Finally a step -albeit a small one-in that direction-and the right is having a nervous breakdown. At least with this ruling

they may be covered.

PS The individual mandate-how is it different than having to buy car insurance? It isn't..

PPS Alexander Vauche-where intelligence, common sense and a sense of fairness go to die.

 

Jun 29, 2012 3:32AM
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Returning to a topic covered earlier on in this thread. I wanted to post this earlier but I couldn't for some reason.

B+'s that are higher in my book:

The Smiths - The Queen Is Dead (what a surprise!)
The Smiths - Louder Than Bombs
Big Star - #1 Record
Pixies - Doolittle
Every R.E.M. B+
New Order - Power, Corruption & Lies
The Fall - This Nation's Saving Grace
The Strokes - First Impressions Of Earth
The Jesus And Mary Chain - Darklands
Ride - Going Blank Again

Jun 29, 2012 1:33AM
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You seem to have no problem paying for the public transportation you don't use.  You pay for the DMV, for libraries, for police, for firemen, for so many other things you may or may not use.  You pay for highways you can choose not to drive on.  You pay for schools even if you don't have children.  You pay to bail out Wall Street morons.  So I don't get your argument.  What's with paying for health care you don't use? Especially when the cost to you, from a tax perspective, is not that much?
Jun 28, 2012 11:09PM
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If I don't buy insurance, then the government takes money out of my pocket.  I have the freedom to choose not to drive and ride the bus or ride a bike.  On the gun permit, I would never buy a gun.  Maybe archery.   
Jun 28, 2012 11:01PM
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Just waiting for the "I Can't Drive 55" of the ACA decision.
Jun 28, 2012 10:52PM
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Then don't buy it. 

 

Being forced to get a driver's license or a gun permit isn't very rock and roll, either.  But then again, I was never much for Hagar or the Nuge.

Jun 28, 2012 9:49PM
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Making me do something like buy health insurance is not rock n roll.  
Jun 28, 2012 9:29PM
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Oddly enough today, ran across a fascinating (and enlightening) (and repellant) example of primeval African borrowing/hokum -- "African Etude" -- from "Road to Zanzibar" (Crosby and Hope, 1941). The Uses of the Other indeed. (Interesting enough, parts sound more authentic than much "Exotica.")

I always thought the lengthening pop tunes of the '80s were one sign of disco, with its exended workouts, crossing over as mainstream-hit influence.

Jun 28, 2012 9:08PM
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I'm sure there's an Afropop critic in Nigeria who gets lambasted for occasionally writing about -- and legitimately liking -- the Beatles and the Stones.  "You can't really take that music seriously," his readers complain, and how right they are. 

 

Keep the racist **** coming.  I find it entertaining.

 

 

Jun 28, 2012 8:12PM
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Although not blatantly stupid, Che is ignorant about many musical things, African music especially. He just knows nothing about it, including how much of it gets played on NPR, where as it happens I do some reviewing..
On the other hand, I believe I got rid of post 121 on the previous thread (which of course I'd never seen, because it came in after I last looked down there) with my administrative powers, which don't always work so good. So that was a contribution.



Jun 28, 2012 7:54PM
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Che confuses Rough Guide with Putumayo and somehow thinks music crossing (manmade) borders equals pious liberalism.  Wonder how the musicians would feel about his condescension.
Jun 28, 2012 7:33PM
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"promoting Rough Guide and similar product suggests, at best, musicians in all countries piously joining hands to sing "We Are The World" and, at worst, NPRism invading Xgauistan with a full forced march to plant its odious tricolor smack dab in the heart of rock and roll. We have met the enemy, and it is National Public Radio; it is Starbucks Coffee Company; it is the New York Yankees."

Yeah, and Charlie Gillett too. Oops, did I just say that? Cuz I'ma happy fan of his New Orleans and Memphis comps even if almost every groove in them is way beyond familiar. But Anywhere On this Road is the edition of the Gillett-derived "Sound of the World" series that totally knocks me out. This is a One-World comp so grooveful it's like 34 culturally disparate versions of "Minnie the Moocher" laid out end to end. It's so grooveful the craziest song is from Canada (topical health care reference for this post). I'd give this to anyone who didn't think they liked world music (eh Che?) and I'd give it to anyone who thought it would be cool (and smart) to put Oceans of Sound and Sugar and Poison into a blender and press the on button.
Jun 28, 2012 6:20PM
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Look, I'm just a firebell in the night 'round here fellas - it's all "fellas," right? - but promoting Rough Guide and similar product suggests, at best, musicians in all countries piously joining hands to sing "We Are The World" and, at worst, NPRism invading Xgauistan with a full forced march to plant its odious tricolor smack dab in the heart of rock and roll. We have met the enemy, and it is National Public Radio; it is Starbucks Coffee Company; it is the New York Yankees.


Oh, ClankFace, if you're not too busy smoking whatever bizarre tobacco you favor, please eliminate the final post (#121) to the Azealia / Rye Rye thread. It is barefaced sexual solicitation. With two thumbs up from my naughty little puppy dogs. 

Jun 28, 2012 6:03PM
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I find long track lengths more bothersome when they reflect a certain kind of bloat - excessive repetition of the refrain in the outro, that sort of thing - rather than having some kind of principle that songs shouldn't exceed a certain length.  This bloat was often apparent in pop songs in the '80s, with mean lengths getting longer without any noticeable innovation in song structure.  Meanwhile, if a track sustains some kind of groove, then track length at 6 minutes and upward is often a bonus rather than a problem.  Qualitative examples from my listening today: The Jacksons' Triumph (a few at 5 minutes and over) and Electric Wizard's Black Mass (most songs 6 to 8 minutes long).  
Jun 28, 2012 5:42PM
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"Christgau's never been one for lengthy tracks..."

Well, there is Terry Riley, Gavin Bryars, Bang On A Can, King Sunny Ade.
Jun 28, 2012 5:40PM
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For whatever it's worth, I've paid sales tax on Amazon purchases for many years -- ever since Amazon set up a distribution center in Coffeyville, KS. When they did so Amazon didn't insist on a sales tax exemption like they recently did in South Carolina. I figure one reason they did the latter was that SC had given Boeing about $1 billion in various incentives to move their 787 assembly operation from the Seattle area, where Amazon is based. Crass move, but SC practically begged for it.

In the meantime (well after Amazon got socked with the sales tax) Wichita's big box bookstore coverage has dropped from four to one, and the remainder has less than 50% of its floor space used for books -- seems well on its way to becoming a toy store. Bookstores have always been my favorite hideouts, and as recently as a few years ago I would visit a couple times a week. Now it's more like once every other month, and a disappointing experience at that. Blame the internet if you like, but those now-closed stores were more often than not plush with customers. I don't know what killed them, but the main interest of investors these days seems to be in looting their businesses.

For several decades now we've let ourselves be seduced and defrauded by the mantra that businesses exist solely to profit their owners -- i.e., that customers, employees, and the public have no stake in their operation. Unions used to provide some form of check on this greed, and their destruction has gone hand-in-hand with the looting. For a counterexample, see Thomas Geoghegan's book on Germany -- at least see my excerpts at http://goo.gl/pHlP8 -- Germany has become the world's largest net exporter because it keeps its jobs at home, and it does that because the unions have a stake in every company. There are some problems with Germany, including that they're too successful -- that's a big part of the Eurozone crisis right now. But one thing that bummed me at the bookstore recently was the latest load of books warning of Obama's sinister plot to turn the US into "a European Socialist State," as if vacations, retirement, education, and health care are such bad things (not to mention as if Obama had the slightest such inkling).



Jun 28, 2012 5:32PM
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Also, there're about four dozen newly erected Tumblrs archiving the legion of Americans taking to Twitter to declare their intent to move to Canada in light of the SCOTUS ruling. Hilarious. Just Giggle it. 
Jun 28, 2012 5:25PM
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I'm wondering if you guys actually know about this piece of legislation. In combination with the individual mandate, they set up extensive insurance reforms that include requiring each state to make a streamlined form available where people can apply for Medicare, Medicaid, subsidy programs, or individual insurance on a newly regulated individual insurance market. (the health insurance exchange). Premiums are now regulated on these plans, with multipliers limited based on age/smoking status etc. The idea is that they can control price competition by regulation and standardizing the plans.

 

Very important in this pursuit then, was the individual "mandate". Because encouraging people who were previously uninsured to enter the individual insurance market will increase money pooling and allow for the new lower premiums.

Jun 28, 2012 5:18PM
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I want to bring things back to a place of mutual civility, but I'm not convinced this is the right change of topic: his mostly unique critical love for A Thousand Leaves notwithstanding, Christgau's never been one for lengthy tracks (refer: Harvest Moon review and a small qualification about the size of 'Little Miami' in that great Wussy B&N piece), which is why I'm hesitant to guess he likes Frank Ocean's nine and a half minute single 'Pyramids' as much as anything on nostalgia,ULTRA--but whatever, both weird halves of it are the best music I've heard this calendar year. Small question: who else loves this song? Bigger question: what do we have to say about song length? 

EDIT: I have a suspicion Ocean is the next in the traceable line of black artists who are both critically and commercially significant (are there any white ones this century?) My half-German, half-Indian pre-med undergrad girl neighbor (easily the least likely listener of EW music I know personally) the other day texted me the following: "Have you heard Pyramids yet? That shiz an eargasm." The fact that she didn't need to mention the artist's name? All the more indicative.
Jun 28, 2012 4:56PM
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Oh, for Christ's sake. Of course someone will have to pay for it: the vastly increased number of people paying into the system--do the words "Individual Mandate" ring any bells? But if you're really worried about cost-containment, expanding Medicaid into an all-embracing single-payer health system and nationalizing the rapacious (and inefficient) insurance industry would be two steps in the right direction. 

And now I'm really done.

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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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