Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Odds and Ends 009

Also-Rock

By Xgau Apr 27, 2012 3:42AM


The Kills: Blood Pressures (Domino)

Love still hurts, but they understand it better ("Heart Is a Beating Drum," "Pots and Pans") ***

 

Dum Dum Girls: Only in Dreams (Sub Pop)

Pretty darn good Pretenders ("Wasted Away," "In My Head") ***

 

The Shins: Port of Morrow (Aural Apothecary/Columbia)

Problem's less the precious lyrics he attaches to his premium melodies than the increasingly precious way he sings them ("Simple Song," "September") **


Imperial Teen: Feel the Sound (Merge)

"Too many songs we sang are left unsung"--that about sums it up ("Last to Know," "Out From Inside") **

 


 Cloud Nothings: Cloud Nothings (Carpark)

Sincere ex-brat faces mortality and/or sexual insecurity without whining or fronting about it ("Nothing's Wrong," "Been Through") **


The Coathangers: Larceny & Old Lace (Suicide Squeeze)

The meat remains, the sauce does not ("Go Away," "Jaybird") **

 

The Wax Museums: Eye Times (Trouble in Mind)

Brat-punk lives in Denton, Texas, and that's a good thing ("Midlife Crisis," "Mosquito Enormo") **

 

Dengue Fever: Cannibal Courtship (Fantasy)

Not only are their English lyrics easier to understand than their Khmer lyrics, they're easier to understand than your English lyrics ("Cement Slippers," "Mr. Bubbles") *


 

103Comments
Apr 29, 2012 8:05PM
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Allen B., keen observations re Allo Darlin', and helps explain why it still sounds much more like the Go-Betweens than a Grant McLennan solo album.

Richard C., the "surf magazines" reference in that song is yet more evidence that the G-B's influence is there and intentional. She/they are also adhering to 10 songs per album, another G-B's tradition.
Apr 29, 2012 7:16PM
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Motorpsycho
Even if the album isn't all there, it's something new under the sun. Reminds me just a little of a Swedish band from a completely different era (the 60s) that Tom hipped us to, Parson Sound, whose lone CD is already going for collector's prices even though it was released only a few years ago. Zoltar's Revenge has it if you want to check it out: http://goo.gl/XJ9rZ

Also, names like The Source and Deathprod remind me of Metalocalypse. Have we not talked about this cartoon here yet? Each episode is a ten minute bite of hilarity, condescension, and reverence toward that weirdest and most fastidious corner of the rock culture haunted house. All three of the seasons so far are available on DVD, and I understand a new season is on the way. It's even better than "The Blizzard of Ozz"!
Apr 29, 2012 7:07PM
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Random upon random --

Today on a House rerun, Hugh Laurie says, "Contrary to what Jimmy Cliff taught you, sometimes the bigger they are, the harder they kick your ****."

EDIT: Oh please, I'm quoting a TV character.

**** = a$$ if you didn't catch the context.

Apr 29, 2012 6:52PM
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Lovely list. But you forgot to recommend a dingy club
Sticking to my home turf of San Diego, how about Pacific Shores (Ocean Beach), Live Wire (North Park / University Heights), or the Aero Club (LIttle Italy).

cheap whiskey
Aero serves whiskey primarily. But my fave isn't especially cheap - Connemara Peated Single Malt.

and, just in case, a well honed straight razor
Bring what you got.
Apr 29, 2012 6:41PM
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I also noticed that "Tallulah" mentions surfing magazines, perhaps another nod toward The Go-Betweens. 


Apr 29, 2012 5:51PM
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Random observation/lament from the lower Blue Ridge: I've spent most the weekend with Lee Ranaldo's new record, which makes me both intensely happy and more than a little wistful. You see, more than anything I love guitar bands and singer-songwriters, and--most of all--guitar bands lead by singer-songwriters. It's just that listening to Between the Times and the Tides (currently #2,043 and sinking fast at Amazon) I am made painfully aware that my chief musical taste has become an anachronism. Still, take your jollies where you find 'em, I say.
Apr 29, 2012 4:39PM
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Peter G., the Forster influence might be in the diaristic nature of many of the lyrics, and the way in which (much more so in Forster's case) the singing slips in and out of a conversational feel.
Apr 29, 2012 3:59PM
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Okay Kenny, ummm 6, 18, 25. Not random--my birth month, day and age I'm gonna be next. :) it'll do. 

Thanks for the suggestions err'body. I picked Zanesville so I can get 12 hrs done first and then have less than half left. It's the little things. 

Bob, CD player has been on strike for years. I have a little doohickey that works thru empty radio stations. It's decent, just have to fiddle with it every so often. Kind of like tapes tho for the nostalgia factor and bc they keep me from futzing with something while at the wheel. I have a small collection of cassettes to entertain me plus a few good mixtapes from my Xgau-worshipping ex. :)


Apr 29, 2012 2:13PM
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Thought I'd throw this track out and see what you think -- http://goo.gl/di2XQ -- something I'm working on for Recycled Goods. Motorpsycho is a very prolific Norwegian rock band. This is the first I've heard of them, and while I initially suspected metal it now seems likely they're closer to Hawkwind than to Motorhead. (Group was named for the Russ Meyer film.) The Source is saxophonist Trygve Seim. I know him mostly from ECM albums, but seems to have had a wilder and woolier adolescence. Deathprod (Helge Sten) throws in some cheesy electronics. Album runs out of gas before the end, but they were onto something here.
Apr 29, 2012 2:10PM
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Irene - give me three random numbers between 1 and 28.
Apr 29, 2012 12:23PM
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Kool A.D. has a free album called 51 available here: http://goo.gl/SseGQ
It's another mess but "La Piñata" (?) deploys a Mister Rogers sample sinuously. And apparently he thinks it's the pick to click too since there's already a video for it: http://goo.gl/n67pW

Irene, before sorting out car jams, you should consider getting a h/motel at the 10-hour mark. Or at the seeing-Lee-Harvery-Oswald mark, whichever comes first. I've done dozens of inhumane road trips often with four (4!) gangsta cats and a decent night's sleep along the way saved our lives.

Stock your vehicle with:

1. Two little bowls for water and cat food placed on the floor. Your cats will probably be too stressed to partake. But just in case.

2. A makeshift litter box. They will partake.

3. Paper towels. They will puke.

4. A washcloth. They will puke on themselves.

5. Bottles of water. Keep yourself hydrated. Also, your cats will be dehydrated and look a bit scary. Don't worry. They'll survive. But you should wet the nose/mouth area so they get some sort of hydration.

6. Food. I don't follow this too well myself. But try to bring some healthy food with you. Trader Joe's hasn't colonized the roadside market (yet). So you're stuck with the major fast food chains. But a Whopper or Cheesy Gordita Crunch is fake fuel - it'll power you for a couple of hours but drain you the next day. Remember - you have to unload/unpack once you arrive and you'll need some energy for that.

7. Towels and/or blankets. Make little areas for them to sleep on.

8. And then, yes, music, if only to cover up the bitching. My cats meowed for five (5!) hours non-stop. You will go mad if you can't drown them out with tuneage.

Oh and if you get a hotel, don't tell the front desk you have cats. I've never had a problem sneaking them in.

Good luck!

Edit: Ah I see you're stopping along the way. Smart smart smart.

Apr 29, 2012 11:48AM
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Drive Tape #9 was always a particular favorite of mine, from sometime in the early 1990s:

side one: The Ghetto (Too Short), Library (untracked skit excerpted from Boogie Down Productions' Edutainment), My Heart and the Real World (Minutemen), Street Fightin' Man (Rolling Stones), Steel Claw (Tina Turner), You Got To Know How (Bonnie Raitt), East of Eden (Lone Justice), Middle of the Road (Pretenders), Down To Earth (Monie Love), Stool Pigeon (Kid Creole & the Coconuts), Mack the Knife (Louis Armstrong), Youth of Eglington (Black Uhuru), Save It For Later (English Beat), Brown-Eyed Handsome Man (Chuck), I'm Having A Good Time (Alberta Hunter).

 

side two: Hey Tonight (Creedence Clearwater Revival), I Got Loaded (Los Lobos), La Raza (Kid Frost), Da Butt `89 (EU), Our Lips Are Sealed (Go-Go's), Into the Groove (Madonna), Dig For Fire (Pixies), Return the Gift (Gang of Four), 911 Is A Joke (Public Enemy), Lethal Weapon (Ice T), Ring Ring Ring (De La Soul), (Get Up I Feel Like Being A) Sex Machine (James Brown), Sex Bomb (Flipper).


Looking at it now, Ring Ring Ring is the one choice that makes no sense to me. Even pre-Buhloone Mindstate, there were several better DLS choices for that location. It makes most sense if I made the tape shortly after De La Soul Is Dead came out.

Apr 29, 2012 11:38AM
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Irene: Am I to understand that your car is cassette only? If so, they used to sell cassette-shaped converters with a stereo mini at the other and I bet they still do. Then there were and probably are those gizmos that turn your radio into an iPod player. They didn't work so well, though.



Apr 29, 2012 11:25AM
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P.S. I'm gonna stop in Zanesville, OH, to overnight and give the cats (& me) a break. Don't anyone worry that crazy overstimulated Irene's gonna be busting a$$ on I-70 thru the wee hours of the night. Irene doesn't speed, anyway.
Apr 29, 2012 11:22AM
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OMG KENNY THE ANSWER IS YES. I love idiosyncratic mixes. I think I have a way to rig up my comp to a cassette recorder too....
Apr 29, 2012 10:59AM
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Kenny, can you post a track list of one of your tapes for us? I'd love to see it!
Apr 29, 2012 9:50AM
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Also: in a pattern established on drive tape #1, all drive tapes end with a segment of Flipper's "Sex Bomb" -- cassettes being of fixed length, it could be as little as 30 seconds of it, or as much as four or five minutes. Only drive tape #1 provided the song in its true 7:49 glory.
Apr 29, 2012 9:43AM
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1986 to 2001 were my drive tape years -- I had a cassette player in the car, drove across county four times and shorter legs (such as Knoxville to Chicago and back) as much as four times a year. During that time I made 28 extremely eclectic drive mixes -- a friend once heard me get from Bikini Kill's "Suck My Left One" to Sade's "The Sweetest Taboo" via Pavement and Paul Simon and swore he'd never get in a car with me again -- that I once swore by. If you're interested I'd be happy to assemble to mp3s of a couple of them and send them to you, if you can get them to cassette from there.
Apr 29, 2012 9:07AM
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Irene-take your time and try to get a good

nights' sleep somewhere-don't mention the cats.

As far as music goes-I like to mix the new with the

tried and true. In this way if the new are disappointing-the old serves

as comfort food. What I would bring doesn't matter. But as regards the new- the above Odds and Ends

might do the trick.

Apr 29, 2012 7:11AM
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I was at my first gig in over a year, the Magnetic Fields in the Olympia Theatre, Dublin 

I saw the Magnetic Fields in D.C. a few weeks ago. Merritt hates performing live, or so he tells interviewers, and the evidence that night confirmed this. He sighed visibly several times during the show, and halfway through kicked over the music stand with notebook that he was using for occasional help with the lyrics - poor lighting on the notebook apparently brought out his frustration. Claudia then asked him if he was “going off book” -  the music stand and notebook lay on the middle of the stage until the encore. I have to say though that Merritt’s a professional regardless, which is what bugged him about not being able to read his cheat sheets. He gave his best, as did the rest of the band.

Am digging the new Allo Darlin'.  Ryan, in addition to the Go-B's cover, she's also said more than once that she sees her sound as "Kirsty MacColl meets the Go-Betweens."  And on the new one she's got a song called "Tallulah," about a road trip, which includes the line "You found a tape with Tallulah on it."  Of course all this devotion doesn't guarantee any sort of quality, but I think she's absorbed her lessons well indeed.

Allo Darlin’ does sound like they are going after a Go-Betweens sound, though without Forster's angular influences. It’s taking longer for these songs to sink in than the ones on the debut, but that’s a G-B’s trait also. I’ve read some reviews citing their lack of pop culture references this time around as a positive, but I don’t know - I can’t help but smile every time I hear these lines off the debut from the song titled “Woody Allen": "And although we argue/ and we have our problems/ And sometimes it gets bad/ it never gets Bergman bad" - I don't think you have to have sat through Cries and Whispers to get this.

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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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