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Deer Tick/Lost Notebooks of Hank Williams

Beyond the Eternal Old-Timey

By Xgau Oct 25, 2011 1:01AM
Deer Tick: Divine Providence (Partisan)
Divided 50-50 fast ones-slow ones, this doesn't rock as unreservedly as the bar-burning "The Bump," "Something to Brag About," and "Let's All Go to the Bar" want you to think. But it's sure the right course correction for guys who've always fetishized the eternal old-timey more than any band from goddamn Providence should. There's release along the lines of "I don't care if you puke in my ride/Let's all go to the bar/Baby just as long as you take your piss outside/Let's all go to the bar." And on drummer Dennis Ryan's "Clownin' Around" there's an equally satisfying release from heroin, the closet, child abuse, or some combination of the three‑-maybe prison, maybe death, maybe hell. A MINUS

 

The Lost Notebooks of Hank Williams (Egyptian/CMF/Columbia)

Unlike Woody Guthrie, Williams is loved more for his singing than his lyrics, and boy does some of this retrofitted doggerel lack character as entuned and delivered. Hank's granddaughter Holly and Amy's hubby Vince you'd guess, Uncle Merle reciting a farewell sermon probably not. But what you definitely wouldn't figure is Nashville tastemonger Patty Loveless accessing her inner twang or a Dylan named Jakob grabbing an unusually witty lament (OK, maybe he had dibs of some kind). And what you'd only hope is Alan Jackson imparting just the right gravity to the despairing opener‑-or Jack White two-stepping his find so lustily you know he has an all-Hank cover album on his life list, and that it can't possibly match up. B PLUS

 

88Comments
Oct 25, 2011 11:08AM
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Joey-- I think Bob mentioned before that the official release date for Strawberry is November 1 (the web site says October 29, which I think is the mail date for the preorders), so your agitation RE his opinion must persist for at least 7 more days.

NB: Wussy managed to sell all 100 of the preorder CDs. I'm flabbergasted that I live in a universe where that is all the preorders they anticipated selling. It's an injustice on the order of Jim Joyce blowing Galaragga's no-hitter.
Oct 25, 2011 10:57AM
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Gah!  Keep on keepin' on, Xgau, but I do sympathize with John down there.  With albums as fantabulous as the new Girls (one of my three favorites of the year, which I'm not sure we'll hear about, but would love to hear an argument as to why it's inferior to Album, a conclusion that I had jumped to for the first five listens) and the new Wussy up in the air, checking here and not seeing them stirs up some agitation within me.
Oct 25, 2011 10:44AM
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John Smallwood: It doesn't always work out neatly. But in general the tracks I name in a review like the HW are the disappointments and the standouts. A reasonable working assumption is that for me the other stuff lies in between. But depending on what themes I may also be tracing, there will be plenty of exceptions.


Oct 25, 2011 9:56AM
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Playing Born on Flag Day this morning to reacquaint myself, and plan on hearing the Little Brother today as well. I second Jeff's shout out. I'm sure I'll love the new one.

The two songs I'm the most excited to hear on the Hank are the Bob D. and Lucinda tracks. Xgau doesn't mention them. Not sure if that's a good or bad omen.

I hope to get to the new Tom Waits as well.

Oct 25, 2011 9:18AM
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Just noticed I'd used the word "grab" twice in the Williams. Inadvertent result of late Dibbell-ordered (but Christgau-executed) recast. Will fix shortly.


Oct 25, 2011 5:48AM
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Alright! A new Deer Tick album to pair with my beloved Middle Brother.

 

Xgau: No B&N piece this month?

Oct 25, 2011 5:05AM
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fvck lyrics, Hank is my favorite songwriter period!

(first impression upon seeing the day's EW choices: "are you really going out of your way to find the most boring records imaginable?") (secondary impressions: "define boring." "boring to whom?" "how much is that doggie in the window?") (i think i'm outta here for now.)

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Unlike Woody, Hank is also loved as a bandleader, so you don't get anyone taking liberties the way BB&W turned Woody into unpredictable permutations on the folk-rock continuum, timbre-perfect Byrds ("Secrets of the Sea"), or even Squeeze ("Hoodoo Voodoo"). (Not to mention Sklamberg & Co.) This is all perfectly recognizable as country, drifiting more often into folk reduction than rock augmentation. They all think they know how Hank would have wanted it, and it probably holds some of them back, though most of these artists have spent their entire careers in Hank's shadow one way or the other anyway. And right, many of these lyrics weren't going to inspire them much either.  
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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