Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

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The Return of Consumer Guide

By Xgau Nov 22, 2010 3:35PM

 

As some readers will know and others will not, I had a column at MSN Music until June, 2010: the Consumer Guide, which compiled letter-graded capsule record reviews at The Village Voice, Creem, the Voice again, and finally MSN for 41 years. This blog continues a part of that work I'd feel musically deprived to give up. The idea is to skip the reviews of good but ultimately marginal albums I called Honorable Mentions. Though they filled out the column conceptually, these required a lot of work without commensurate musical reward, and since no blogger gets paid enough to put in that kind of time I intend to break myself of the habit (though there'll be exceptions). What I don't want to give up is "A records": albums graded A+ (the rare masterwork), A (the meat of my leisure listening), A- (well over half the total), and B+ (too close not to get half a cigar). That's because these judgments are the gut and backbone of my musical pleasure‑-by the time I'm done writing a capsule, I know and understand the record in a way I didn't before, which prepares me to revisit it in the future, as I usually will. It's time-consuming work, but so rewarding psychologically that I'm happy to do it at blogger's rates.

 

The way the blog will work is this: two posts a week, Tuesday and Friday most of the time, usually comprising reviews of two A records. Since that would require me to find 16 or 18 A new records a month when there are seldom more than a dozen, I'll augment these with reissues, older records new to me, once in a while a live report, maybe a book review, and occasionally one of those flights of fancy that make blogging the inchoate free-for-all it is. But I've been off the album beat for so long that for a while I'll mostly be catching up, leading with two of the most widely reviewed albums of 2010, both of which I've written essays about elsewhere. My hope is to keep self-indulgence to a minimum. Forty years ago I dubbed myself the Dean of American Rock Critics. That was a joke with legs. The blog title Expert Witness is not a joke. It's a boast that in criticism, knowledge counts, and that I have a load and a half.

 

 

 

55Comments
Nov 24, 2010 7:22PM
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Robert:  To the knowledge load and a half, I would add insight, passion, access, courage, and of course, expressive skill.

 

Again, thank you sir.

 

And as a bonus, this methodology brings with it an entire community of lay Christgauvians with which to interact.  Today is a good day indeed.

Nov 22, 2010 6:49PM
Nov 30, 2010 10:13AM
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I, too, am glad for this return. Your columns have been important to me for decades. The dedication of your Nineties Consumer Guide book refers to a letter I could have written you every month. Every year you have praised a dozen titles that I would not have ever found on my own researches (Pierre de Gaillande) and that have both opened me as a listener and as a person. You have been an important stranger in my life.

 

I look forward to your many more discoveries. And, of course, as I hope every sentence in this post conveys, thank you.

 

In the spirit of gentle greed, is there a 2000s Consumer Guide book on its way?

 

 

Nov 24, 2010 3:05PM
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Two blog posts from Robert Christgau per week? I am a happy happy boy.

He's probably referring to M.I.A.'s Maya and Arcade Fire's The Suburbs in this blog post; the two albums he has already written about; but I can't wait to read his thoughts on My Beautiful Dark Twisted Fantasy. I can see potential areas where Christgau might dislike the album, but for me, it's the album of the year, and Kanye's best. It's obviously a very dense, ambitious album, so it'll be very interesting to see Christgau's thoughts.

I hope he also uses this to communicate with his fans, somewhat like Roger Ebert has been doing with his blog. If not, I won't be disappointed, because I'm more than happy to get to read Christgau's thoughts on music again. And with more frequency!

This is just great news
Nov 24, 2010 11:59AM
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Nice to see that The Guide has been restored--it's been my favorite critical resource and tipsheet for 35 years now, when I discovered it through the reprints in Creem magazine. Take care..
Nov 26, 2010 5:47PM
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This is great news....I'll admit, though, that I'll miss the honorable mentions -- they were really perfect for the iPod Era -- great tracks on said marginal albums....can a brother hope for the occasional blog entry to highlight download-worthy tunes on the pop music's B-plusses?
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Yay! Perhaps especially including the reissues, which you've almost entirely ignored for five years.
Nov 24, 2010 4:46AM
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leading with two of the most widely reviewed albums of 2010, both of which I've written essays about elsewhere.

----------------

I guess that's Maya and the Suburbs(in my opinion the best album of the year)

and M.I.A. is still so cool.

Nov 24, 2010 4:32AM
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cant wait to see you wrote more about older stuff plus exciting new albums

cant find much 67-70 album review on xgau.com (but i guess they have to be reissued to be reviewed by you)

and  these days i find other critics' taste more and more unrelyable

 

 

 I'd like to know your opinion about kanye west's new album,too

but i dont think is a A or A- or even B+ record  

 it's rather pretentious and dull(i tried) 

i think kanye west's music has(long) lost his fun part

look at those crazy metacritic numbers, kanye west is the new radiohead(ewww)

Nov 24, 2010 7:35AM
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Well Xgau you've earned yourself a reputation in sweden recently and it'd have been a shame to quit the CG now when you're famous in the land from which the band which magnum opus you gave a C (or was it C+?).

Really happy to have you around and sice you've been gone I've missed someone trustworthy, someone who did NOT give Joshua Tree an A (i.e. 5/5 stars), and someone controversial (throwing bombs at achtung baby, cutting Working on a Dream in pieces and keeps "Queen of the Supermarket", calling buckley a dick etc.)

 

Since I'm from sweden i consider myself having the rights to have some CG-requests I'm really looking forward to be graded.

1. Of course it's the new Kanye

2. Big Boi's "daddy fat sax" which probably is one of the hottest tracks of the year.

3. The Promise

4. 'd be nice to read an article in which you kill bobo and the other guys for NLOTH even though it was not released this year)

5.  an epitath for Kate McGarrigle

6. Pavement in New York

7. and then... Robyn

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I hope there'll be some mention of truly exceptional choice cuts from time to time. My life would be a shade poorer without Lesego Rampolokeng with the Kalahari Surfers' A "The Desk" (in which Africa finally takes it turn and gives David Byrne what for).  And Geggy Tah's "Whoever You Are," the best song ever about defensive driving. Which come to think of it I think you missed.

Dec 5, 2010 3:40AM
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i knew  you could  not  give it  up....thanks for  returning  we missed  you   way  down  in the  land  of  OZ
Dec 2, 2010 2:31AM
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Very pleased to see the return of the crazy one. And yes we have made it to 2010! So where's the book reviewing the Oughties Harvard Press?
Dec 3, 2010 11:05PM
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Great to have Christgau back! Greetings from Colombia and hoping this blog to last a long time.
Nov 30, 2010 9:07PM
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Glad to have you back. No one wants to be stuck with Pitchfork.

Knowing of your admiration for DeBarge, was wondering if you intended to check out El's comeback effort.
Nov 24, 2010 6:42PM
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Googled 'christgau' everyday for a month in anticipation for the new Kanye criticism. 
Jan 10, 2011 8:37AM
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Sorry, I misspeak below -- your potshot was indeed focused -- on one or two reviews. And maybe his whole 1970s book. What critic would you recommend in Xgau's stead to use for guidance in finding a wide range of music worth repeated listening (i.e. worth buying)?
Nov 24, 2010 3:21AM
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JC - I was eating my cereal and I nearly choked to death! I screamed out, 'you genius bas****' (don't ask why I chose those words). I will be able to get my beloved critic twice a week - in BLOG FORM?! I always thought that you would suit blog-form - man, if I ran a newspaper, I'm not lying, I would hire you. Please, please, PLEASE can you review Kanye West's 'My Beautiful Dark Twisted Fantasy'? (I know you've probably already been listening to it?) I feel like I want to give it an A for production alone but are the songs really up to standard? A-? :S :p Oh and there's the new Girl Talk album out. And M.I.A. <- lol she finishes my sentences for me 0:-3 I'm wondering - are you still receiving the same amount of cd's from people or has it lessened? Yes, I am a fruitcake - but I am so glad you're back! :p
Nov 26, 2010 11:11PM
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I have to agree with Hawkeye here regarding the HM's and Choice Cuts.  I would never have found Jason Collett, The Electrelanes, The Big Fellas, and the Roswell Rudd cuts, to name four out of dozens and dozens on or even below the margin.  Tonex, A****on Shepherd, Mika Miko, Dub Colossus, Queen Ifrica, Paramore, Amira Saqati, The Dirty Hearts, Jazmine Sullivan, Frightened Rabbit, Fool's Gold, H Is for Hellgate, the worthwhile cuts from Sugarland, Mike Doughty, Julian Casablancas, Ian Hunter, . . . (somebody stop me!!)

 

Of course, our wants and the Dean's time and energy are two very different things.

 

 

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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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