Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Wynton Marsalis & Eric Clapton/Nils Petter Molvaer

Gabriel's Guitars

By Xgau Nov 1, 2011 2:40AM

Wynton Marsalis & Eric Clapton: Wynton Marsalis & Eric Clapton Play the Blues: Live From Jazz at Lincoln Center (Reprise Jazz)

This isn't just figureheads rising to the occasion or getting back to where they once belonged, although both models pertain‑-especially for Marsalis, who enjoys the blues enough that his monster chops masticate them lip-smackingly rather than chewing them up and spitting them out. What's decisive, however, is a conception in which the members of a blues horn section interact polyphonically rather than uniting in the soulful Texas manner while blues polymath Clapton dictates as well as plays and sings a repertoire that includes Memphis Minnie and Howlin Wolf as well as W.C. Handy and Johnny Dodd. The juxtaposition may discomfit at first‑-we're not used to blues so jaunty and effervescent. But let it and it'll lift you right up. A MINUS

 

Nils Petter Molvaer: Baboon Moon (Thirsty Ear)

Recorded live in the studio with a worldly-wise drummer and a sonic guitarist who adds some modest Teo Macero moves, this is less techno and dubby than the trumpeter's norm, in its many quieter moments evoking the exotica stylings of Jon Hassell. "Recoil" lifts into a riff-driven guitar workout at track three before the music recedes back into contemplation, with Molvaer varying his embouchure and the drums all demonstrative as the guitar seeks out effects. Then the seven-minute title track goes all in on a crowd-pleasing finale. He's always a little too subtle. But in a way that's always the point. A MINUS

 

221Comments
Nov 1, 2011 3:00AM
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Heh, speaking of "classical" or at least "classic", as in practically an institution (or two). This is pure speculation on my part, but I wonder if the summit meeting reviewed at the top turned out to be one of those occasions when the two titans involved felt both A) confident enough to relax, secure in the knowledge that the other would take up the slack if needed, and B) challenged enough not to let out too much slack. In other words, achieving just the right balance between letting go a little and having something to prove. (I think the first Traveling Wilburys album may have been another such occasion.)
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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