Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Big K.R.I.T./Childish Gambino

Pimps 'n Wimps‑-Not

By Xgau Dec 27, 2011 7:37AM
Big K.R.I.T.: Return of 4Eva (free download)
"I ain't rap about dope nor do I sell it," raps a Mississippi "country boy" who's more mixed about pimping‑-maybe unreadable, maybe of two minds, maybe blurring the pimp sound and the pimp hustle. The sound he's definitely got down: a rich, comfortable funk he transports south from Willie Hutch's The Mack. And as befits someone who believes N.I.G.G.E.R. stands for "Naive Individual Glorifying Greed and Encouraging Racism" and gets life satisfaction from rotating his tires, his sound equals his hustle. Some may think his rhymes are too simple. I find "Some thangs are forever, nothin' ever last/Like the risin' of the sun or when Big Mama pass" pretty deep myself. B PLUS

 

Childish Gambino: EP (free download)

"Set the game ablaze I'm an arcade fire," Cheezy boasts, but because he "don't wanna be alone," he joins a clique of "freaks and geeks" where he's "down with the black girls of every single culture/Filipino, Armenian girls on my sofa," only they're not thick enough, so he'll "make music for wack blacks to blast back" until he finds "a small chick with a fat ass" ready to "make out with a Gap ad" who's "not a thug a/k/a what they pretend to be." Of course, the Gap ad in question isn't exactly a geek anymore. He's a stand-up comedian bringing intelligent rap to the masses, one one-liner at a time. B PLUS

 

98Comments
Dec 28, 2011 12:10AM
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Joey: Not that I dislike Cambino, I just don't find a lot his stuff funny, although he does have his clever moments. I don't watch Community nor do I watch 30 Rock (I refuse to watch anything with Alec Baldwin, "Beetlejuice" being the only exception) so I'm not familiar with his material there, but with his Kanye-esque sounds apparent I think his emulation doesn't fit with his longing to parody. Also, not a fan of punchline raps. I would be O.K. if that rhyme device went away and never reared its ugly head ever again. But I suppose we'll have to wait for Lil' Wayne to OD on cough syrup for that ever happen. 
Dec 27, 2011 11:40AM
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Hahahahahahahahahahahahahaha. (Ahem). Can't wait 'til:

1. Joey sees this!
2. You hear Camp, which has polarized many of us and repulsed a few.
3. Community, Glover's show (as you know) officially dies (it's on hiatus now), so the memory of these past two shitty seasons fades and the first one finally gets its due as the smartest and most graceful television comedy of the last decade.

Re: da EP, my ladylove really likes "Lights Turned On", but I say why so serious Donald?
Dec 29, 2011 9:38PM
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Am I the only one who found The Muppets to be a tad hollow? And songs like "Me Party" to be awkward and poorly executed? Apparently. 
Dec 28, 2011 6:24PM
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Could I get some advice?  Everyone knows how great it is when Frank Ocean sings, "roaming around like I'm ready for a funeral," but could anyone give me any advice as to how to write it out in a way that shows off the pause before "RAL?"  I have a few ideas, but I'm wondering what everyone else would do.
Dec 29, 2011 10:29AM
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Another diagnostic analysis of the state of rock up in the Times, today.

Its title? "The Year When Rock Just Spun Its Wheels"

But here’s to another 300 shows by 30 Seconds to Mars, if only as a reminder of the band’s fundamental flimsiness, and of the flimsy system that props it up. It’s a living funeral, and it’s got to come tumbling down sometime.
Dec 30, 2011 9:36AM
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To Ryan M.- as regards the failure of the left to mobilize

in Texas as compared to the right-isn't there some kind

of reasonable middle somewhere? With common sense as its guiding

doctine?

Dec 29, 2011 10:08AM
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To be in the presence of The Book of Mormon, Longhorns and Sooners-priceless.
Dec 29, 2011 11:20AM
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PS- any state that can follow George Bush with Rick Perry

needs some kind of intervention.

Oh, we're perfectly aware of the problem, and have been for a while. It's just that our right is a lot more mobilized and impassioned than our left. Which is also scarily true of the rest of the country.
Dec 28, 2011 1:54PM
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I'm a bit pressed for time--doubled over with Heesters grief, plus the E-Meter's on the fritz and I've got a roomful of pre-clears who aren't going to audit themselves--so if no one minds I'd like to use this forum to take care of my Xmas thank-yous all at once. Anyone I've forgotten, sorry--I've arranged Dream Dates with Rihanna for all of you--details to come.

 

Bob Christgau: Thank you so very much for the thoughtful package. Imagine my surprise when I got it opened—I had no idea Ted Nugent had made so many albums. I thought at first that maybe you were just clearing some shelf space, but the Palin 2012 bumper sticker, the Tea Party t-shirt, the Ron Paul book, the Ayn Rand poster, the Confederate flag, and the lifetime membership in the NRA make me wonder if everything’s okay out there in NYC. Do you need to talk? Anyway, thanks again—I look forward to rockin’ with the Nuge all year. Wango Tango!


Greg Morton: I wasn’t expecting this, Greg. Thanks. A bottle of Willamette Valley Plum Blaster Sparkling Wine. Yummy. But do all Oregon wines carry Instructions For Use on the label? And doesn’t “sparkling” kind of cancel out the “Shake Well Before Using” suggestion? I just don’t want anyone to get hurt.


Cam Patterson: I love a good insulting Christmas card. Thanks, Cam. Pretty funny one too: Weird-looking doctor leaning in, stethoscope at the ready, in close-up, with the words “In my medical opinion…” on the front, then, opened, the words “You’re a complete ****…Merry Christmas Fcukface!” I laughed hard, as did everyone in my family, including my very religious mother (although I wasn’t laughing quite as much when I found out you’d written the card off as a consultation and billed my insurance—how did you even get my information?). Best to you and yours.


Michael Tatum: Uh, thanks, Michael. I appreciate the Napster gift card (I didn’t even know Napster was still around!), and I look forward to taping all the shards back together—my, you cut it into a lot of pieces, didn’t you? And I love home-made Christmas cards, even ones made out of IHOP placemats, with a drawing and a message scrawled in what appears to be your own blood (little hard to read though—I can make out scattered phrases like “angel of death” and “prepare to atone”—but it’s the thought that counts, right?)

                                                                                                                

Walter Cherette: BELGIAN MILITARY MARCHES! I LOVE BELGIAN MILITARY MARCHES! THANKYOU THANKYOU THANKYOU!

 

Cont. Next Post


Dec 28, 2011 1:58PM
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Jason Gubbels: Now I’m just embarrassed. I must have inadvertently let slip in one of these comments that I had mislaid my copy of my longtime favorite bedtime reading, Prudentius’ Libri contra Symmachum. Count on Jason to see that and immediately send off a brand spanking new Loeb Classical Library edition (second half anyway, but the second half rules). I don’t know why you felt compelled to blank out every line of the English translation with a Sharpie—I suspect you’re overestimating my Latin, which isn’t what it used to be, but thanks anyway, Jason. I hope you enjoy the Carl’s Jr. gift card.

 

Ryan Maffei: I love family newsletters, and I’m glad your dad let you write this year’s. And goodness, you have a lot to report: 78 pages of single-spaced, 9-point Times New Roman. I hope to get it finished by the end of the week (I took a peek at the end—“To Be Continued”, eh? Cool). One thing though—it came Postage Due. A lot of Postage Due, in fact.

 

Joey Daniewicz: Wow. I haven’t, um, indulged in a present like this in many decades. Thanks, Joey; this should make all that Nugent go down easier (don’t tell Ted!). A word to the wise though: my nephew the Federal Marshall grimly informs me that using the US Postal Service to transport a “present” of this kind constitutes a Class B Felony. So in the future you may want to resist the temptation to include your name, address, e-mail address, and cell-phone number on the outside of the package (I enjoyed the photos of you and your friends holding said “present” and making goofy faces). Thanks, Joey. Love ya.

 

Bradley Sroka: To answer your question—I certainly do consider an investment opportunity a present, especially one as tempting as the one you describe. Uzbeki copper coins, eh? Who would have thought? But it makes sense. I’ve sent the check you requested to your Post Office box, along with all my Credit Card numbers, my Social Security Number, and my mother’s maiden name (you’re certainly thorough, aren’t you, Brad?). I can’t thank you enough.Next year we’ll be millionaires!

 

 

Dec 27, 2011 9:54PM
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It should be understood that around here the expert on the banking industry is Tom Hull, who vetted my piece with full knowledge of my B&N editor and found an error about the tranches, which in my own defense I blame on Lewis's somewhat inconsistent presentation. Glad you like it, though. Once I'd read the books, it wasn't all that hard to write, but I put a lot into it.
In addition to Inside Job, I recommend the fiction film Margin Call.


Dec 28, 2011 12:26PM
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Joe: I'm sorry about your dad. Glad your dad turned you onto some great music though.

Irene: I'm sorry about your cat. It's been a bad year for pets among my friends too.

Everybody else: Sorry about this awkward post.

Dec 29, 2011 10:16PM
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 There's always good stuff -- always.
So true.

But I don't usually listen to MPB (Música Popular Brasileira) here, really. I think it's more a habit issue. And I don't know why I generally listen to music that was produced untill 5/4 years ago. What goes further on it, comes as an exception. I listen more for pleasure, but for sure there was a time I forcibly listened to something for status, when I was younger. But I don't have any problem with Caetano Veloso, Gilberto Gil or Ivete Sangalo. Actually, I always listen to them when I'm somewhere with my parents or friends.

I'm not the right person to say what is the new generation of indie/rock in Brazil, but I know Los Hermanos was a group that popularized over here, mainly in the middle-class genre. The press even said they were the Radiohead of Brazil. So it goes with Thiago Pethit (which sings also in english), Tulipa Ruiz, Móveis Coloniais de Acaju, Mombojó and Marcelo Jeneci. Groups and singers that I listen to sometimes, but honestly aren't my kind, which is electronic, sparse in my country. So it leaves me alone, in reality. 'Cause there is two types: the club thing and the loneliness thing. Synthpop is relatively gay over here - at least from what I experienced when I say I like it, so I don't know any synthpop brazilian group, although Cansei de Ser Sexy comes close, but The Twelves are the most dance/electronic act I can remember.

All of this with a great help of MTV in the last years, which presented to Brazil, Mallu Magalhães, also, a really shy and indie-ish girl, who talked about Bob Dylan and Belle & Sebastian when she came out (on her sixteens, I think) so everyone saw she was different and with an enormous potential. She grew up and became a very beautiful woman, but she's so soft and whimsical that sometimes gives me the nerves. To ilustrate the situation, when Radiohead came to Brazil, Los Hermanos opened the festival and Mallu - now girlfriend of the frontman of it, Marcelo Camelo - sang there too, to anguish of the youth crowd, who really disliked here at the time. Actually, the girl that I loved that I mentioned in the other post was a Radiohead fan and went there, so she talked to me about all this event.

Yesterday I saw the reprise of VMB (Video Music Brazil) here on MTV and the presentation of Caetano Veloso and Criolo of "Não Existe Amor em SP". If anyone is interested, it's here: http://goo.gl/MmglL
Dec 28, 2011 10:46AM
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Oklahomans are so chronically confused about the state's past that I can only hope this celebration of Woody won't be embarrassing. Having the local billionaire philanthropist at the helm probably won't help. We cling dearly to the pop icons we can call our own, which is fine and good but doesn't invite honest appreciation of their music. Leon Russell recently had a street named after him here in Tulsa (who cares?) and the Flaming Lips are constantly touted as an example of some innate creative Oklahoman spirit (that is, the only way through the stifling culture and grim politics is to do a LOT of hallucinogens). There is also talk of a museum dedicated to Oklahoma's pop music history, a neighbor to the Guthrie archive in Tulsa's "art's district." But the tradition of Oklahoma music appreciation (maybe "local music" appreciation in general) is to zoom in so close that you miss the point. To all you coast-ers, the lesson is this: Statewide inferiority breeds tasteless and misguided celebrations of imagined glory. It is an affliction all over the great American interior.
Dec 27, 2011 7:43PM
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I second Phil's recommendation of the documentary Inside Job, which makes the mess we've all been put in as clear as anything I've thus far seen or read. Does a stellar job of explicating the incestuous relationship between Wall Street and academia, too.

For the first forty years of my life I was taught that Communism was the biggest threat to American democracy. Then post-9/11 it was terrorism and radical Islam. Turns out all the while a cancer was festering in the heart of our own economic system.
Dec 27, 2011 2:38PM
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I avoided Childish Gambino for a while (and Community) out of mere indifference but I finally started watching Community with the gf and laughed a lot more than I honestly wanted, though it has its irritating misses. I haven't heard this or Camp yet but what stuck out to me in the reviews attacking lines like "You can kiss my ****/ Human centipede" is how much those same reviewers would be praising the same jokes coming from Drake or Rick Ross (or good people too, Lil Wayne or Nicki Minaj), anyone with that otherness cred. The Pitchfork review was aghast at Glover's "false outsider persona" which I mean, speaking for myself as a white, bespectacled shorty who just turned in a Young Jeezy review for Philly Inquirer--isn't that what we do too? The first Weezy lyric I ever noticed was "Dear Mr. Toilet/ I'm the ****"!
Dec 29, 2011 11:47AM
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All, I'll soon be abandoning the Tulsa contingent to live by my lonesome in KCMO. I think instead of making real friends I'll stick to online friends since I'll only be living there a while. Plus I find my fellow man rather terrifying in the flesh. 

Ok the point of that preamble is to introduce this request: won't you be my Facebook friends? Those of you that use fbook and don't find me insufferable that is. :) I think most of you are pretty smart and funny and entertaining, so. Ryan M, Michael T and Joey D are already my digital pals. Won't you join them? O! the wealth of pictures you can see! 

Well it's clear I am a weirdo with social phobia--now that it's all on the table you can know my real name. Should please the old fashioned among you. facebook.com/dzmatheny
Dec 28, 2011 6:14PM
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 does this mean Jason Isbell gets welcomed back into the fold?
Unfortunately no.

I thought that Shonna did a nice job of growing into her role in the band, adding just enough tunage contribution to make a difference without being dilutive (Shonna Stairs?). It says a lot for The DBTs that two songwriters as different as Shonna and Jason fit into the game plan so well. Shonna isn't a major songwriter, but she's a good one at her own pace. Were she not following in Jason's footsteps (at least with respect to writing credits), the grief she occasionally got while she was in the Truckers wouldn't have made any sense.
Dec 28, 2011 5:40PM
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Can't resist this apropos-of-nothing coincidence note. In 1967, unless there are two significant leftist Roxanne Dunbars, the Ms. Dunbar-Ortiz to whom ClownDJ refers was (briefly, as I recall) the significant other of the editor of Cheetah magazine. Which longtime professional journalist did in turn just today send me a link to a friend of his playing Debussy. How time flies.

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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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