Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Loudon Wainwright III/Lee Ranaldo

What Do You Mean You're an Old Man? I'm the Old Man Around Here.

By Xgau Apr 20, 2012 5:42AM

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Loudon Wainwright III: Older Than My Old Man Now (2nd Story Sound)

A reluctant 50, he started playing the Old card with the adulthood album Grown Man; now, a saggy stripling of 65, he trumps himself with a mortality album. Wainwright has been writing death songs for years, of course, but on his eighth album and label of the young century the theme turns concept. In one song he's a ghost; another features a reflection his late father wrote about his own late father; the one that begins "Somebody else I knew just died" is followed by the one called "The Days That We Die." Family members abound, including the late Kate McGarrigle in a remake of her sole co-write with her husband, from before either was 30, which happens to be called "Over the Hill." There are cameos from Ramblin' Jack Elliott, Chris Smither, John Scofield, the winsome Dame Edna Everage; Tom Lehrer declined but loved how Wainwright fit the word "Mercurochrome" into "My Meds." With Elliott, Loud-O bids for a do-over: "You don't know what you're doin' and you can't just wait;/You go ahead and do it and then it's too late/You need a double lifetime." After he goes down on his knees and prays, as he promises he will, this album will be Exhibit A on his application. A

 

Lee Ranaldo: Between the Times and the Tides (Matador)

Never much of a singer even by Sonic Youth standards and always abrasive solo, Ranaldo applies his best-in-band chops to riffage and filigree so lovely his well-meaning and far from altogether tuneless plainsong has the welcome effect of situating the guitar in the same reality occupied by his lyrics, which always make sense and often seem a mere detail away from total lucidity. Throughout he recaptures the repose of A Thousand Leaves's "Hoarfrost," his will to reconciliation and renewal always palpable whether the songs reach out or recalibrate his options. Just the album you'd hope from a thoughtful 56-year-old after his band of 30 years breaks up. Best in show is "Angles," a love song to someone he knows well and can always stand to know better. Not a bandmate, either. A MINUS

 

217Comments
Apr 22, 2012 2:12PM
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Good work, Matt! I have very vivid memories of the first hipster dance party I was ever privy to. Smoke got in my eyes. I hadn't seen tighter pants before. I got locked in the bathroom of the dilapidated Victorian conversion apartment. And, by the way, you dance to that song by keeping your upper arms stuck to your sides, and stomping/marching around while pivoting a bit, and waving your forearms in little circles. You can clap some. Channel Barney the Purple Dinosaur if you need pointers for how to move the stubs of functional arms.

OK next round. Limiting it to Morrissey and the Smiths songs. That will make it easier but still plenty of choices to make it challenging. Moz sure gets into this sh!t.

Ooooooooaaaaaahhh! Whoa-oh! (Ohh-o) Yeah-ah! (Noh-wo) Noh-wo! Oooo-wah-uh-ah-ah. Oooa-oh! (Ohh-o) Yeah-ah! (Yeah-ah) Nooh-o! Oooo-wah-uh-ah-ah.

Ad infinitum.
Apr 20, 2012 5:10PM
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Blame it on a relatively weak year for music (thus far), but I find myself growing distant and apathetic to a lot of music over the last several months.
I can empathize, Mr. LaFollette.
Apr 22, 2012 12:29PM
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I had an idea for a game! Transliterate non-verbal parts of songs (scatting, ooooh/ahhs, guitar riffs, freaky robot noises, whatever) and make people guess what it is. Here's mine:

OOOO-oowoo-oo-oo OOOO-oowoo-oo-oo oooo-wuh-oo oooo-wuh-oo (x3)

This would be so much easier if I could use the International Phonetic Alphabet. That's a pretty crude representation up there. I suppose that's the challenge.

OK, GOOD PEOPLE, GUESS!

Apr 22, 2012 1:28PM
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UGH I HATE YOU I HATE YOU IHATEYOU IHATEYOUIHATEYOU. Where's the team spirit?

More hints: (1) Popular song for hipster dance parties. (2) Song most frequently played live by band. (3) The Ws are way more subtle, barely a W sound at all, just a taste.

Forget 420, I think I had too much caffeine.
Apr 22, 2012 8:39AM
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The problem with The White Album is, that it's too long and inconsistent.
Apr 20, 2012 4:21PM
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I have a query for Mr. Xgau. 

Have you ever experienced a time in your career when you grew cynical or tiresome of digesting and reviewing so much music? Had I been in your shoes about 20 years ago, I would have looked forward to hearing the next Springsteen album about as much as some look forward to getting a root canal.

Blame it on a relatively weak year for music (thus far), but I find myself growing distant and apathetic to a lot of music over the last several months. I can't really point to a specific reason or recall a particular instance that explains these feelings, but to me, new releases have simply plateaued or stagnated shortly after Wussy's last album came out. 

Am I wrong in feeling this way? Any advice you can give? 

Sorry to turn this into a Dear Abby-like letter or something. 

P.S. I don't mean cynical in a close minded, pessimistic way, just cynical in a nothing-surprises-you-anymore kind of way. 

Apr 20, 2012 8:33PM
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My default position is that solo albums by members of great bands are a waste of the record companies' aluminum and my time (talking about you, Paul McCartney and Keith Richards and Thurston Moore and Stephen Malkmus and, I don't know, Mark Lindsay and Chris Hillman). So why am I enjoying this Lee Ranaldo album so much? Good songs? A great guitar foil in Nels Cline? Steve Shelley adding that familiar substratum? Whatever, it stomps all over that Corin Tucker record.

Apr 24, 2012 3:21AM
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Personally, Exile clicked instantaneously, and I don't think it's too hard to understand! :S
Apr 23, 2012 8:42PM
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Uh, what songs on Exile are less than stellar, exactly?
Less than stellar? It has two stellar songs. You pick 'em.

"Rocks Off" get tedious after two minutes. "Shake Your Hips" is a bore, as is the plodding "Casino Boogie," but then I don't like that kind of song. "Turd on the Run" is weak, a throwaway. "Ventilator Blues" is a mediocre bar band song. "Let it Loose" is dull and endless. One could go on.

I think Exile is one of those albums people convince themselves they like more than they actually like, because they're supposed to like it. But maybe that's just because I don't like it all that much. Really, how often do you play the thing, the only real test? Perhaps you play it often. I sure don't. I bet if it didn't have "Tumbling Dice" on it -- one of the best rock songs ever -- it wouldn't get half the attention it gets.

Now Layla, there's a perfect double.

PS - followup edit. Re-reading I think this came off a bit snotty. Didn't mean it that way. Been a long day! You likes what you likes.
Apr 22, 2012 3:27PM
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12 points!

Your post was blocked because it allots too many points at once. Please revise your number of points to a number less than five and dole the rest out incrementally.

Ryan: Never!!

MSN: Fine then. We'll just keep thumbing you down semiregularly. That's right -- SPAM ROBOT BIAS. It's a thing and it's been after your pretentious **** since you slagged off Abbey Road.
Apr 22, 2012 10:58PM
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It seems quite a few people I don't really know (yet?) are commenting a lot lately, so I just thought I'd say hi. :) Carry on.

(I have similar "issues" with jazz. Well I suppose it depends on the jazz, but generally it makes me feel a bit lost. I blame rockism*. Also maybe others around my age are like me in that I associate the words "jazz" and "smooth" very closely due to 90s radio stations and parents.)

*I wouldn't be able to whip that term around if it weren't for the likes of you, witnesses.

Apr 22, 2012 7:18AM
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The White Album is completely overrated. I've no idea why you're all bowing to it. It simply has little of the climactic and joyous collectivity we've understood to be The Beatles great strength. I guess every member was in the spirit of it, off-shooting and re-joining, that it comes together just like that. And maybe that's just the reason everyone here seems to enjoy it. But still - wasn't it better before and after, as group and re-grouped?
Apr 22, 2012 1:14PM
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Here's a big fat hint: the part I posted is featured prominently on the 1987 re-recording, but less so on the original.
Apr 22, 2012 12:49PM
Apr 22, 2012 1:47PM
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If you find Grizzly Bear or Iron & Wine danceable, I...I...just don't know what to say. Haha.

It's a white white white band. And British.

P.S. Foodhead is a brilliant band name.
Apr 22, 2012 12:41AM
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IDK, I'm not digging 4eve 'n' a Day that much. I liked The Greatest Story Never Told a hell of a lot last year; I was pretty surprised Xgau put it so low (come on, it had so many songs on it of consistent goodness!)! Anyway, 4eva 'n' a Day has barely a few tracks on it that are half decent. IE: Each song doesn't lead into another good one; the album is constantly stagnated by silly pauses and breaks, which don't add anything! (IMO.)

I never liked The White Album much, either, bar, like, 3 tracks, which aren't even their best! (USSR, etc.) There is so much digging to be done, to find a catchy track--so strange, considering they're The Beatles!
Apr 22, 2012 1:36PM
Apr 21, 2012 2:53PM
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Lou Reed Lou Reed Lou Reed!! Anyone?? The Blue Mask (especially)? Legendary Hearts, New Sensations and Ecstacy (respectively)? <vs> The Velvet Underground

None of those are as good as The Velvet Underground, even Legendary Hearts. Then there is ratio. Four out of six studio albums are A/A+ albums, and the 1969 live album is an A by me. Do we need to make a list of the shitty/marginal/throwaway albums by Lou?
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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