Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Beach House/Best Coast

Sunstruck

By Xgau May 18, 2012 2:09AM


Beach House: Bloom (Sub Pop)

Since Victoria Legrand is from France, figure the beach house belongs to Alex Scally's parents‑-a safe haven of keepsakes and used furniture, a temporary site that leaves a person free to laze and dream, kind of like youth in the old days. In 2010 the duo's Teen Dream clarified their tunes and expressed their personal confusion in bad poetry. But though this sounds similar at a distance, in fact it's quite distinct, cultivating a gauziness that intensifies their lo-fi while keeping the imagery plain if not always straightforward. Verbally, both albums play the dark card, only now Legrand's anxiety is existential and universal‑-"Wouldn't you like to know how far you've got to go," "The voices in the hall/Will carry on their talking." The simple, deliberate chords and anthemic repetitions that give the anxiety form would be damn pretty at a minimum if she was counting seashells. Countering the depressive undertow, that form is both a spiritual triumph and the aural equivalent of Jesus and Mary Chain frosting a birthday cake. A MINUS

 

Best Coast: The Only Place (Mexican Summer)

The chirpy opener about fun in the sun is a feint‑-the lyrics that follow are so depressive that the consistent cheer and conservatism of the tunes is like some perverse minimalist art move. Problem is, nothing in Beth Cosentino's self-inflicted boy problems and palpable longing for a childhood when she didn't have to deal with them suggests that she's got the guts for such a concept. Melodically and verbally, her clarity is a gift. But until she bucks up and tells that jerk to take a hike, it's not going to do her much good. Nobody loves a doormat. B PLUS

 

104Comments
May 18, 2012 12:26PM
avatar
Edgar: I'd opt for Loudon, but then again I'd skip almost anybody to see Loudon. Killer live performer--hilarious, touching, the shows never let up, and the Triple Door is exactly the kind of venue to see him in. Add the fact that his new album is some kind of career peak and the decision makes itself. Still...I'd love to see Freedy too.

May 18, 2012 12:19PM
avatar
I remember those summers on the jersey shore. My friend had the best beach house on the coast. 90 degrees in Tampa now.
May 18, 2012 12:15PM
avatar
Kenny: I agree with your "classic example" comment. Not just the timing, as Matt notes, but also what seems like a simple, two-sentence assessment that actually contains miles of clarity and (what's bigger than?) understanding. Like how, "some perverse minimalist art move. Problem is, nothing in Beth Cosentino's self-inflicted boy problems and palpable longing for a childhood when she didn't have to deal with them suggests that she's got the guts for such a concept " does more psychological work than Cosentino does on her own. We could check that off to age and experience, except that these lines from " Let's Go Home",

"I see myself at 8 years old
I'm on the couch but no one's home

My mom's not around, my dad's out of town,
'Cause I don't want to be anywhere else but home
"


would match Iris DeMent's "No Time To Cry" or The Roche's "Too Tough Hide", if only she showed some determination to "bite down and swallow hard " like Iris did.



EDIT: I couldn't easily find birth dates of those named above to compare my "age and experience" claim so fired off the posting anyway. Mainly because it gave me an excuse to put those two songs on permanent repeat. So to be fair, based on further study, Cosentino is only 25 plus or minus, while Iris was 32 when My Life was released and The Roches were slightly older than that even when The Dove came out. So maybe the comparison is not a fair one. She's still got time.

"With a cold one in my hand/I'm gonna bite down and swallow hard " kills me every time though. Absolutely kills me.

May 18, 2012 12:09PM
avatar

Edgar, I had my own choice to make a couple years ago between seeing either Freedy Johnston or Van Morrison. Van was playing Astral Weeks in its entirety, and tickets cost over $100. Freedy was playing a small club for $12. I went to see Freedy. Afterwards he put his hands on my shoulders and said, "Thanks for coming to the show." Fairly certain that wouldn't have happened with Van.

 

The only comparison I can make with your choice is that Freedy is probably playing the smaller, less expensive place. He is very good, but I expect Loudon would be more entertaining.

May 18, 2012 12:03PM
avatar
I caught Freedy a couple years ago playing Can You Fly? in its front-to-back entirety at Maxwell's, and it was great.  But it involved only can't-lose songs, with a "Bad Reputation" encore that wasn't utterly shabby either.  I'm not sure how your average Freedy set would hold up.  But I saw Loudon maybe two weeks ago, and that really shouldn't be missed -- as long as his show's guaranteed to be stacked with these newest songs.
May 18, 2012 11:55AM
avatar

I've tried to separate myself from the Christgau grading scale but, since I'm on his blog, what the hell?

 

Beach House: Bloom (Sub Pop) Good songs, if I'm too tired or lazy to shut it off. ("Lazuli," "The Hours") *

May 18, 2012 11:54AM
avatar
Loud-O! The man always puts on a good show, esp. when you factor in the between-song patter.
May 18, 2012 11:38AM
avatar
Has anyone seen Freedy Johnston lately?  Seattlites are presented with a choice/conflict this Sunday between y Loudon Wainwright and FJ.  I've never seen either and am leaning toward Wainwright largely because I really enjoy the recent CD, but I could easily be swayed by positive reports about recent shows.
May 18, 2012 11:09AM
avatar
As far as Beach House goes, I certainly hear what's going on, but I'll be damned if I don't feel any of it. Best Coast? If she wants me to move to California, she'll have to give me a better reason than "we have fun where we please." There is sunshine in the Midwest too ya know. 
May 18, 2012 10:35AM
avatar
For me a classic example of exactly when one waits for Xgau's opinion. I didn't give a damn about either band's previous album. Now I know that I want to give Beach House at least one, perhaps more, careful listens, this weekend. And that I can continue to ignore Best Coast.
May 18, 2012 9:59AM
avatar
A couple miles up the road from "Teeny-weeny dreamy-themey pokey-wokey tune-a-rooney" for sure.
May 18, 2012 8:42AM
avatar
Leonard Cohen will play both MSG and Barclay Center Brooklyn. Which would be better venue to see him in?
May 18, 2012 8:40AM
avatar
"the aural equivalent of Jesus and Mary Chain frosting a birthday cake"

Now I can't get the image of the Reid Brothers with their own Shopping Network show out of my mind. Black clothes and sunglasses, nodding out occasionally, music blaring in the background, too lazy to finish a recipe. I'd watch that!
May 18, 2012 6:52AM
avatar

Based too on one listen, Im in love with the white-dotted record, feels like a summer breeeze!

And truely sorry for Ms Summer, I was really into the Wanderer album a couple of months ago.

She must be in a much better place (where "Ja's people can run free") now.

 

 

May 18, 2012 6:31AM
avatar
Damn! This has been the week of Beach House for me. When love, music and the Dean all align for a brief, but beautiful moment. Happy Friday everyone!
May 18, 2012 5:46AM
avatar
Hmmm... Based only on one listen apiece, I would switch the grades. But one ain't enough--never is. Off to my local independent record store...
May 18, 2012 2:26AM
avatar
Looks like the Dean was ahead of us all...
Report
Please help us to maintain a healthy and vibrant community by reporting any illegal or inappropriate behavior. If you believe a message violates theCode of Conductplease use this form to notify the moderators. They will investigate your report and take appropriate action. If necessary, they report all illegal activity to the proper authorities.
Categories
100 character limit
Are you sure you want to delete this comment?

about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

find concert tickets

 
Find more tickets. Powered by FanSnap