Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Black Stars/Sofrito

Disco Sin, Sans, and Without Dollars

By Xgau Nov 8, 2011 6:32AM
Black Stars: Ghanas Hiplife Generation (Out Here '08)
The African ability to manufacture major exhilaration out of marginal economics is a skill young American musos should wrap their minds around. These 14 tracks, selected by ace German compiler-annotator Georg Milz from the decade-plus history of a broadly conceived genre that's not about to quit, modernize highlife with electronics, rap, and the occasional excursion into reggae. Their only program is getting parties started. These parties are as raunchy as they wanna be‑-"Toto Mechanic" means "Pussy Mechanic" in Ga. But they're markedly more relaxed than, for instance, the HI-NRG bashes evoked by VP's new Ultimate Soca Gold Collection‑-as if they've figured out that the toto feels better to both partners when all day and all night includes breathers. A MINUS

 

Sofrito: Tropical Discotheque (Strut)

The title means exactly what it says. Selected by a London dance collective called Sofrito, which is also the name of a fatback-based Puerto Rican staple, two-thirds of these 15 obscurish dance tracks are from the disco era of 1976-1980, almost all sound it a little, and all are from Africa, Colombia, and the Caribbean. Like a DJ set designed to blast rather than lure you out of your seat, they start strong, end classic, and let you sit down in the middle. Whether they achieve their pan-tropical goals is unclear; I probably prefer the African tracks‑-especially the Zaiko Langa Langa spinoff "Je Ne Bois Pas Beaucoup"‑-because I always prefer the African tracks. So let me now praise two barn burners I would never otherwise have checked out: a lead cut featuring cumbia stalwart Lisandro Meza and‑-from Guadeloupe, whose music generally leaves me feeling like I haven't eaten‑-a speedy call-and-response workout by gwo ka drummer Ti Céleste. DJ-annotator Hugo reports that this is his crate-digging crew's most-played track. You can hear why. A MINUS

 

105Comments
Nov 8, 2011 8:43AM
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Jason Cohen, "The Ballad of Chuck and Lisa," Cincinnati Magazine, December 2009 will tell you at least as much about their relationship as you want to know.
Me, I still await my Strawberry final. They promise I'll get one soon.


Nov 8, 2011 8:19AM
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Jeff, I refer you to Christgau's review of Wussy (2009):

"From their records I know this great couple band nobody's heard of to be mordant, obsessive, desperate. But having caught them live in Manhattan last year, I also know them to be urgent, funny, companionable. To be clear, they're a two-male, two-female quartet, but only grizzled fat Chuck Cleaver and lissome tattooed Lisa Walker are a couple. What's worrisome is that if I'm to take their latest songs autobiographically, which is hard to resist after that show, I should say they're a couple-I-hope, not just because I want them to keep making records but because I liked them together--and because this is as brutal a relationship album as Richard & Linda Thompson's Shoot Out the Lights."

Edit: So, great minds, etc.
Nov 8, 2011 7:42AM
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Since Rich brought up Wussy again--that's who you're covertly referring to, right?--I've got a question for those more in-the-know than I on all things Wussy: Are, or were, Chuck and Lisa ever a couple, as I suspect based on nothing more than random bits of lyrics? Would sure gratify my sense of intuition since, after spending the past two weeks with Strawberry, these ears are starting to hear it as an Amerindie Shoot Out the Lights.
Nov 8, 2011 7:38AM
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Glad Xgau resisted temptation to weigh in on the obvious heavies out there now, and directed us to these not-findable-by-yourself gems. BTW, both streaming on Spotify

I second that; I'm enjoying enjoying Black Stars right now.

Nov 8, 2011 7:31AM
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Superb breakfast food. After a spin of Black Stars on Spotify, I'm fully awake and refreshed to start the day. A dense encyclopedia of sounds and styles. Glad Xgau resisted temptation to weigh in on the obvious heavies out there now, and directed us to these not-findable-by-yourself gems. BTW, both streaming on Spotify
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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