Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Care Bears on Fire/Sleigh Bells

Brooklyn Goils Express Themselves

By Xgau Dec 21, 2010 6:32AM

Care Bears on Fire: Girls Like It Loud  (S-Curve download)

Brooklyn 15-year-old Sophie and her BFF Izzy have had a band since fifth grade and were profiled cute in New York magazine in 2006. They still have plenty of time for premature burnout. But kids can be so gratifying sometimes, and this EP is all about progress. Fountains of Wayne-aided and Donnas-influenced, their mildly enjoyable 2009 full-length was bratty-dreaming-slutty, its assorted putdowns less punk than they thought. Here Sophie permits herself enough introspective vulnerability and messy yearning to tug a dad's heart: "What I Could Be" ("You can't understand what it's like being shy") and "Ask Me How I Am" ("Satisfied and OK," only she's fronting to be polite). After that she's freed up to bet her probably excessive allowance on a putdown called "ATM." She also covers a Marbles song about star dreams I never noticed at CB's and doubt her mom is old enough to have heard in the flesh. The Tears for Fears song she may have. A

 

Sleigh Bells: Treats (Mom + Pop)

Exploiting a simple yet extreme-seeming variation on indie's noize-toon dichotomy, a made-to-order thrill-of-the-whatever band crosses the Jesus and Mary Chain and the Yeah Yeah Yeahs. Derek Miller's orchestrated distortions combine the crudeness of the Reid brothers and the virtuosity of Nick Zinner while Alexis-not-Alison Krauss plays the female principle for a childlike sweetness belied by what lyrics you can make out, which suggest in toto that what little human contact this band makes room for will have to wait until such time as sonic immersion fails to satisfy their spiritual yearnings. Their most charming song by far is the straight George Clinton rip "Rill Rill," which leaves open the question of what they can do for an encore. I'll grant that minimalist bands always leave that question open if you'll grant that too often the answer is repeat themselves. A MINUS

 

16Comments
Dec 28, 2010 9:38AM
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Since S-Curve has major-label backing, hopefully we can look forward to a second, more evolved Care Bears on Fire full-length, perhaps featuring some (if not all) of the great songs on Girls Like It Loud.
Dec 25, 2010 10:11PM
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It's always a bittersweet thing when one of your personal private favorite songs gets "discovered".  It's like having the world break into your secret stash.

I love these girls dearly -- but I half wish they'd left "Red Lights" alone.
Dec 25, 2010 3:57PM
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There will be a Dean's List published with my January column in B&N Review, though I don't yet know exactly when I'll be writing it or they'll be putting it up. I'm behind putting it together for obvious reasons.

Dec 24, 2010 5:33PM
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Whenever I listened to Treats, the best parts reminded me of early Run-D.M.C. without a statement like "Rock Box." I'm going to be optimistic and hope they score a Raising Hell or -- how's this for timing? -- even a "Christmas in Hollis."
Dec 24, 2010 12:37AM
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sangfrued - it's a shame iTunes don't upload tracks higher than 256kbps - they should use 320kbps joint stereo, at least, or FLAC?! :( :p
Dec 23, 2010 10:31PM
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Whoops, I didn't intend that ROIR comp reference as a "gotcha," but it does read that way.  I've always had a soft spot for the Marbles, got the single when it came out, & I'll even cop to owning the recent vinyl issue of what I can only imagine is their complete discography (vinylcountdownrecords.com, sadly oop).  When I saw the Care Bears rip through "Red Lights" at October's Hoboken Arts & Music fest I almost fell off my chair.  Glad they've committed it to, um, download, but I'll be even happier if it shows up on a cd some day.  Just thinking of all those lonely bits and bytes that get lost to mp3 compression makes me sad.
Dec 23, 2010 2:16PM
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If you listen closely to the vocals, I think there's hints there that indicate more than just standard "teen-pop". I agree completely with Robert's assessment that it's teenagers singing, not teen-pop. She sounds like a child because she is a child. I cannot fault her for that.

On a rather unrelated note, the year is coming to a close and that means the Pazz and Jop poll is near. Given your unique situation this year, I've been worrying that there may be no Dean's List. Of course, I have to ask: can we expect a Dean's List?

I strongly hope so. I look forward to your list every year, much more so than the compiled critic's list. If not, I'll live I'm sure. I'm just happy to have you back.
Dec 23, 2010 5:31AM
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Xgau - what do you think of this? U2ube 'japan(myfirstname)01 torture song' (can't post youtube links?). The chorus - 'Hay motherf*cker, now let me see your hands in the air motherf*cker'. The verses about torture and or political messages. I have thirteen tracks, of this nature, so far - i plan to go as far as 21. I just need a damn pre-amp..?! :( :p Or should I quit while I'm nowhere..?! :p I know a song sounds very different when there are lyrics...

wow - twelve thumbs down..? It's almost a running joke now - I'm so proud..! :3 :p

*my first name:alex
Dec 23, 2010 4:27AM
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Of course, they are young so they will sound young - don't get me wrong. But, while i enjoyed that style of singing from 'Fountains of Wayne', it seems kind of something aspired to here (I know they're young so they don't have that gritty quality) - I'm not arrogant enough to say they shouldn't sound whatever way they like/are, or that it's wrong to aspire to that bubble-gum pop genre. I like pop - why wouldn't I like bubblegum pop? It may be, in fact, something I will come to like (I admire the idea - just not from them) - I found the 'New York Dolls' incredibly hard to listen to the first couple of tries (because they are so animated and I had never heard anything like it). I guess you will think - why does he find it hard to like something that he understands, or, why doesn't he get something that's so simple? It's not that. I get it. And, actually, when you listen to the song, from above, I enjoy the singing. It may be, just, that I'm British - American accents seem a little obnoxious to me sometimes..?
Dec 22, 2010 11:19PM
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PS to Alex Wilson. That's not teen-pop singing. That's teenagers singing. There's a big difference, though as someone who played "I Want It That Way" twice yesterday (it's on a love mixtape I made once) I don't rule that out either.

Dec 22, 2010 11:17PM
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Well, one does forget things--that's one reason it's good to have a website, though I confess I looked that one up in the rather raggedy '80s book in my (literal, or do I mean physical) desktop reference collection. I saw the Marbles play, but I had no memory of that Marbles song or any other, though from reading the review I must have thought it was one of the better ones on the comp. I wonder too whether Freedy Johnston was thinking of it when he came up with the unforgettable (to me) line "Trying to cry with a red light on."


Dec 21, 2010 11:05PM
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Where I click-n-buy, the standard EP price of "Girls Like It Loud" includes three very rock-hearted videos from last year’s record.  Nice.

Dec 21, 2010 9:23PM
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That Marbles song is on Singles: The Great New York Singles Scene [ROIR, 1982], which earned a B+ (& might be how she or her mom heard it?).
Dec 21, 2010 8:10PM
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Post-middle school punk, let's give it up for the almost forgotten Bloody Mannequin Orchestra. They had the same idea for a detention hall-damaged name, were less tuneful, more unhinged, and had better song titles. On the Verge of Nothing! Cauldron of Fright!
Dec 21, 2010 4:37PM
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plus - i'm still young enough to find them hot..! :p
Dec 21, 2010 4:29PM
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some of the riffs from the Care Bears on Fire sound like X riffs..?! :p i kind of dislike the teen-pop singing - but hay, at least they have mature riffs and the lyrics are not too bad either - this is only from listening to their Youtube videos so i will have to buy the album! :p
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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