Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Gurf Morlix/Blaze Foley

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By Xgau May 13, 2011 4:01AM

Gurf Morlix: Blaze Foley's 113th Wet Dream (Rootball)

Eccentric even for a city that brags about its eccentrics, Austinite Blaze Foley inspired Lucinda Williams's "Drunken Angel" and had the best luck of his star-crossed career when Merle Haggard made "If I Could Only Fly" the title song of an excellent 2000 comeback album that didn't sell much. By then he'd been dead a decade, killed by the gun-toting son of a friend he was standing up for. His legend hasn't been helped by master tapes that kept getting lost, stolen, or seized by federal agents, but on these 15 songs his guitarist friend Gurf gets to cherry-pick and hook up with a drummer. Irresistible as John Prine for an opening section capped by the homelessness ditty "No Goodwill Stores in Waikiki," they sink into a slough of despond that starts feeling right comfy before the record rises up with "Small Town Hero," in which the duct tape abuser gets the last word on the high school sports star. Foley never mistook his dysfunction for a cause or felt sorry for himself about anything but women, and even there not much. He made his bed wherever. A MINUS

 

Blaze Foley: Duct Tape Messiah (Lost Art)

With Foley's posthumous albums patchier than need be, this documentary soundtrack is where to pay your respects. Before he passed at 39, Foley's resonant voice had been roughed up by alcohol and the crusty life, but his easy flow was always something to hear. Without the five keepers it shares with the Morlix tribute, its slow ones would be hard to take‑-"Our Little Town" makes six minutes feel like a sermon so long the roast gets burnt‑-but Morlix doesn't do "Let Me Ride in Your Big Cadillac," "Living in the Woods in a Tree," or "Cosmic Doo Doo," and all are candidates for canonization. Too bad both records pass on "WW III," "Oval Room," and the jokingly, shockingly sadistic "Springtime in Uganda." Foley clearly never thought living in a car diminished his citizenship one little bit. B PLUS

 

252Comments
May 15, 2011 8:54PM
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The exceptions I'm thinking of are magazine and newspaper critics.  James Wood, Ruth Franklin, critics like that.  Writers who have a breadth of reading behind them, but are not academics.
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Joe L - Eventually I had all three of those '81-'82 albums, but at the time just had the great title-track singles.
May 13, 2011 6:31AM
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Too bad both records pass on "WW III," "Oval Office," and the jokingly, shockingly sadistic "Springtime in Uganda."
Anyone know if "Oval Office" is really the track "Oval Room" from the album of the same name ?
May 14, 2011 11:56AM
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GMort - I just got done reading Bourdain's Medium Raw.  A very entertaining read as usual, if not on the level of Kitchen Confidential. I wish he wasn't so scornful of regular restaurants and the people who eat and work in them. We don't all live in big cities. 

SpaceCoast - I definitely remember where I bought the great majority of my albums, and in many cases I could tell you how much I paid and what else I bought at the same time. I wish I'd kept a record of what I bought and when - it would be really interesting to see how that evolved. And as far as record-buying rituals, obsessions and systems... oof, I wouldn't even know where to start. Once I discovered that getting rid of lesser albums tended to improve the collection, I became obsessed with keeping it lean, but I had this rule that if Xgau gave an album an A or A+, then I had to keep it. Eventually I said screw it and ended up unloading 75+ A albums at once, and probably getting way less than I should have for them. If there were other Xgau fans shopping at Primitive, they must have gotten real excited after that.

May 16, 2011 6:32PM
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Michael, I just want to mention that 'apercus' is a word I definitely would not know if not for Christgau.  Specifically, the Los Angeles review.  Don't know if the 'xgau sez' tumblr has put up an entry for that, but if not, they need to get on that.  
May 16, 2011 6:24PM
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Joe -- wasn't that Richard Butler of the P-Furs on that track...?  Or was that on the other Weill comp/tribute?

 

(Later)  Okay, looked it up.  David Jo is on September Songs, the other Weill comp, by which I mean the other Weill rock-oriented comp/tribute.  I always thought September Songs was spottier, which kind of blew my mind -- an album with Sting on it is better than one with PJ Harvey on it??

May 16, 2011 5:20PM
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Chris: Have fun.

 

burraburrahttp://www.tomhull.com/ocston/nm/intro.html

 

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May 16, 2011 5:06PM
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Cam (or Tom), could you tell me how to find Tom Hull's in depth listings for Brubeck, Ellington, others on his site that you allude to?
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The Clash had many great singles, but they don't compile especially well (esp. the later stuff). If someone were looking for a best-of, I'd point them towards the 2-CD The Essential Clash, which gives a more accurate and consistent picture of the band than Singles does.
May 16, 2011 12:34PM
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Let me second Milo RE Sing Hollies in Reverse. I ordered the Bent-Backed Tulips CD (i.e., the great lost Dramarama record) about six months ago from Eggbert Records and they threw in Sing Hollies in Reverse gratis. (Somebody has some inventory to unload.) What a pleasant surprise. Tommy Keene was born to cover "Carrie Anne". 
May 16, 2011 7:40AM
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I don't think Xgau hates rude people (not rude performers, anyway). And effete/pretentious does sell, so it can be worthwhile to skewer -- or, now, simply ignore. But I see what you mean -- I merely state the obvious. With no particular insight or expertise, I shouldn't even be commenting!
Ooch. I'd say more than a few years -- around 20.
My bad! I was thinking of people a few years older than Xgau now as of two decades ago. Big band enthusiasts (who were there) would be pushing the century mark now, I guess.
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It ended up being all those terms at once (classical, prog, big band, effete, pretentious)

That's some sort of achievement for sure. But isn't saying one dislikes "effete, pretentious" music kinda like saying "I hate rude people"?

May 15, 2011 10:05PM
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Peterike: Putting quality to one side (I also love Sondheim, and August Darnell and Paul Simon), what baffles me about that quote is the assertion that Broadway is anything other than American music. Sure there are interlopers--go home, Lloyd Webber!--but Sondheim is American to the bone, however unique.
May 15, 2011 9:03PM
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I could be wrong, but I think the most he's ever written about Sondheim was in the review for Streisand's The Broadway Album.  He's spoken admiringly of West Side Story several times, though how much of that admiration is for the lyrics and how much is for Bernstein  I'm not sure.

Sondheim's name has come up several other times, though.  Go to the site's main page and do a search.
May 15, 2011 8:56PM
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And, as you say, the sifting process has only just begun for film.  Those breaks are already in there somewhere.  Future generations will see differences that we don't.
May 15, 2011 6:10PM
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Speaking of film...... I have a Maltin Guide that's a few years old I basically use for reference. Looking for something a little more in depth, so I was wondering if anyone had an opinion on David Thomson's  New Biographical Dictionary of Film. From what I know of his work, he's proudly subjective and goes against the grain. Then again, so does our host and I think that's why we like him. As with lots of others on my ever-growing to-do lists, I'll get to Ms. Kael one of these days.

I have stated here before that my knowledge, taste and critical judgment of film is not quite as deep or refined as it is for music. Suffice it to say that, like at least 75% of pop music, I believe mainstream movie making is geared toward the 15-55 year-old female audience, thus very few titles float my boat. Guess I need to broaden my horizons with more indies and foreign flicks.
May 14, 2011 6:16PM
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Some department store, if I recall. 1960. Or it may have been '61. Mother had relatives out there. Salem was the first Big City I knew.

Maybe a shot in the dark here, but it was probably Meier and Frank (now a Macy's) since that was the big shopping magnet in town back then.  Or maybe just wishful thinking since that's where I bought my first records too.

 

I grew up in a small town 14 miles from here and always thought Salem was as cool as a town could get.  It actually had a movie theater.  Three of them.  So what more could you want.  Probably explains a lot about me.

May 14, 2011 5:51PM
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Milo:  What store in Salem?  When was that?  And how did you make that a shopping trip from MT?



Some department store, if I recall. 1960. Or it may have been '61. Mother had relatives out there. Salem was the first Big City I knew. Went to Chicago once but it was too overwhelming. Did visit the Field Museum, though, and that helped spark a lifelong fascination with dinosaurs, which have turned out to be more and more fascinating creatures. (Why, I'm watching some of them peck insects off the lawn.)
May 14, 2011 2:27PM
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Allen, got to disagree that Ian deserves a box as much Loudon.  Wainwright's been recording for forty years and his albums are pretty hit and miss.  There are more than enough great songs by him to fill a two or three cd set.  It even seems like they missed a few on the current box. I don't think the same can be said about Dury.  His career was too short, and some of it doesn't hold up, to warrant a box.
May 14, 2011 2:22PM
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First album bought: Simon and Garfunkel's Greatest Hits - Christmas of '74.

First CD - We got a CD player as a  wedding gift in 1988.  Flew into the Boston the next for a New England honeymoon (Changing colors and all).  Instead of seeing sights, we went to a Tower Records and I got The Feelies Only Life.  I know it's not their greatest, but it will always have sentimental value. 

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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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