Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Skrillex/Clams Casino

Electronical Vistas

By Xgau Feb 14, 2012 5:58AM


Skrillex: Bangarang (Owsla/Big Beat/Atlantic)

"The most hated man in dubstep" therefore isn't "in" dubstep at all, which allowing for a few wannabes is fine by the rest of us who aren't in dubstep, meaning 99 percent if not 99.99 percent of music consumers. If you're too smart or knowledgeable for this young goof and his damn Grammys that Robyn wouldn't have won anyway, by all means enjoy your cool. I'm not. But I know this much. This is a pop record because its shamelessly hedonistic barrage of proven dancefloor tricks will obviously be more fun at home than in a club, where it would blare forth at quadruple volume to young jerks who'd get just as excited about LMFAO. A MINUS

 

Clams Casino: Instrumental Mixtape (free download)

Reconstructed from tracks created for such real-life rappers as Lil B and Soulja Boy, New Jersey beatmaker Mike Volpe's comfortably disquieting illbient glitchbeat chillwave whatsis will grow on you if you give it a chance. And because it's designed to back into your space, providing the chance won't feel all that time-consuming, preoccupied as you'll be with something more engrossing while said time passes. The opening "Motivation" powers home enough hummed 'n' moaned gravitas to remind you it's there, and the closing "Cold War" caps the 40-minute album with a vocal sample that utters the title for once. In between you'll first pick up on "What You Doin'" and "Illest Alive," better known to you as the one in the middle and the one toward the end. Then slowly the rest will ooze into place via capillary action. A MINUS
323Comments
Feb 16, 2012 9:54PM
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I love Abbey Road a lot. Sure "Maxwell" is silly but Paulie would soon do a lot worse. I might be in the minority but I always prefered "Here Come the Sun" to "Something", though both are great. Too bad George never matched their greatness again. It could be the omission of both Abbey Road and The White Album from the back of the 70's guide that lead some to think that Bob had a less than stellar opinion of them. That list can be found under the books tab. In the 70's guide there is a list of essential 60's albums. In short just because say Abbey Road is not in my top 10, it just means that there were 10 or so I liked better.

Feb 16, 2012 9:47PM
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And now! See dz hold forth on Dusty Springfield! http://goo.gl/5qDFe

I think I may have signed myself up for a helluva lotta work. Eek.
Feb 16, 2012 9:44PM
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When I first listened to Abbey Road--I was 19 or 20, I think--I loved it because it was so polished and well-produced. When I played it recently, I thought it was too smooth. Of course, I had been listening to a lot of their earlier, rowdier stuff, and Abbey Road just sounded tame in comparison.

Feb 16, 2012 9:34PM
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I had hot rats with dinner tonite

I hoped you cooked them thoroughly


Feb 16, 2012 9:28PM
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OK OK OK OK!

I feel shy about this especially since I know a couple people around here think I'm a real annoying dope, but I'll loose this on the world anyway. Here's my first blog post about the new poll: http://goo.gl/ko4sr

I'm almost done with my first actual reflections.

P.S. Anyone who wants a great reason to think I'm an annoying dope can read the first post I made a few days ago when I set up the account. I do kind of suck. :)
Feb 16, 2012 9:24PM
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Have a list of 46 1969 albums to consider.    Played eleven so far - and six of them COULD make the top ten.      Guess we're looking for pure "A" records - so once I know it's not at that level - it's out.

 

Not even going to bother with Abbey Road until the Top Ten showdown on the last day or so.   I could sing that one note-for-note --- not that anyone would want me to.

 

Does Village Green Preservation count as '69?    If so, make that 47.

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What is the deadline for this one again?

Sunday March 4th.

Feb 16, 2012 9:12PM
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I've always thought that "You Never Give Me Your Money" is one of Paul's greatest
Of all the songs on Abbey Road, this is the one that grows on me the most with each re-listen.  Oh that magic feeling....nowhere to go.
Feb 16, 2012 8:53PM
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hot rats


Wish somebody would put together a spiffy collection of Don "Sugarcane" Harris's solo work. Well selected, it would be a killer single disc.

Feb 16, 2012 8:50PM
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What is the deadline for this one again?  I was already pretty familiar with the big 1969 albums (for a young'un, at least), so I'm not playing catch-up, but I do have a 8-way fight going on for the bottom two slots . . .
Feb 16, 2012 8:36PM
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I had hot rats with dinner tonite and that zappa album sounded so freakin' amazing it may make my top 10.  great guitar throughout and the gumbo variations on side two has some wild free jazz sax.

Feb 16, 2012 8:25PM
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Played Abbey Road at dinner tonight, Even Maxwell's Silver Hammer sounded OK, and Octopus's Garden like Ringo Being Ringo. Polythene Pam not so much, but what does it last, 1:30?
Back from the great Ed Sanders Fug You exhibition--didn't get to speak to him, Jeff--and off to Low Cut Connie.
David--great idea, but then the other two would have been lost, and me too.


Feb 16, 2012 7:57PM
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The fact that mixed race relationships (between famous people and non-famous people?) was something not brought up overtly in The Bodyguard is something to celebrate.  Considering my Mexican mom and my WASPy Dad occasionally got dirty looks when they walked into restaurants, I'm totally down, at least in theory (I mean, it was an atrocious movie).  But I'm also reminded of a candidly racist friend of my Dad's, who once said of Ms. Houston, "She's so hot even I'd **** her."  Sexual desire: the great equalizer.
Feb 16, 2012 6:45PM
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Good catch, David. I think I'll remove it so as not to foster any confusion.
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Also, I've come to the hindsight-aided conclusion that Christgau missed the better hook on the last two EW pairings. Skrillex/Souleyman might have introduced something totally new to Skrillex Googlers, and the headline could have been "I Have Seen the Future of Synthesizer-Based Dance Music and It Comes From California and Syria."  Or, you know, something more modest.

Also have come to the conclusion that the biggest problem with the slow track that starts the Omar Souleyman (probably my first 2012  A, and I don't care either that it's really a 2011) is that it at first it fooled me into figuring that the album was mostly about vocals. It isn't.
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And here's a Bobism on Abbey Road from 1969 -- "I think the new Beatles album is flawed and great anyway.
I remembered that being about Abbey Road, but then it says Esquire published it April 1969, which I guess means he meant the white album -- typical long Christgauvian pondering time plus maybe long magazine-publishing advance time?
Feb 16, 2012 6:17PM
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I've always loved Round and Round and its circuitous melodicism, back up to A for me. Although is it top 10?

Through nothing but dumb luck yesterday I sat exactly between the right and left channels while Everybody Knows This Is Nowhere was playing, with Neil's lead in one ear and Danny Whitten's rhythm in the other. There were times I couldn't decide which was more dramatic. What a lost talent Whitten was. As much as Frank Sampedro contributed (based on memory not recent relistening), I now wonder if Zuma, Freedom, and Ragged Glory wouldn't have been improved with Whitten's layer of crunch instead.

Feb 16, 2012 5:07PM
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Brad, here's a brief story that's testimony to the integrationist subversiveness that you saw in The Bodyguard.  A friend of mine, from Maryland, went to a Southern college in the early '90s.  He first got a sense of how different it was down there when he went to the video store with a few guys he barely knew early in Freshman year.  Upon seeing the film on the shelves, one of the kids he was with remarked that he lost all respect for Kevin Costner after he made that movie, specifically referring to the mixed-race romance.  And it was at this point that my friend had a "so that's how it is down here" epiphany.  (Personally, I was a freshman at a school in upstate NY when it came out, and didn't think anything of it at the time.)
Feb 16, 2012 4:54PM
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BTW, even if it doesn't make the cut into my final 10, I am really loving JB's Gettin Down to It.  Who knew "Cold Sweat" made great lounge jazz?
Feb 16, 2012 4:31PM
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I'll preface this by saying that I love Abbey Road as much now as I did when I was 9 (when it was among the first records I bought). No longer my favorite Beatles album, but one whose ambition and beauty still delight me. I recently read Geoff Emerick's blatantly pro-Paul history of engineering the Beatles, and the chapter on Abbey Road is pretty thrilling--after the separate studios of the White Album and the dreary soundstage for the frustrations of the Get Back sessions, a lot of interesting things happened beyond the stitching together of fragments. For one, it appears that both John and Paul offered George some advice on changes to "Something" and "Here Comes the Sun" that (apparently for the first time) he refused to consider--and good for him. Second, the recording of the vocal on "Because" was the most intense and focused late session involving all the Beatles--everyone got very serious about getting that impossibly convoluted chorale together, and it took something like an entire day (eons in Beatles' recording time) but there was actually a sense of sustained communal magic in the studio itself despite all the external tensions. And then, apropos of the Grammys, there were the three competing guitar solos for "The End"--which George, Paul, and John all gleefully taunted each other about before and during the recording.
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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