Ani DiFranco/Bhi Bhiman
Two Albums That Begin With Excellent Songs About Homelessness, and There Will Be More
Ani DiFranco: ¿Which Side Are You On? (Righteous Babe)
After a decade of futzing around, of music so overthought that even her best-of couldn't make a case for it, this one's like re-encountering a friend who drifted away after she took a bad job or married a jerk. Both of which might have happened‑-nobody she signed to Righteous Babe did much for her bottom line, and the nuptials that ruffled her feminist faithful in 1998 ended badly in 2003. Now, finally, her first album since she married her five-year-old's father is as fresh as Lisa Lee at the top of the key. With Uncle Pete signing on via banjogram, the title song announces a political renewal so focused on the three-syllable F-word that it includes an E.R.A. anthem. But for DiFranco the political has always been personal, which doesn't mean private and can mean intellectualized, as in "Promiscuity." The singing on the homelessness tale that opens is as emotionally accomplished as its assumed first-person is formally atypical. The one that reads "If yr not getting happier as you get older/then yr fucking up" is her true credo. A MINUS
Bhi Bhiman: Bhiman (Redeye)
In an unruffled show of assimilative will, this Sri Lankan American 29-year-old channels John Hurt and the Staple Singers into sweet, firm folksongs about injustice's cruelty and love's confusions‑-and is funnier about both than, as a random instance, Van Morrison. The stolid beats define the limits of his Americanization. But from the first strums of "The Guttersnipe," the melodies are universal language at its most outgoing. A MINUS
So I did what I always do, play previews while I re-read Bob's previous findings. And this piece is so weighty (no pun intended) and well-stroked that it needs to be re-considered by more than just me, imho. http://goo.gl/8gWeA
"banjogram" is a great word, and here's hoping the sub-head is prophetic.
'If yr not getting happier, as you get older/then yr ****ing up.'
Klosterman wrote a piece at Grantland on Tune-Yards winning Pazz and Jop, just fyi.
a somewhat androgynous American woman named Merrill Garbus.
Androgynous? Uh, sorry, no, not at all.
I couldn't agree more with Brownstein regarding Big Star. A decade ago or so a dear friend put several of their songs on some mixtapes for me and you can't put a price on that gift.
Also, I'll second Joey in that Cam does rock!
EDIT: Don't worry, I've certainly heard Little Creatures, but I'm upgrading my MP3 collection to a higher bitrate, and this one's on the list. I don't want to lose any cred I may have with my EW peeps!
In fact, if you effortlessly understood 100 percent of this article's opening sentence, you can probably skip the rest of the piece.
There's another track ("You Yes You") where she repeatedly screeches the phrase "What's that about?" and it might be the single most grating musical moment of 2011.That was one of my most favorite musical moments of 2011.
Chuck Klosterman is an idiot.
this is funny. Klosterman seems to say, we'll know how good whokill is in about 15 years after Merrill has, or has not, asserted herself as musical genius. This does seem idiotic. In 15 years the legitimacy of whokill winning Pazz and Jop in 2011 should be determined by how whokill sounds in 15 years, not how Merrill's career plays out. And if I had to guess, it will sound fantastic.
edited will to should to clarify.
Chuck Klosterman is an idiot.
this is funny. Klosterman seems to say, we'll know how good whokill is in about 15 years after Merrill has, or has not, asserted herself as musical genius. This does seem idiotic. In 15 years the legitimacy of whokill winning Pazz and Jop in 2011 will be determined by how whokill sounds in 15 years, not how Merrill's career plays out. And if I had to guess, it will sound fantastic.
More like an intellectual entertainerI think that very aptly describes what Klosterman does, and why a lot of what he writes doesn't hold up to serious scrutiny. That said, I really enjoyed Sex, Drugs & Cocoa Puffs.
about the blogger
Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.