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Chuck Berry

Two Particular Ways to Go

By Xgau Aug 3, 2012 1:06AM
 

Chuck Berry: The Chess Box (Chess '88)

Starting at age 29 in 1955, Chuck Berry recorded plenty, mostly for Chess in Chicago, a spin in the Caddy from his St. Louis home. Many of these recordings were epochal, others pretty great. But quite a few fell short. In the golden age of Top 40, his albums were afterthought product, filled out with autopilot instrumentals, threadbare covers, wan novelties, and temperate lounge blues. So Chuck Berry's natural longform is the best-of, compelling fans to buy his classics over and over. This 71-track threefer from the innocent days when box sets meant something slackens slightly on the back half of disc two by indulging Berry's blues dreams. But disc three documents the renaissance that followed his release from an 18-month bid on a trumped-up prostitution charge in late 1963. The unsatisfied "No Particular Place to Go" and the pot-dealing action thriller "Tulane" aren't iconic like "Johnny B. Goode," but their artistry, invention, and humor are unsurpassed, and "Tulane" led directly to "Have Mercy Judge," the only important blues he ever wrote. A

 

Chuck Berry: The Definitive Collection (Geffen/Chess '06)

Greatest Hits. Golden Decade. The Great Twenty-Eight. Fans bought each vinyl comp as its predecessor wore out, but in the uncharted swamp of CD-era Universal reissues they may have missed the best best-of of all. Starting with the motorvating 1955 game-changer "Maybellene" and then fleshing out Berry's double persona‑-sly brown-eyed handsome man, a projection, and happy-go-lucky lil' 16, an invention‑-it adds two of Berry's very greatest songs to the formerly definitive Great Twenty-Eight: the completely grown "You Never Can Tell" and the sub rosa history of the Freedom Rides "Promised Land." Half of its 30-tracks-in-75-minutes‑-terse fellow, Chuck Berry‑-are pop songs as monumental as "Alexander's Ragtime Band" and "Smells Like Teen Spirit." The rest are various shades of excellent. Long-suffering Johnnie Johnson on piano and big boss man Willie Dixon on bass provide essential support. Every song here except the worthy "I Wanna Be Your Driver" is on The Chess Box. But this one's so intense. A PLUS

 

102Comments
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Michael,

 

 I didn't think he had to apply for family mebership.

Aug 6, 2012 9:56PM
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If you're kind  then head on over to  Amzn. The folks there have lost their minds on some good acid and every Grateful Dead release you can think of is marked waaaay down including all of the Dick's Picks . I just picked up one of my favorites Vol. 8 at Harpur College for $4.99 . Boy, I'm not a Deadhead anymore , and I've heard a lot of tapes over the years but this one has always had a special place in my heart because  the first disc is an all acoustic set that is spectacular. They play  a lot of the new material from the soon to be released Workingman's Dead and American Beauty albums. And I hate to call the second and third disc typical electric Dead , but it is,  and it's typically great stuff for that early 70's Pigpen era of the Dead.
Aug 6, 2012 9:36PM
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I can resist no longer.

As this thread ends, it must be said --

Send More Chuck Berry.

Aug 6, 2012 9:13PM
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Groucho was in a group called "the Marx Brothers."  I believe that's called "irony."
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A firm believer in Groucho's maxim on membership, I've resisted doing this for quite a while, but

Ryan's exegesis of Cattle and Cane on One Week, One Band  was um, loverly.

Aug 6, 2012 6:16PM
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It was Marshall Berman's writing that got me interested in Isaac Babel.

A thought for the Pussy Riot piece:  Paul Wilson?
Aug 6, 2012 3:35PM
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Dan -- don't throw away your vinyl. My cd of Decade sounds like it was ripped from *my* vinyl copy. It's spectacularly bad, and I'm not fussy. You'll be wondering if your ceedee player has dust on the needle.  You would be better to get Neil's 'Best Of' cd instead.
Aug 6, 2012 3:33PM
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Boy, you know who else would be great to write it -- Timothy Ryback.

Thing is, I hadn't checked up on him in quite a while and I'm afraid he might be a bit too busy --

http://goo.gl/IcRz2

Aug 6, 2012 3:07PM
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I shared the Pussy Riot video Cam posted here with my old friend Marshall Berman, and if you haven't read All That Is Solid Melts Into Air you should. He forwarded it to his editor at the venerable left journal Dissent, who wondered if Marshall knew anyone who would like to write about it there. Dissent you can check out online. They pay bubkes, which doesn't mean nothing but is close enough. They want someone with some grasp of the Russian context as well as musical knowledge. Lurkers welcome. If you don't know how to reach me directly, write me at my site and Tom will forward. I would of course be delighted if Tom was interested himself.


Aug 6, 2012 1:54PM
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Those sneaky Brits get there early.

GOOGLE: guardian caspar llewellyn smith bob dylan tempest

Aug 6, 2012 1:07PM
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Also crushed that an overseas business trip will prevent me from seeing Wussy/LCC on Saturday.
Had that date circled in ink for months! On a separate note, just downloaded Young's "Decade" for just 5 bucks on A******n. RIP my vinyl copy. You gave me decades of pleasure.
Aug 6, 2012 10:13AM
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"Notes on some previous EW entries --
 
Khaira Arby, Tchini Tchini -- 

much more like live and a more forceful presentation overall than the previous release...."


Yeah, Xgau was right about that opening cut being "guitar-driven". "Forceful" - you said it. 


Aug 6, 2012 9:51AM
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Notes on some previous EW entries --

 

Khaira Arby, Tchini Tchini --

 

much more like live and a more forceful presentation overall than the previous release. Still find her a tad abstract and remote without a lyric cheat-sheet. Rarely had that problem with Oumou Sangare. Still, pulling for Arby to persevere.

 

And two heart-rates-up for Madonna MDNA as a workout soundtrack -- and general romp. Elton John should clip his lip (but that's been true since ... pretty much forever). As with St. Etienne, however, there's an inescapable retro cast to some of MDNA's moves. Of course she's right about the healing effects of radio -- but only in memory. The Madonna albums I keep are the ones that seem more energetic and jokey - the skips become more serious and philosophical.

Aug 6, 2012 9:17AM
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For sure I'm going to the NYC show. Philly show too. My train from Philly gets in around 1PM so I get to play tourist for a few hours. Haven't been to NYC since 1990. Luckily my hotel is two blocks from the venue. If anyone knows of a nearby place to grab food and drinks before, I'd love to meet up. Most can contact me through FB, or email is jcsmall63 at g mail dot com.

Aug 6, 2012 8:47AM
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Barring unforeseen last-minute difficulties with my friends, a longstanding weekend date upstate will prevent me from going to see Wussy and Low Cut Connie at the Merc this weekend. I am bummed about this because it should really be a hell of a show. These are two terrific live bands. They deserve our support, especially at a place like the Mercury Lounge, which is definitely a step up the ladder from Pianos and the now-troubled-I-read Cake Shop. And to answer a question, their will-call system has always looked pretty straightforward to me. Get there early and there are sometimes seats along the side.



Aug 6, 2012 8:08AM
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Very late to this particular party because I've been in Charlotte all weekend where frantic street paving and sidewalk repairs are being done ahead of the Democratic National Convention next month.

Our host's recent spate of reviews of gospel, blues, and rock & roll from the 1950s has me wondering if he's revisiting his musical past as research for his upcoming memoir. Time, as they say, will tell...
Aug 6, 2012 5:53AM
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So who is going to see Low Cut Connie and Wussy this weekend at the Mercury Lounge? I should buy tickets and go, right? Should I use the 'will call' service or should I have tickets delievered?

Aug 6, 2012 5:52AM
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Alexander, Purple Chick's tame version is one of the many I've listened to. They've all been somewhat disappointing, but what was I expecting? Brian Wilson's SMiLE is where I started, and obviously it's the definitive SMiLE, since he finished it. But it's interesting and enlightening to hear all the fragments he created (and sometimes never used) re-contextualised. Alternate Brian Wilson Presents SMiLE is the best interpretation of the original SMiLE project I've heard. P.S. Purple Chick samples actual parts of Brian Wilson's 2004 SMiLE.
Aug 5, 2012 9:21PM
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My nephew who lives in Brooklyn just tipped me off that Patti Smith will be doing a reading and book signing at the Community Book Store in Park Slope.  7PM tomorrow (Monday 8/6/12).

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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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