Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Odds and Ends 006

R&B in the Broadest Sense Except That I Stuck Drake Somewhere Else

By Xgau Feb 21, 2012 4:05AM

Bootsy Collins: Tha Funk Capital of the World (Mascot)

Five historic P-Funk tracks fronted by Cornel West, Samuel L. Jackson, Jimi Hendrix, Al Sharpton, and a panoply of old A-game rappers followed by 11 well-meaning Bootsy tracks distinguished by cameos from Buckethead and, wouldn't you know it, George Clinton ("After These Messages," "Hip Hop @ Funk U") ***

 

Bruno Mars: Doo-Wops & Hooligans (Elektra)

Nice guy finishes first ("Grenade," "Lazy Song") ***

 

John Legend & the Roots: Wake Up! (Good Music/Columbia)

A myth of conscious soul neither the singer nor his attendant rappers can quite put across ("Compared to What," "I Can't Write Left Handed") ***

 

Terius Nash: 1977 (free Radio Killa download)

Living for sex gets less dreamy all the time ("Wedding Crasher," "Used to Be") ***


 

Betty Wright & the Roots: Betty Wright: The Movie (Ms. B/S-Curve)

It wasn't "Old Songs," it was good songs, and they were usually shorter than these ("Real Woman," "Grapes on a Vine," "You and Me, Leroy") **

 

The-Dream: Love King (Def Jam/Radio Killa)

We know this trickster is "the last romantic" because, in the very same song, he tells his babydoll to present "panties to the side" ("Florida University," "Sex Intelligent") **

 

Ray Charles: Rare Genius: The Undiscovered Masters (Concord)

Genius is rare even when it misfires, as with Ray it oft did, but the taste to make it glow a little is always for sale ("Why Me, Lord?" "It Hurts to Be in Love") **

 

The Original 7ven: Condensate (SRR)

"The band formerly known as the Time" are shocked that you should believe time is real‑-but of course, it is ("Condensate," "One Step") *


166Comments
Feb 24, 2012 11:30AM
avatar
At the risk of incurring charges of Last-Wordism* I felt that I needed to add a bit more explanation of what I think constitutes a "not very fruitful" discussion. Namely, it's an aesthetic wrangle where too many parties bring too many highly subjective, irreconcilable perceptions to the table. All you end up with is that a lot of folks can come at the topic from a lot of angles. The most interesting outcome I can think of off the bat is that you can make equally strong cases that everything from book jackets and record covers to insurance-company mascots should work as either sales pitches or potent symbols (didn't Andy Warhol have something to say about this?). The cloest thing to a generally agreed-upon principle I can think of is that LP jackets had a size advantage for graphics. Enough.

*I have never met anyone IRL who had to "get in the last word." But did encounter such a syndrome years ago in a fave early chat room. Chap was funny, a bit cracked and combative, but absolutely addicted to making the last post in an argument.

At the end of a tussle with him, folks would post "And now to let Mr. Speakforth have the last word." And even though he knew the whole crowd was set up to laff at him, he couldn't help himself and would slap on a final post. Compulsion in action.
Feb 24, 2012 7:23AM
avatar
Irene, Patrick, I was just summarising a theory, not necessarily agreeing with it (you probably knew that).  Obviously all we know about crime levels is what's recorded.  And all societies will have crime but will define it differently.  And anyway "In the Ghetto" is more about the corrosive effect of poverty rather than the thesis that poverty creates crime.  And I still don't like the song!

Feb 24, 2012 3:27AM
avatar
I have the Go-Betweens' 1978 - 1990 on vinyl, probably the only thing I'll never sell.
Feb 24, 2012 2:16AM
avatar
Brad M. -- The Go-Betweens 1978-90 that was released in Japan was 2 CDs, duplicating the track listing on the 2 disc vinyl.  It was sweet.
Feb 24, 2012 2:09AM
avatar
Listened to Scott 4 for the '69 poll. For the duration of the Bergman Plot Summary opener I thought it might challenge the Firesign Theatre for funniest record of the year. Soon, though, it was merely aggravating. Was in a snippy mood hours until we went to bar blasting "You Shook Me All Night Long".

The three-song rule is sounding pretty sensible right now.
Feb 24, 2012 1:49AM
avatar

I know this thread's almost over, but...

 

1. Did anyone catch K'naan (with Nelly Furtado, who I didn't even recognize) on Letterman last night? Song sounded pretty good.

 

2. Does anyone own The Go-Betweens 1978-1990 on vinyl? Apparently, there is six songs on it that the CD version doesn't have. I'm a little peeved about that.

 

3. Whoever did that guitar solo on "Brother Rapp/Ain't It Funky" from Star Time deserves a Nobel Prize for Funky Awesomeness.

 

4. I don't believe in God, but I do believe in Al Green.

Feb 24, 2012 12:48AM
avatar
Cam -- about the Aretha Columbia albums: you can get a box of 3 cds for about 6 pounds from amazon uk. One of the albums (can't remember which -- check amazon comments) has 2 lps on it, probably just grabbed from a previous 2-on-1-cd offer in their vaults. It's very cheap to buy from amazon uk


Feb 23, 2012 11:23PM
avatar
I don't know if you're referring to specific song titles, Milo, but assuming you're not--you're right. Lonely women find it easier to grab a someone to listen. That's because women are cooler.

But anyway I'm sorry I always antagonize you. The opportunities...they just present themselves. My sober self that's running in the background tells me this is just as bitchy as everything else I type at you. Oh well. I'm sorry I'm such a cheeky stripling(ette).

P.S. Keep it coming. 
Feb 23, 2012 9:52PM
Feb 23, 2012 9:45PM
avatar

He sounded like Glenn Frey?

 

Ornette likened to Glenn Frey?  Sacrilege!

avatar
Hey, I saw Ornette wear that outfit in concert and it suited the music perfectly.

He sounded like Glenn Frey?

Feb 23, 2012 9:09PM
avatar

Hey, I saw Ornette wear that outfit in concert and it suited the music perfectly.

Feb 23, 2012 8:40PM
avatar
I popped in The Essential Aretha Franklin: The Columbia Years tonight. This was partly inspired by the Etta James B&N piece, which is the second time that Xgau has favorably talked about this era of the Queen's life work (the other time being a piece on Randy Travis of all people). I guess I understand why this era has a bad rep; it delves into cocktail lounge jazz too often, and the bands here just don't hold a candle to the Muscle Shoals Rhythm Section. But dang. Her voice is still warming up in comparison with what came later, but its already a force of nature. "Trouble in Mind"! "Won't Be Long"! "Lee Cross"? Ok, "Lee Cross"!

So does anyone have any recommendations about the original albums? I'm dreaming about the Dinah Washington tribute as we speak.
Feb 23, 2012 8:28PM
avatar
I was at Amoeba Records a couple of hours ago and they were playing Dusty in Memphis, which I don't have on cd.  I went up to the counter and found out it was the Rhino reissue from 1999 that included 14 extra tracks.  It was $8.  The guy at the counter said I was third person to purchase it since they started playing it 20 minutes before.  While I was talking to him another guy came up to ask where the Dusty Springfield section was.  If only it always worked that well with store plays.  Spoke well for the album.
Feb 23, 2012 7:14PM
avatar
"Maybe somebody can convince me otherwise." Was an open invitation to knock yourselfs out on the subject.

(I especially feel no compulsion to participate because my feelings about album art weren't even the main subject of my comments -- I wanted to praise the graphic mirth of Lyle Lovett.) 
Feb 23, 2012 6:56PM
avatar
there was less crime in the olden days
Was there? 
Of course not!
Feb 23, 2012 6:32PM
avatar
I agree with Patrick's assertion that the mid-80s are a low point for album covers, and I think its across genre too.  For instance, I came across Kevin Ayers' '83 release, Diamond Jack and the Queen of Pain on the internet today, which features a photograph of the artist sitting in front of a red wall.  Another that immediately comes to mind is Ornette's '86 release, In All Languages.  That suit is the visual equivalent of gated-reverb drums!  And I assume that there are plenty of similar examples of gaudy artist cover portraits in metal, mainstream country, adult contemporary, smooth jazz, etc., during this period.  
avatar
there was less crime in the olden days

Was there?


(I genuinely don't know!)

Feb 23, 2012 6:05PM
avatar
[...]I've found it's not a very fruitful topic of discussion.
Milo! You can't just make a sweeping claim like that then refuse to back it up when asked! Well, I suppose you can, since you did. But come on! Patrick essentially just asked you for examples of covers you think typify the rise and fall of album art. He didn't ask you to talk about the essence of art...or your passionate feelings about cave paintings. :) This topic seems like it'd have plenty of fruit-bearing potential to me. Plus if we're on the subject of album covers, I can direct you all here: www.thekittencovers.tumblr.com (Some gracious soul provides the internet with a steady stream of kitten-filled renderings of popular album covers.)
Report
Please help us to maintain a healthy and vibrant community by reporting any illegal or inappropriate behavior. If you believe a message violates theCode of Conductplease use this form to notify the moderators. They will investigate your report and take appropriate action. If necessary, they report all illegal activity to the proper authorities.
Categories
100 character limit
Are you sure you want to delete this comment?

about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

find concert tickets

 
Find more tickets. Powered by FanSnap