Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Battles/Archie Bronson Outfit

Genrefication Minus One

By Xgau Jun 7, 2011 4:48AM
Battles: Gloss Drop (Warp)
Take the title literally. The prospect of touring having proved too much for leader-keyboardist Tyondai Braxton, out go the castrati choruses, the precision interlocks, the neatness that is the curse of math-rock. Instead, general pitch levels drop while the drums explode. "Like a car wreck, only in tune," I heard one guy puzzle as he left a show that revved up all the consequent incommensurabilities even further. So much better than a Ferrari that never needs a tune-up, muse I. In the studio they're less accident prone, and they still tintinnabulate some. But now they also grunt. A MINUS 


Archie Bronson Outfit: Coconut (Domino)

This strange album features a nuevo garage trio who got signed after playing the local of a Domino honcho. Leading with the lasciviously macho "Cherry Lips," their 2006 album swore fealty to the garage-revival ethos, but though Time Out! and Mojo liked its testes, sales did not ensue. So in 2010 they handed production to a DFA honcho. At their best‑-namely, the echoing hypno-raves "Magnetic Warrior" and "Wild Strawberries"‑-they now sound like the Seeds turning into Joy Division after somebody spiked their hash with MDA. Admittedly, they do occasionally get embarrassed and try to respect their roots‑-the garage kind, and even the roots kind. One way or the other, however, the singer's buried so deep you couldn't figure out what he was saying if you cared, which you don't. 'Course, sales did not ensue this time either. B PLUS

 

247Comments
Jun 11, 2011 3:49AM
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I caught up on some new albums of interest this week and I thought the Antlers sucked. Battles and Best Coast's iTunes Sessions sounded great. EMA still leaves me wanting. Frank Ocean and Thurston Moore are growing on me. Junior Boys' first two albums are horrible, third has one classic ("Hazel") and new one has another that's impossible to resist ("Itchy Fingers"). But the biggest surprise was Bon Iver. I never played For Emma because simply, not a thing about it appealed to me, and the bits of "Flume" or whatever I caught from House end credits were the indistinguishable-from-Damien-Rice **** I feared. The new one's better than I could've asked in the melody and chord change department, and the lyrics are fittingly obscured by his unappealing coo.
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I think Burst Apart is receiving near universal acclaim, so I'm clearly in the minority on this one. Which may well mean I'm wrong.
Nothing gets universal acclaim, especially these days. You do get lots of records that no one but convinced fans even bother listening to. This is the major flaw in the Metacritic system. If, after generating their sometimes-mysterious numbers, they just added them instead of averaging, they might give a more accurate record of an album's general appeal. 
Jun 10, 2011 1:03AM
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Got the Chi-Lites CD I ordered used online today:

The Chi-Lites: Greatest Hits (Epic 1983) CD

Appears to be a straight reissue of the 1983 album that Xgau recommended in ACN at the time stating it was an improvement over the 1972 Brunswick Greatest Hits LP.

Only 10 tracks - but they are the very best - including "I'm Ready If I Don't Get to Go"

 

1. Have You Seen Her

2. For God's Sake Give More Power..

3. Stoned out of my Mind

4. Oh Girl

5. Lonely Man

6. Coldest Days of My Life Part 1

7. I'm Ready ...

8. Homely Girl

9. A Letter to Myself

10. We are Neighbors

 

Jun 10, 2011 12:02AM
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I know Alex Wilson pretty well.  Contrary to popular belief/prejudice, just because he lives under a bridge and eats gruff billy goats does not make him a troll.  That's just ignorant.
Jun 9, 2011 11:16PM
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so i don't like Journey (in the sense that i know they are an awful band), buuut i can't deny Journey when the moment is right.  Like many others my age, it's in my blood because I was conceived to them.
Jun 9, 2011 11:12PM
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Oh btw Alex, before this thread concludes, that's my dad holding me, not me holding one of my kids.  But thanks for the kind thoughts about the picture.  Next month, me drinking beer.
Jun 9, 2011 9:07PM
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check out Milo Miles's review of the Elvis Is Back! reissue at npr.org.
Thanks, Jacob. For whatever reason, I usually cannot bring myself to plug my own stuff. I would only ask that, when folks check out radio material, if possible you do it the way it was intended to be apprehended -- as a spoken piece. I'm not particularly fond of the way the scripts read on the page.

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Bradley - when my wife and I watched that Louie CK show on TV, the italian pony bit had both of us laughing so hysterically that we had to pause the show for several minutes so we could stop and recover.
Jun 9, 2011 8:03PM
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Lovechild Cam, I can dig it! Now I'm trying to watch a basketball game, as well as monitor the tornado/t-storm/flash flood warnings hereabouts. Even so, I do have a link to the Jacob's playlist on MOG, if anyone wants to give a listen: http://goo.gl/5DwXs.
Jun 9, 2011 7:58PM
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Snagged it!

 

"Thank you.  Thank you ver much."

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Joey - what I said wasn't necessarily a dig at indie. Every genre has music that's appealing to outsiders, and other stuff that connects only with people thoroughly immersed in the style. Arcade Fire/Spoon/Modest Mouse have, relatively speaking, fairly broad appeal - they're not Beyonce or anything, but you don't need a great level of familiarity with indie tropes to get a feel for what is going on there. I don't see you as a specialist, because you seem to enjoy plenty of non-indie stuff, but you also seem very comfortable in that genre, to the point where maybe you can find something to enjoy in material that's pretty marginal to the non-initiate. In a way, I'm jealous of that - every time I think I've found a genre that I can really wallow in, where even the 3rd-rate stuff has its pleasures for me, I find that once I get past the classics and some arbitrary favorites, I get bored reeeeeaaaaal quick. Anyway, what I'm trying to do is figure out where the Antlers belong on that continuum. I mean, I could just go ahead and listen to them, but why do that when i can argue about it instead?
Jun 9, 2011 7:57PM
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This can't possibly compete with Cam's story below (to which I have to say "whoa!"), but I'd like to add my two cents to the music year-in-the-making conversation. I don't have a year-so-far list, but looking through my iTunes collection, I see two albums from this year that I really like that have not been mentioned here yet. Of course, one's comedy and the other is classical, so their absence here makes sense. First is the recent Louis C.K. album Hilarious, which is... hilarious, but also deep and thoughtful just like his show Louie. Highly recommended. The climax "My 3 year old is a 3 year old" just about killed me I was laughing so hard. But I love (literal) potty humor.

I also dig Vol. 2 of Kristian Bezuidenhout's Mozart: Keyboard Music series on Harmonia Mundi. Yeah, I know... But seriously, check it out. It's quick and light and the fortepiano provides a more abrasive, tinny tone than a lush piano performance would give. I like it. But I like Mozart. (I'm not a classical snob! I swear!)

For Christgau picks, I'll reorder them like this: so far I've really enjoyed Stampfel & Lewis, and play Those Darlins, and Rainbow Arabia a lot. Simon and Tune-Yards are both really beautiful, but I don't throw them on as much as I expected that I would. My wife and I also play the Hayes Carll a lot, but we're a Hayes Carll kind of house; we played out the last one.

I'd like to add that, though I don't hate the new Lucinda Williams album, I am getting sick of the recent way in which she interprets her lyrics and melodies. It's like she's trying to pull expression and emotion out of lines and melodies that just don't have a lot of expression or emotion in them. But maybe something will break through for me. That's what's nice about loving music in the 21st century--we can listen to it over and over again whenever we want.
Jun 9, 2011 7:49PM
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All this Elvis talk reminds me to tell you: My mom spent the weekend with Elvis at Graceland in 1962. Seriously. Her aunt dated one of Elvis's road managers, and he invited my aunt to visit Graceland. My mom's aunt insisted that she needed a chaperone, so my mom (who was 19) tagged along. My mom got to meet Elvis and says he was a real gentleman. (She told me once that she called one of her friends from summer camp who lived in Memphis, who refused to believe that she was staying at Graceland at first). I have a copy of Elvis Golden Records that was given to them at Graceland during that trip (alas unautographed).

Several months after that my mom got married. Several more months after that I was born. I've always wondered about that.
Jun 9, 2011 7:42PM
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Well you guys have convinced me to listen to the Elvis reissue. (I have Elvis Is Back! at A- in my notes, though I don't recall which edition that was.)

Might not be for a while, though, because at the moment I just want to play the McGarrigle box over and over.

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Elvis is Back! is from 1961, I think? It's my favorite Elvis album after From Elvis in Memphis. Fun, loose, lively performances, and not too many overplayed songs.

Jun 9, 2011 6:48PM
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Jon Wurster is the drummer for Superchunk and also the funniest twitterer (one who tweets? Twit?) I follow. Example, from last night: "What if my tombstone sucks?" He just linked to Amazon and said "If you don't think I'm buying this tomorrow, friend you've got to fall". Which means that the Bob Mould autobiography ("with Michael Azzerad") is about to drop. Now what could possibly be the maraschino cherry to this hot fudge sundae?
Jun 9, 2011 6:47PM
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I'm sure this Legacy reissue is perfectly superfluous. I mean, what more could there be to come up with at this point? But for a new generation, and a generation that was out to lunch (mine), these reissues, if they are performed with some bit of custodial care, serve a certain function. I leave that for the specialist to determine. I just stuck my toes in the water and liked what I felt, and I thank Jacob for the pointer. Ordinarily, when it's a matter of big bucks, I stick to strict Xgau orthodoxy, but when I can stream something for $5/month with better than download fidelity, well, music labels, please ignore this post.
Jun 9, 2011 6:31PM
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Chris/Jacob:  I presume because of the dates of the songs that there is not much overlap between the new Elvis Is Back! and the 5-disc The King of Rock 'n' Roll:  The Complete 50's Masters from 1992.  Correct?
Jun 9, 2011 6:04PM
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Oh, and my favorite songs on Burst Apart seem to have the titles that get you guys laughing, so check this one out: "Every Night My Teeth Are Falling Out."

Boy, they sure know their Freud - I noticed that another song also mentions losing teeth.
Jun 9, 2011 5:53PM
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Oh, and my favorite songs on Burst Apart seem to have the titles that get you guys laughing, so check this one out: "Every Night My Teeth Are Falling Out."
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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