Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Nicki Minaj/Macy Gray

Both Badder Than Donna Summer, and in Such Different Ways

By Xgau Apr 24, 2012 4:33AM

Nicki Minaj: Pink Friday: Roman Reloaded: Deluxe Edition (Cash Money/Universal Republic)

Since the positive and negative reviews say pretty much the same thing, we can agree that this is an overstuffed, musically manipulative, thematically directionless bid to put the pink-haired alien on the singles charts until Katy Perry absconds to rehab. She isn't "the female Weezy" or some ill-defined male alter ego. She's an aspiring and most likely inevitable pop queen who raps exceptionally well, sings quite well, rhymes inconsistently but sometimes superbly, and will do anything to be rich and famous. This obviously doesn't make her a heroine. But if you enjoy contemporary pop whose market-tested blare offends both rockist philistines and IDM aesthetes, her second album is a worthwhile investment. It begins strong and, counting the three bonus tracks, ends strong. In between it tends mawkish and loud, neither of which precludes fun, especially with the right cameos. There is, however, a Chris Brown track. (Hey‑-I said anything.) A MINUS

 

Macy Gray: Covered (429)

Ten non-Gray songs, three comedy skits, and three brief cameos for her kids and their high school pals. The songs are all post-1980, meaning post-song‑-from the era when bands began distinguishing themselves by sound. Credit producer Hal Wilner with isolating the melodically verbal in Metallica, Radiohead, the Yeah Yeah Yeahs, Sublime, My Chemical Romance, and lesser lights. But 1) the high point is the opening "Here Comes the Rain Again," an anthem on the face of it that Gray wrests from Annie Lennox forever; 2) a low point is the closer from the anthemic-on-the-face-of-it Arcade Fire, a major structural mishap; and 3) an even lower point is the Metallica centerpiece, which could be my problem but I bet isn't. Casting directors should note that the comedy skits are genuinely funny; Gray should note that I'm omitting the cameos when I put this in iTunes. But both are distractions. Fun as it is to hear her do "Creep," "Teenagers," and "Smoke Two Joints," this is a bigger mess than it had to be. B PLUS

 

117Comments
Apr 24, 2012 8:47AM
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I'm really glad that Sheffield said that Blunderbuss was White's best since Elephant, since that's exactly what I said while listening to it. Of course, that was just me being safe; it could easily be his best since White Blood Cells.

Apr 24, 2012 8:42AM
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Jack White's Blunderbuss

Kind of a light week for new releases with this being the most intriguing, 4.5 stars at RS is not in itself enough to make me take the plunge. The download only Mermaid Ave. III maybe my only purchase today.

Happy Birthday Michael.

Apr 24, 2012 8:38AM
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Also: If you're really bored, you can help me build a 40-50 min. playlist of the best tracks on Roman Reloaded and Covered. "Here Comes The Rain Again," obviously, but what else?
Apr 24, 2012 8:24AM
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FYI: Rob Sheffield reviews Jack White's Blunderbuss over at Rolling Stone. (Gives it four and a half stars.)
Apr 24, 2012 8:19AM
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Oh my god Alex, you misquoted me!!! I did not include those commas and apostrophes. There's a Latin term you coulda used to show you thought I did it wrong. 

I don't know the full details of the incident...knew something had happened to piss Nicki off but I had the impression that it was just a snub or a write-off kinda thing for some reason. 
Apr 24, 2012 8:18AM
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The middle stretch is so dire that it forced me to grade this thing a B+ or B at best. 

Hi, guys. It's been a while. 
Apr 24, 2012 8:00AM
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'"Stupid Hoe" is hilarious, but it's an awful lot of venom, for the presumably washed up Li'l' Kim.'

Li'l' Kim was a bitch to her on live telly. I would have replied the same way! (Yes, there are more mature ways of doing it but still...)

Apr 24, 2012 7:43AM
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Pink-haired alien seems especially apt in light of the interview she gave in the third person threatening that "the kid" might have to get out of "the game" because people aren't appreciating "the kid" properly. And her claim that the voices in her head told her to make a Twitter flounce. 

Or maybe that stuff indicates less her otherworldliness and more her humanity. Doing anything to be rich and famous will do that to a body. Seems like she might need rehab (of another sort perhaps) faster that Katy Perry. "Stupid Hoe" is hilarious but it's an awful lot of venom for the presumably washed up Lil Kim. 

That said I just realized dude rappers are eccentric to the point of questionable mental health and engage in popularity-based feuds and I haven't worried about them the same way. I should stop being so paternalistic. 

I admit to armchair analyzing Kanye though and feeling sorry for his apparent insecurity. Maybe cuz he all baby-faced. Neoteny is a potent affect modifier. 
Apr 24, 2012 6:29AM
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I never get the rave over Super Bass(even pitchfork pitched in)

but listening to RR did make me realize how great her older songs like "Right Thru Me" or "Fly" are.

 

Also, new poster greets!

Apr 24, 2012 5:39AM
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(also, I really wish Nicki hadn't re-used the title of her 1st album in the title of her 2nd one)
I'm not Gaga over the idea, either.
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(also, I really wish Nicki hadn't re-used the title of her 1st album in the title of her 2nd one)

(speaking of "Smoke Two Joints", I wonder if Xgau has ever listened to Sublime's 40 oz to Freedom - he was pretty fond of their self-titled one)
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Topic for discussion:
The songs are all post-1980, meaning post-song‑-from the era when bands began distinguishing themselves by sound.

Apr 24, 2012 5:04AM
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Yes! We be vindicated! Open-mouthed Next (I don't give a f*ck about anticipating things, people): Ten$ion/Folila!

The Minaj is a little too over-stuffed. I also feel, that the blend between rap, and club is too jarred. That aside, it's so easy, to play out loud on my iPhone in the office! Yes, there is so much cursing, that even I feel bad sometimes and am inclined, to turn it off. But, bar possibly the Ani DeFranco, the Madonna (hay, 99% women in my work) and The Magnetic Fields, nothing has gotten a higher response from my co-workers! Yes, it's banal fun, but it's a long album, and, even though it seems weak, melodies here are catchy as sh!t!
Apr 24, 2012 4:53AM
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To quote a Dan Bejar essay on John Darnielle's great (ex?-)blog Last Plane to Jakarta, "Wheeeeeeooooow!" (that's out of context but it involves Walt Whitman)

Or better, to quote the Lonely Island: "Nicki... Nicki... Nicki Nicki Nicki Nicki!!!!"

Excellent, expertly evenhanded assessment.  Though the brief thrill that results from that MINUS hanging off the end does hurt a little when it's cut off, even if the grade is right on.
Apr 24, 2012 4:45AM
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"IDM" is a term that's best condensed to its acronym, as the implications behind what those letters stand for makes me want to wretch, and while IDM doesn't make me dance and isn't particularly intelligent, I tend to enjoy it.  Boards of Canada, Aphex Twin, Amon Tobin, Four Tet...that's the sort of thing people mean when they use the phrase.  It seems to be used for electronic music that doesn't get you dancing, which some might say is for the head and not the hips.
Apr 24, 2012 4:41AM
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Thanks again, Xgau.

IDM: so-called "intelligent dance music?" I've heard that term applied to such artists as Boards of Canada, whose music has induced many a head-bob but has never once given me the urge to dance. What exactly is this IDM stuff?
Apr 24, 2012 4:39AM
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Goddamnit, just posted this in the other topic while this went up...I confess to quite liking the Chris Brown track, but hating that I like it and that it exists.

Sorry to be so silent lately.  I've been busy dealing with 1. school finishing up 2. assembling the incoming staff for my newspaper and 3. a breakup followed by a successful, concentrated effort to transition her back to the state of "best friend."  It's been a weird April, and turning twenty-one in three days is going to put an exclamation mark on the weirdness.  But I'm back on my feet.

[This raises the thought that, hey Ryan, **** you, "I'm Not Down" kicks the also-great "All Down the Line" all around the room.  I'VE BEEN SHOWN UP, BUT I'VE GROWN UP.]

My take on the year so far: I seem like an old person reaching for Bruce, Todd, Loudon, and Leonard so much in the past week, and my friends all say so, but Dylan Baldi of Cloud Nothings is young enough to counteract twice as money old folks, yeah?  "Stay Useless" is one of those small-but-perfect pop songs that you don't get enough from that indie rock scene as much as you'd expect.  Minaj albums are always wads of bubblegum that I can never get to stick, I wish you guys discussed Screaming Females, Santigold, Amadou & Miriam, and The Men a bit more (though I guess Santigold is pretty new), and while it's the topic, boy, isn't "Older Than My Old Man Now" the ultimate title for ameditation/contempla​tion/stand-up routine on the topic of mortality?

Stay useless, everyone.
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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