Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

A$AP Rocky/Action Bronson

Hip-hop's razor

By Xgau Mar 8, 2013 2:20AM
A$AP Rocky: Long.Live.A$AP (Polo Grounds/RCA)

For six highly listenable, casually unmatched tracks, every beat hooks without being obvious enough about it‑-in a telling segue, a track that rides a Clams Casino glitch precedes a track that rides a Clams Casino Santigold cameo. Skillfully but never dazzlingly, congenially but never charismatically, with entertainment value added by a screwed- and-chopped alter ego, Rocky raps over the music without saying a damn thing older, meaner, and sharper rappers haven't said before. Then, bang, three dynamite songs, starting with an attention grabber bearing the asterisks-in-original title and literal message "F**kin' Problems," followed by a f**k-you banger from the Skrillex songbook and the terrific virtual-posse "1 Train": hello goodbye to Kendrick Lamar, Joey Badass, Yelawolf, Danny Brown, Action Bronson, and Big K.R.I.T. Then, aww, three tracks that could be more obvious by half. B PLUS

 

Action Bronson: Blue Chips (free download)

As previously and probably hereafter, I always eat up the food stuff and occasionally retch at the sex stuff, with the "Thug Love Story 2012"/"Hookers at the Point" pairing the test case. Sexist though both are, I'm a fan because like Ghostface's "Wildflower" they come down on the right side of that razor-thin exposure-exploitation dividing line. But where with Eminem's "Kim" I'll argue that case ad nauseum, here no one is obliged to differentiate between those tracks and the one where he makes the "joke"-I-hope-he-claims about sharing a hooker with his three-year-old son‑-sometimes dumb is just evil, end of story. What nobody should try and deny is this album's accelerating momentum and unstinting silliness‑-not only does he call the itty-bitty that needs "the surgery" his "pee-pee," he rhymes it with "TV," "CD," "3-D," and "Fiji." Yummiest food-sex confluence: cunnilingus as razorback clams with bucatini. B PLUS

 

122Comments
Mar 11, 2013 10:20PM
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I see the Cincinnati Fireball herself has graced us with her presence. Guess you don't need me anymore. I hear her two favorite men are Joey Votto and Robert Christgau. Sorry Cam, you're third.
Mar 11, 2013 9:06PM
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OK, I have a prediction about what's coming tomorrow.
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Thank you for coming out to see Wussy. It was a pleasure meeting some of you and seeing some familiar faces. I can pass on the sentiment from the band and myself; we felt it was one of the best performances Wussy has given. It was a great show. Exciting as it was their first headlining Saturday night gig in NYC. LCC and Wussy did benefit from the club kids that were there for other areas of the bar. I sold many tshirts and cds to those kids that accidentally fell for Wussy. That is a wonderful thing. New York audience is made of awesome. I didn't think the dub-step crowd would be into this sort of RocknRoll. However, it does confirm that Wussy appeals to all walks of life and age ranges. Definitely one of the youngest crowds we've ever had. 

   Before we left on tour, Wussy finished up recording a few songs to be released for Record Store Day. Keep your peepers out for that! I can confirm they are writing new material for a new album. Due to this, we will not be living on the road like we did in 2012. We will do a handful of small runs while they get the new material recorded. 

   A few insights to the band for you. 1. Wussy never performs a song the same way twice. 2. Chuck loves using a beer bottle or can as abslide during the chaotic mess of Rigor Mortis and its wonderful! 3. They never know which songs they'll perform until a few minutes before they walk on stage. 

  On another note: Philly was a fantastic show despite the odd write up by a youngin'.


Thanks again for being awesome EWers!

Venomous Valdez

Tour Manager/Booking Agent

Wussy

The Sundresses


Mar 11, 2013 8:23PM
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"Maybe tomorrow"

I'm curious if anyone has ever predicted both EW records in advance, or come close. 
Mar 11, 2013 8:01PM
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The Bats just announced a brief US tour of the coasts with a hop in Chapel Hill and a skip in Chicago in between. Here are the dates: http://goo.gl/QqJ5H
Mar 11, 2013 7:24PM
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My music resolution this year is to get to the new stuff FASTER in 2013 - and my first A list record for the year for once isn't Xgau approved (yet, anyway):   Bettie Serveert.   They've never rocked this hard - and I'm even digging their guitar freak-outs.  Thank you Michael Tatum.

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Dave/Not MM.  Here in Melbourne we have sweletered through 9 straight days of max 32C+ plus unusually humid- a new record for autumn or even summer. We often get a 35C+ day in summer, but is usually followed by a cool change down to 22C for a few days- but not this year. That's enough of my meteorological input.

 

 However, hope it holds out for Bruce and the E Streeters at Hanging Rock on 31 March.

Mar 11, 2013 6:12PM
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I spoke to my wife about that Elizabeth Cook incident, all set to hear her confirm my version of events, when instead she confirmed every last aspect of Duke's.  About all I can say in my defense is:  who goes to an Elizabeth Cook show to watch her husband? 
Mar 11, 2013 5:07PM
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Not.M.M.:  I think you're underestimating the territory's population. I suffer from mild seasonal affective disorder, a syndrome whose incidence and severity tends to increase with age.  At this point, I anticipate those late fall and winter days when I'll have to get up before sunrise to get to work, and then leave my office after sunset, with a certain amount of dread.  DST, or more accurately the end of it, increases the number of those days for a lot of people, including myself (because of our commute, work schedules, etc.). DST giveth and DST taketh away.
Mar 11, 2013 3:45PM
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I'm thinking it has something to do with a chair, meself.

I occupy a sparsely inhabited territory in that I half-despise Daylight Saving Time. Lovely in the Spring when it makes the sun last until a more decent hour. Dreadful in the Fall when it makes days already getting too dark too soon even more Stygian. Back in my smoldering youth I would forgive the autumn switch because I got to hang out in the favorite watering hole an extra hour.

Mar 11, 2013 3:02PM
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It's pretty much like saying he's "awesome."  Or a "badass."  It's all the same now, which I say in an informative tone, not a Grumpy Gatekeeper of Language one.


Mar 11, 2013 2:34PM
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testing testing

OK then. Apropos of nothing and with a tip of the hat to TPM, I recommend a search for "obituary for harry stamps." Clearly a great American even though I don't know what it means when it says he "rocks."

Mar 11, 2013 1:10PM
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OK, I'm slightly wary of being a tiny part of a hype that could scare off some people who'd otherwise like it just fine, but I'll say that the Kacey Musgraves album is streaming at NPR with a review by Ann Powers, and I'm quite liking so far.
Mar 11, 2013 10:48AM
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Dave, the only reason I mentioned the article was because the band itself had commented on it. Chuck always jokes that he's too old for this, but when someone else says it, someone who isn't spending hours on the road in a crowded van. Well you get the idea. With the price of gas these days I hope they're selling lots of t-shirts.
Love the Rashomon reference btw.
Mar 11, 2013 10:02AM
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John S.:  Turns out I'd already come across the Philly piece on Wussy but I interpreted it as positive. Snarky, yes, but still positive.  Let's face it:  They're  "old." They aren't stylish dressers. And I'm on record somewhere in here that the only thing I don't like about the band is its name. (That's a matter of opinion, of course, but at least three people have said something like "Wussy's one of the worst names for a band I've ever heard" to me while I was doing some volunteer marketing.)

But the piece ends "You should go to this show." Maybe with friends like these . . .

Deja vu: down below Duke. praised the Studio show and at first I thought he kind of hated it.

Does anybody know of any live Wussy recordings beyond the nyctaper's?

OK, I'll take a stand and say I thought the Studio show was better than the Mercury Lounge show.  And I loved the Mercury Lounge show. I'll qualify my opinion by pointing out that I go to a lot fewer live shows than most of the regulars and semi-regulars here,  so a raw and loud performance--and that's the way I like my live (rock) music, too--is likely to make a strong impression just because it's raw and loud.

EP coming out on Record Store Day, whenever that is? Thank you John for the heads-up. It's not going be one of those BS vinyl-only limited edition jobs, is it?  I'll do some internet research.


Mar 11, 2013 9:48AM
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Wussy sounded like they were raw and loud-just the way I prefer

my live music served.

Mar 11, 2013 9:12AM
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I'm sure you're right about that. I'd say part of why it was generally heard as lewd and about her was because she clearly heard it that way, and seeing as she's the one with the microphone and she can't see what her sideman's doing, she would have no reason to think otherwise.

As a side note, I've been listening to her Gospel Plow EP the past couple days, and she says she'll be taking it onto Letterman this Thursday(?) if anyone wants to see some of it live, which I thought was great.
Mar 11, 2013 8:44AM
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Thanks Cam, I will do my best here.

My current favorites are Pink and Bruce Springsteen. I'm not really a hip hop fan, but I do like Macklemore.  Mr. Springsteen is in Sydney for 4 shows next week but I'm to broke to go. I need to borrow more Lucinda Williams cd's from my uncle. I'm learning "Lake Charles" for next open mic night.

Wish I could be more helpful with local stuff. Steve Smyth is a big deal here in Jervis Bay but not really my thing. More to my taste is two Brisbane girls called Love Like Hate. Their debut EP and the song "21" might be worth checking out.  

Mar 11, 2013 8:37AM
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The Rashomon catcall!  I was about as close to Elizabeth Cook as you could get without being in her band, and to me she did not seem amused.  But maybe I read things wrong.  Wouldn't be the first time.
Mar 11, 2013 6:41AM
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sang--I'm pretty sure that's not what went down, actually. On behalf of Todd's fans and genuine louts everywhere, what I saw happen was a guy shout at Cook's -husband- as he took his coat off. It was easy to assume, Cook being the attractive woman on stage, that it was directed at her, but there was eye contact and smiles exchanged between them and everything as it happened, before Cook responded herself. Todd's fans aren't so much sex obsessed as comfort and good times obsessed. Most of them would also say he goes the way of Prine rather than Buffett, which I think is fair.
(This defense of middle-aged folk-rockers was brought to you by Dan Weber, whose beneficence is as justly renowned as his manhood, peace be upon him, may he live for a thousand years)

I can understand how he would be annoying if you didn't like him, though, and that goes double for how devoted his fans are. The biggest change between seeing him now and seeing him before when I was younger is that he has an aura of the golden boy about him, that Christ-like aura of conviction in your ways which comes from having apostles and knowing what you mean. Barefoot on stage, forgiving the transgressions of his more effusive followers*, dispensing his wisdom and his worldview with parables and shaggy dogs, if you thought he wasn't worth the attention it could be downright noxious to observe.
I will say that even if it strikes you as undeserved the aura at least to me seems genuine, that is I observed it readily onstage, and the connection with his fans real.



*That guy Todd was battling in the wings was either very drunk or genuinely autistic, as well as being eventually right in my ear.
"We Love You Todd! We Love You Todd! We Love You Todd! We Love You Todd! Play It Todd! We Love You Todd! Play Doublewide Blues! Doublewide Blues! Doublewide Blues!"
The instant, and I mean the instant, Todd gives him his wish:
"PLAY STATISTICIANS' BLUES TODD WE LOVE YOU"
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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