Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Orchestra Baobab

Solid as the Stones

By Xgau Jul 31, 2012 7:13AM
 

Orchestra Baobab: La Belle Époque: Volume 2 1973-1976 (Syllart)

Proud owner of their early N'Wolof, which focuses on the pioneering Wolof traditionalist Laye M'Boup, and of the late-'70s Paris sessions released decades ago as On Verra Ça, I thought I had all the early Baobab I needed and most of what there was. Now I doubt that even this follow-up to the 1971-77 first volume reviewed below gets it all. As Florent Mazzoleni's français-seulement notes make (somewhat) clear, they released many (shortish) albums back when they were the toast of the post-colonial elite at downtown Dakar's Club Baobab. Salsa was the rage of Senegal's emergent ruling class, and there was always clave near the heart of Baobab's groove. But cosmopolitanism was also on the agenda of a multitribally multilingual unit that could bring off its worldwide ambitions because its band sound was as solid and unmistakable as the Rolling Stones'. Hear them run King Curtis over Jimmy Cliff on "Issa Soul" or go all-out JB on "Kelen Kati Leen," try an uptempo blues on "Sey" or a careful bolero on "Cabral," remember their roots on "Nidiaye" or stretch out San Francisco-style on "Sibou Odia." Hear Togolese Barthelemy Attisso run the show without ever hogging the spotlight. A MINUS

 

Orchestra Baobab: La Belle Époque 1971-1977 (Syllart)

This two-CD import has many discographical drawbacks. The adequate audio on the first disc, all or most of which was recorded live without audience in an empty club, could be more forceful and distinct. It shares the preponderance of its second disc with Nick Gold's On Verra Ça comp and a few tracks with the somewhat superior archive dig N'Wolof. Individual selections have been reinterpreted on Baobab's reunion CDs, picked up on this or that Afrocomp, and/or recycled on cheesier reissues. So as an economic matter this iteration of their early recordings, trending Latin and also often featuring Laye M'Boup‑-although note Rudy Gomis's star turn on the climactic "Yen Saay," which does have a studio sheen‑-may seem a redundant extravagance to some old fans. If so, however, I urge them to seek out not just "Yen Saay" but the gorgeous "Baobab Gouye Gui"/"Geeja Ngala Riir"/"Samaxol Fatou Diop" sequence, preceding it with "Jarraf" if they don't know N'Wolof, where it's called "Yaraf." Also, um, "Ndaga"/"El Vagabonde" up front is pretty sweet. Et cetera. B PLUS

 

130Comments
Aug 10, 2012 10:08PM
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Is it clear what  N'Wolof is somewhat superior to?  On Verra ca or belle époque?
Aug 8, 2012 3:47PM
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Regarding the Beck sheet music article, does this line, "That is correct, you'll have to literally play the songs yourself", sound to anybody else like, "That is correct, you'll have to literally stir the Italian sausage and spices into the tomato sauce yourself."

It's sheet music! What do you expect?
Aug 3, 2012 12:47AM
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Thanks to Edgar for explaining the circle P, funny how often you look at those things without knowing exactly what they mean.  I'm with you on Darkness on the Edge of Town too, although I'm not as much of a Springsteen expert or enthusiast as you or many other people here.  Did you see The Promise video, mentioned by Bradley below?  It seemed to me those sessions led to Darkness being over thought and laboured, not spontaneous enough.  When it was broadcast on BBC Four a few months ago they accompanied it with a live show from the Darkness tour, and while the Darkness songs were OK, when he played "Born to Run" near the end it was like the sun coming out.
Aug 2, 2012 10:15PM
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In '71 or thereabouts I bought a used copy of the first Stooges album for a quarter. Liked it fine right up to the first few seconds of "We Will Fall", at which point I knew I'd been ripped off. I listened to a friend's copy of Funhouse a couple of months later ("Not as good as Alice Cooper" was his verdict); he offered to let me have it for two bucks--too much, I said. I bought Raw Power at full retail based on whatever Dave Marsh wrote about it; I had three related reactions: "thin mix" and "unlistenable" and "what a piece of sh!t". I actually sought out Metallic KO based on (I think) Billy Altman's rapturous review in Creem ("Once you buy this, you can take all your other albums and throw them right in the dumpster"--something like that; anyway, one of the few times I felt ripped off by irony). I learned my lesson--haven't spent a dime on Iggy since then. So the thought of putting up 80-100 dollars for a seven-disc set of the Complete Funhouse sessions sounds like something out of the X-Files to me. But I check out the Customers Who Bought This Item Also Bought section at Amazon and see Kill City (Restored, Remixed, Remastered), and the 4-disc Stooges set You Don't Want My Name You Want My Action, and The Stooges' Have Some Fun: Live At Ungano's, and Iggy and the Stooges' Thousand Lights: Live In 1970, so I guess Shady Shack's not kidding when he says Ig fans will buy anything and everything. Oh, and also Banga by Patti Smith. Wonderful.

Aug 2, 2012 9:43PM
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thanks to Cam for tipping me off to the Mofungo CDs on SST. Bugged from '88 sounds a little quiet but passable. Work from '89 sounds fine.  If anyone has info on 3rd Bass or Mojo Nixon or any of the others below that I only have on LP I'd be intetrested to know how they sound on CD......Xgau didn't start CDs 'til 1990 so most of these were reviewed on LP only
Aug 2, 2012 9:37PM
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Technotronic Pump Up Jam - only have LP

Yo La Tengo - President - reissued onn CD onlyly with New wVe hot dogs

African Typic Collection - CD passable

Luther Vandross - 2 CD set sounds ok

Jimmie Dale Gilmore - CD ok

Perfect Disaster Up - only have vinyl which contains bonus single - I believe CD has some diffferent bonus tracks

Stevie Ray In Step - digital rrecording CD sounds good -

Thomas Mapfumo Corruption - only have LP

Thelonious Monster Stormy CD contains bonus tracks

Dwight Yoakam - Just looking for a hit - I hav e the Rhno Very Best of

Alpha Blondy - Revolution sounds weaker on CD than the Best of from a year later

Pavement - Slay Tracks - I have Westing

Misiani Benga OK on CD

Keith Whiteely - only hhe LP

Queen Latifah - only LP

Jayhawks - Blue Earth - just got CD and will play soon

Pointer Sister**** - CD ok

Ice T - CD good

Meat Puppets - Monsters - in the mail now

Lou Reed NY CD OK

Dancehall Stylee 1 - CD ok

Zetrospective CD Good

Jerry Lee Rockin CD ok

Mofungo Work CD OK

Ernest Tubb Live CD good

Clint Black Killin Time CD ok with one bonus track

Mojo o Nixon - don't have - wondering if CD ok

Aug 2, 2012 9:33PM
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Rosanne Cash - Hits 1979-89 - CD sounds nice

Negativland - Helter Stupid only have LP

Lounge Lizards Voice of Chunk - CD great

Alexander O'Neal - CD sounds great

EU - Livin Large ditto

3rd Bass - I have the LP which is almost an hour so I suspect this one sounds pretty great on CD

Van Morrison - Avalon Sunset - onll have LP and have read that the origi 1989 CD sounded quiet/thin/weak so perhaps i'l check out the 1998 or 2008 reissue

Chaba Fadela - CD sounds good

Janet 1814 - CD sounds good

Yo MTV Raps - ditto

Fine Young Cannibals - I only have the comp

Diblo Super Soukous - I was disappointed with the sound of pre-1990 Shanachie CDs

Al Green Love Ritual - CD sounds good and it incluldes a bonus track "Beware" (long version)

Nick Lowe - CD sounds great

Carlos Paredes  ditto

Black Havana - CD sosounds a llittle weak but passable

Caetano Veloso Estrangeriro - CD ok

Konbit - CD good

LL Cool J - CD contains bonus tracks OK

Roxanne Shante CD ok

Baaba Maal Djam Leeli - CD contains bonus tracks

Nuestra Mejores Cumbias - CD sounds good

Royal Crescent Mob - CD sounds weak

Culture  Combolo only have LP

 

 

Aug 2, 2012 9:32PM
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"Why you have such thin skin is a bit of a mystery"

I readily admit that, by lawyer standards, I have thin skin. So do most rhinos.

May I suggest that the following two statements are not anywhere near synonymous:

"made their names making records, and in live performance, not by writing material that had its primary impact through other performers. "

"it seems clear that the primary locus of creativity in US jazz and pop music is the recording, not the composition."


The first is indisputably true of most 20th century popular-music composer who are/were also performers (though you could make a very strong case that Monk's compositions have had wider impact than his recordings or performances of his works; Hank Williams, too -- but these are exceptions).

The second statement is not exactly false, but untrue in enough aspects that it has no force as an argument. The way James Brown composed his songs was enormously influential, a spur for oceans of creativity, whether or not performers specifically covered his numbers.

So when I read the second statement, my immediate responses is, "that's not true!" and I'm hard wired with lots of impulses to find out why I have such a reaction.

And I have the same response when I read:

""Particularly given [Springsteen's] reputation as a superstar who cares about his fans, this strikes me as disgustingly cynical, not in principle much different from a JPMorgan 1%'er forcing schmucks to accept one-sided terms in their home mortgages."   

This isn't exactly "2 + 2 = 5" -- more like "2 + 2 = some number other than 4." Half-baked. Missing the forest for the trees.

But I overreacted. A more proportionate response would be: "That's not true! But it's not worth getting worked up about one way or the other."
Aug 2, 2012 9:27PM
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Jason thanks for the info on Pump Up the Jam. I'm currently looking into what late 80s vinyl I can replace on CD and have found some winners:  World Sax Quartet Plays Duke Ellington is a digital recording, as is Pet Shop Boys, Actually and they both sound fantastic in their original 1986 and 1987 CD configurations, respectively.  Basically I'd rather have a CD than an LP but only if the CD sounds great.  I'm not a big fan of those early CD issues you have to turn way up to hear, which is why I passed on Replacements' Pleased to Meet Me which sounds thin even though it's a digital recording. 

Here's some notes on what I've found re 1989 albums on Xgau's dean's list, as far as LP or CD:

Mekons/Neil Young/Laurie ANderson/Beasties - CD sounds fine on all.

Remmy Ongala - I only have this on LP and see that the CD does contain an extra track so I'll try it out

Jungle Brothers- CD

Mekons Original Sin - CD only

Pere Ubu - Cloudland - CD contains nice lyric booklet and bonus tracks (the original Fontana I'm referring to)

Wire - On Returning - CD only

De La Soul - need this one on CD due to its length

Kampala Sound - i only have vinyl but believe it was reissued on CD in 1993

Clinton Cinderella Theory - I had the CD years ago and recall it didn't sound as strong as the vinyl

Marshall Crenshaw Good Evening - ditto

Los Van Van Songo - CD sounds great

Boulevard of Broken Dreams - only have vinyl

TT Darby - only have vinyl - Columbia CDs usually sound good so perhaps I'll try this one on CD

Cheb Khaled - Kutche - need CD on this one per Xgau

Pylon Hits - CD only

Roches  Speak - CD booklet contaiis lyrics not avail in LP

Neneh Cherry - i only have vinyl

 

Aug 2, 2012 9:18PM
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I'm an Iggy compleatist , I'm also a knuckle head that texts while he drives, so, I need to break both habits, but I can't when they release every recorded take from the Funhouse settings. That silly talk about putting out redundant or bloated product makes me laugh. We Iggy-ites will buy every single fart, rumble, grunt , groan, and mewl just watch us. BTW, as someone who has actually listened to every minute of the complete Funhouse Session twice that two disc does distill most of the highlights although they should have used Loose Take 23 instead of Take 22. So it goes.
Aug 2, 2012 7:43PM
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Responding to a post way back there, I always assumed if that 2 cd reissue of Stooges Funhouse was any good Xgau would have reviewed it. 
Aug 2, 2012 7:42PM
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Joe,

 

I have the Pump Up The Jam CD, and it sounds great.

 

It was mastered eight years before people decided how loud it sounded was more important than how good it sounded, so if you're listening to it among newer CD's, pump it up!    

 

The bonus tracks, like all bonus tracks, aren't as good as the tracks you paid for, but I don't think you'll sit down. :) 

Aug 2, 2012 7:38PM
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Tchini Tchini by Khaira Arby is now available on Amazon. For some reason, it is attributed to all the musicians collectively rather than Ms. Arby alone (but shows up easily if you search for her nonetheless). It's blazing stuff alright.
Aug 2, 2012 7:18PM
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Ondratropica (on Descarga) is out now and fantastic!  for fans of Colombian music mostly but not exclusively
Aug 2, 2012 6:14PM
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Back to Gore Vidal- "Burr" is about as good as historical fiction gets from my

limited (I presume) point of view. In other words I've read my share of historical fiction

but who knows what I've missed.

Aug 2, 2012 5:58PM
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Alex N.: Maybe it's time to branch out into individual performer's compilations? The Mary Wells 20th Century Masters CD is cheap ($5.99 new!) and Marvin Gaye Gold is the same as The Very Best of Marvin Gaye, and can be had for $14.99 new. I say go there. Or how about Stevie Wonder's Greatest Hits Vol. 2, or the Temptations 1995 Anthology? And on and on. Have fun!
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Alexander: I'd suggest the Hitsville USA 1959-1971 box set - it may have a fair bit of overlap with Motown Gold, but you can grab one on Amazon Marketplace for $15.99 and it's front-to-back amazing.
Aug 2, 2012 5:31PM
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Well, the new Coleman Hawkins set from Mosaic arrived in the mail today, and I'm only one disc in to the included eight, but already it's exceeding expectations. The liner notes are exactly what both jazz specialists and newbies need for a release of this magnitude - specific, helpful, historical, opinionated, identifying who takes which solo first, emerging stylistic tendencies to watch for, breakthroughs in performance, compositional similarities. All that. 

But it still ain't cheap.
Aug 2, 2012 3:53PM
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Boundary Crossing Warning --

These two Olympics articles seemed to have some relevance here. The first at least mentions The Bangles by name, but also discusses the public role that women have in various cultures. This subject has been a near and dear one to Bob and The Christgauvians for many decades now.

http://goo.gl/TDArU


The second is even more elusive, but does mention 1) the art of athletics, 2) the 1% to 99% that exists in competitive sports where winning is the only acceptable outcome (reminds me of Bob's "dog-eat-dog monstrosity" line, and 3) what artists have to do to get beyond their own view of the world in order to create work based on other people's perspectives. If the first two don't work for you, hopefully the third will.

http://goo.gl/Mpf0k

Aug 2, 2012 3:07PM
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You're right, Cam. I hesitated a full minute before placing my order. Hope this guarantees adequate disbursement to the openers ..... 
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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