Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Taylor Swift/Donald Fagen

The ingenue and the roue

By Xgau Nov 13, 2012 5:46AM

Taylor Swift: Red (Big Machine)

So if Stephin Merritt can make a big deal out of 69 love songs, why can't Taylor Swift make a fairly big deal out of 16? His being formally savvy in his pop-polymath way and hers being formally voracious in her pop-bestseller way? Need either deal be autobiographical? One hopes not in both cases, although verisimilitude has its formal aspects for bestsellers. Swift hits the mark less often than Merritt‑-65 or 70 percent, I'd say. But one could argue that the verisimilitude requirement forces her to aim higher. I like the feisty ones, as I generally do. But "Begin Again" and especially "Stay Stay Stay" stay happy and hit just as hard. That's hard. A MINUS

 

Donald Fagen: Sunken Condos (Reprise)

How can you not dig an ED-defying lounge lizard whose April-November romance evolves as far as "Today we were strollin'/By the reptile cage/I'm thinkin': Does she need somebody/Who's closer to her own age"? Whose examples of how "I'm Not the Same Without You" include a spontaneous facelift and an extra inch in height? This is cynicism lite swung tite. You'll grow to love the queen of Bowlmor Lanes, the Jazz Age gangster who takes pride in his work, the souvenirs of dooms past rusting in the back of the sci-fi shop. And before you get het up about the one called "Out of the Ghetto," know this: it's an Isaac Hayes cover. A MINUS

 

113Comments
Nov 15, 2012 10:30PM
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Not really related to the albums above, although it's rhythms overlap with 70s Steely Dan simply because most of its songs are very obviously from the 70s, but  has anybody mentioned the recently(3 months ago) released compilation of music of Tim Maia on Lukabop:  "Nobody Can Live Forever: the Existential Soul of Tim Maia." ? Never heard of this Brazilian guy; although he's clearly a major talent. Detecting only few Latin influences, most of this is exquisite American 70's soul/funk. And I couldn't let it go unmentioned.
Nov 15, 2012 10:12PM
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Welcome , Paul

Also, Here are some of my favorite books as usual I'm all over the place-
Winesburg, Ohio/ Anderson
Where I'm Calling From/Carver
The Collected Short Stories/ Welty
Snow Crash/ Stephenson
Neuromancer/Gibson
Hornblower Series/ Forester
Confederacy of Dunces/Toole
Mason&Dixon/Pynchon
Great Expectations/Dickens
The Complete Short Stories/O'Connor
Maltese Falcon/Hammett
The Amazing Adventures of Kavalier & Clay/Chabon
Sirens of Titan/Vonnegut


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Thanks for the welcomes.  Three yr old in photo has taken to strumming the Strat while I play the chords to Keep on rockin in the Freeworld after he saw my Keith Urban/John Fogerty NY tribute.  Some would suggest this is some form of child abuse. I suggest this is better than the Wiggles. Havn't had to explain the lyrics yet. 

 

NY and Crazy Horse playing here next March the week after Bonnie Raitt.

Nov 15, 2012 8:22PM
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Perhaps it's apropos to this thread, since early in it Xgau gave props to Merritt & Swift for writing love songs, that one of the love poets who most mattered to me, Jack Gilbert, has died.  I doubt he's anymore, as he once was, a secret among poets.  When I say "among poets," I mean among those who read poetry for pleasure.  No one mystified, by trying to keep it simple, poetry more than Jack. But he counted himself among those who read poems for pleasure.  His poems, especially his love poems, give pleasure.  He also wrote about music, too, its power to mark us. In 

Waiting and Finding     [ e.g.:]

While he was in kindergarten, everybody wanted to play
the tom-toms when it came time for that.  You had to
run in order to get there first, and he would not.
So he always had a triangle.  He does not remember
how they played the tom-toms, but he sees clearly 
their Chinese look.  Red with dragons front and back
and gold studs around that held the drumhead tight. 
If you had the triangle, you didn't really make music.  
You mostly waited while the tambourines and tom-toms
went on a long time.  Until there was a signal for all 
triangle people to hit them right away.  Usually once.
Then it was tom-toms and waiting some more.  But what
he remembers is the sound of the triangle.  A perfect,
shimmering sound that has lasted all his long life. 
Fading out and coming again after a while.  Waiting meaning
without things. Meaning sometimes dying out, 
sometimes being taken away.  Meaning that often he lives
silent in the middle of the world's music.  Waiting
for the best to come again.  Beginning to hear the silence
as he waits.  Beginning to like the silence maybe too much.  
Nov 15, 2012 7:26PM
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Welcome Paul, from yor sister city of Melbourne, Florida. Look forward to your input from Down Under. Australia/New Zealand on my list to visit one of these days.

 

Drumline Live tonight. Entertaining, high-energy show with talented cast of youngsters. Disappointing crowd.

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Long time reader (RC 30 years+ and EW 12 months), but first time participant. Just wanted to say how much I enjoy the posts and the incredible access to the host that we have.  I am based in Melbourne which has a pretty strong music scene (Crowded House lived down the street, Paul Kelly nearby), so I am pleased to see the reviews of a few Australian artists from time to time.  In saying that, over the years,  without our host, I would never have come across the Old 97's, Amy Rigby, Magnetic Fields, Iris Dement, Miranda Lambert, Richard (and Linda) Thompson, DJ Shadow, the Klezmatics, Arto Lindsay, and a bunch of other stuff that I treasure.

 

We had terrible bushfires on the outskirts of Melbourne in 2009 and lost 173 people, so may heart has gone out to those affected by Sandy. I have been involved in the recovery process from the bushfires and 3 1/2 years later, some people still have a long way to go. But they are getting there.

Nov 15, 2012 3:31PM
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Foamola fans:

Violet Snow tells me that the band has a gig on New Year's Day as part of the St. Marks Poetry Project Marathon. Tell 'em I sent ya.
Nov 15, 2012 1:07PM
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My wife and I got back a couple of days ago from an extended weekend in New York. Beyond timing it just right in terms of weather, and the wonderful food we ate (Parm was good, Gwynett St. incredible, Red Rooster overrated), two events stood out for us and I wanted to make a recommendation about one and ask a question about the other.

 

We saw the Broadway production of Who’s Afraid of Virginia Woolf and it lived up to the reviews it has received. The production strips away the unneeded camp aspects that has become a part of most performances (which is not the same as getting rid of all the camp aspects), but leaves all the humor intact. The lead actors allowed me to view George and Martha in a new, sympathetic light while keeping them as brutal as they always have been. They earn the final few lines that rightfully brings both despair and hope. It is the type of art that words like lacerating, astonishing and masterpiece should be saved for. If you are in New York and have the money ($70 at TKTS for in the middle of the 11th row) don’t miss it.

 

The second event was going to the Warhol exhibit currently at the Met. I have good knowledge and feel for theater, so I feel comfortable with my reaction to Who’s Afraid of Virginia Woolf, but beyond gut instinct I bring very little to my response to, for lack of a better term, visual art. I enjoyed the exhibition and it confirmed my reaction to a few artists. However, I didn’t know if it had much use for people who had more understanding of the art world than I do. Are the connections and thematic sections too obvious for all but the relative novices? Has anyone else gone? 

Nov 15, 2012 10:55AM
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More news for the Thumb Bomber to hate on: The latest Yo La Tengo album Fade will be released on Jan. 13. (First video, for the song "Before We Run," is up over at the Pitchfork.)
Nov 15, 2012 10:15AM
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 Newly released film on HBO tonight "Crossfire Hurricane"-the Stones-

Great reviews everywhere I read.

Reading "The John Lennon Letters"-also new.

He was like John Lennon even in junior high school -or whatever they call it in England.

Also reading the new Thomas H. Cook-one of my favorite authors.

Anyone read his "Red Leaves"?

 

Nov 15, 2012 9:02AM
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Thanks for the condolences guys. I've thought a lot about Greg since yesterday. He lived in the shadow of an over-achieving sister and his parents split up when he was a young teen, so considering these facts in hindsight helps me to understand some of his behavior as a kid. He went on to become a very successful general contractor in the Orlando area and opened a sports bar, (the first allowed on the campus of the University of Central Florida), which became a very popular hangout for students and locals. He was a great supporter of UCF athletics, a Navy vet, raced motorcycles, loved his pet birds, enjoyed the water and deep-sea-fishing and was just a good, fun-loving guy. Far more adventurous than I, he crammed a lot of living in his 52 years. And to have his life ended so suddenly and violently is beyond senseless and tragic. A good songwriter could make something of this sad,sordid episode.
Nov 15, 2012 8:13AM
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FYI: Louise Erdrich has just won the National Book Award for fiction for The Round House. Hopefully, this finally will earn her the readership she has long deserved.
Nov 15, 2012 7:36AM
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"JeffC, have been pondering a non-fiction list, though I did sneak in a James Baldwin."
 
Do it! (Still putting mine together--soon, though.)
Nov 15, 2012 7:32AM
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Also, if you passed over Xgau's recent recommendation of Jamey Johnson's 'Tribute to Hank Cochran', it's going on the regular playlist at our house.
Nov 15, 2012 3:59AM
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I was so amazed by the repost of my Doris Lessing comment that I forgot to say thanks. I also felt bad because it appeared I was selling out William Gass. Full disclosure: I know Gass a bit, like him a lot as a person, and studied with his best friend, Stanley Elkin, who was the funniest man I've ever met and very important in my life. When I was a literature student/wannabe writer in New Zealand, Gass was my secret or not so secret escape from polite critical discourse and plainness. I used to cut out his paragraphs and stick them on the wall. His early stories and interviews were astonishing to me. He's in the Penguin Modern Classics series now and anyone unfamiliar with him should at least take a look. A while back I saw this tweet from someone a lot of us like:

"I would wager that I am the only person alive who when he writes a certain kind of sentence says out loud "William Gass would love this."

                                                                          John Darnielle



Nov 14, 2012 11:26PM
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Many days too late, but just to say thanks to Xgau and the others that responded, I did go see the Saint Etienne show, and it was great. They were all a lot more dance-y than I had ever realized listening to it myself -- I think this was because my bass isn't loud enough. But once it started slamming my chest it got me moving. And your review was right on, Sarah Cracknell was entrancing.

I did also see the Japandroids show, and it was good but not as great as I thought it would be. Tons of energy and enthusiasm, the crowd was totally in to it, but I think they actually didn't sound as good live. Maybe because the vocals weren't mixed up enough? Their vocals are one of the best parts of their sound.  Also, I think they just don't have the depth of songbook yet like Saint Etienne -- the newer songs are better, but their early songs seem immemorable.
Nov 14, 2012 10:40PM
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Chuck: Sometime back, during a much briefer book discussion I gave "Confederacy of Dunces" a thumbs down. The primary character was just too much of a caricature. Seemed like the Pulitzer was a Van Gogh move, "Let's recognize someone after they are dead for what we missed when they were alive." But then I also disqualified myself from any more substantive critique by saying that the only reason I bought the book was that it was in a reduced price bin at Borders. My most recent non-fiction download is more my standard reading material, "The Soft Underbelly of System Change: The Role of Leadership and Organizational Climate in Turnover . . . ", American Psychological Association, 2011, Aarons, Sommerfeld and Willging. Manna from heaven to me and a two-word association with Blue Oyster Cult, so that's good enough for a music blog citation.
Nov 14, 2012 10:40PM
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Why is the new Donald Fagen album only an A-   ??!!??
Nov 14, 2012 10:00PM
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Chuck, Confederacy made at least a couple of lists.
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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