Etta James
Great Voices Get Even More Precious When You Know They're Gone
Etta James: The Dreamer (Verve Forecast)
A hard liver, she's sounded old for a while. This is different--weary, diminished. Yet the physical and even mental diminution enriches the music. It was cool for her long-passed youngblood homeboy Johnny Watson to claim he was "Too Tired," but it's cooler for James to remember that song half a century later and sing it against tempo as if she may not get all the way to 2:34. The "Surely someone will understand me" of Bobby Bland's failed crossover title tune resonates differently from a dying woman. It's also different for a ghetto woman born and raised to seize "Welcome to the Jungle" and tell Axl, "If you got the money we got your disease." And having eased right into Otis Redding's blissful "Champagne and Wine," she then transforms his bone-tired, just-off-the-road marriage proposal "Cigarettes and Coffee" into an evocation of old love so calm you believe she achieved some bliss of her own, and domestic bliss at that. A MINUS
Etta James: Matriarch of the Blues (Private Music '00)
Produced by the well-bred rhythm section of drummer Donto James and bassist Sametto James, this is half riskily irreverent rock and roll and half perilously imperious blues. Beyond an inconclusive Creedence cover, she co-owns every non-blues‑-"Miss You"! "Gotta Serve Somebody"! "Try a Little Tenderness"! Otis's chortling "Hawg for Ya"! Al's unremembered "Rhymes"! "Hound Dog," which counts aab or not! But neither the horns nor the B.B. homages will inspire the dutiful bluesboy to return to his long-abandoned O.V. Wright and Little Milton studies. From Big Mama Thornton to Shemekia Copeland, no woman has sung such material with more power. So maybe power isn't what it needs. Maybe it needs more irreverence. B PLUS
Working Man's Blues
Hungry Eyes
Silver Wings
I Take a Lot of Pride in What I Am
Okie From Muskogee
California Blues
I'm Bringing Home Good News
She Thinks I Still Care
Every Fool Has a Rainbow
Peach Picking Time in Georgia
Country albums only included 10 songs back those days, so I'm stopping there. There were a couple more covers I could have included. It may be heresy, but as a Parsons non-believer, I would rather listen to this than Gilded.
I don't know what that consists of, but it sure sounds like a whole lotta fun.
(unless it involves people falling from the sky - that's just dangerous)
Most sources I've found (Interwebs) have said the forced stereo effect made the recordings sound "unnatural". That word is a little harsh for me, but when you hear them in mono with everything center, it is much better (sometimes). When the bass and drum are panned way to the right channel and vocals/harmonica/guitar to the left, it does sound kind of weird.
2 Girls etc --- was insanely gross.
It's kind of like work to compare these versions, but if Sgt. Pepper/Freewheelin' are any indication, it may be worth it.
In defense of the unevenness of the first two Stooges, you gotta have a reminder of how way, way off the charts it was to be into those albums, even back in 1972 when our little batch of sick puppies got into them. Really, it was like saying your favorite video was "2 Girls 1 Cup."
Closest I'm coming to 1969 is the Mr. Bongo label's respectful and welcome reissue of Tom Ze's 1968 debut Grande Liquidação (booklet includes complete lyrics but no translation -- boo! -- and nothing else -- double boo!). I wouldn't have had a clue how to enjoy it back then.
So I received many thumbs down because
1)you agree with me that the ESPN reporter should be fired
2)you disagree with me because the ESPN reporter shouldn't have been fired
3)you agree with me that the ESPN reporter should have been reprimanded but not fired
4)you agree with me that the ESPN reporter should have not been reprimanded or fired
5)you agree with the ESPN reporter that Jeremy Lin has "a chink in his armor"
6) you disagree with the ESPN reporter that Jeremy LIn has "a chink in his armor"
7)you disagree because political correctness is very annoying
8)you care alot because it's just wrong what the ESPN reporter said
I'm a number 3 guy myself-but how could the reporter be so "brilliant"-as in stupid.
about the blogger

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.
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