Robert Christgau's Music Criticism Blog - Expert Witness - MSN Music

Odds and Ends 002

Notes for a Revised Paleontology

By Xgau Nov 15, 2011 6:11AM

 

Wilco: The Whole Love (Anti-)

Full-on Radiohead electronica Americanized with aw-shucks diffidence, red-blooded guitar, sharp tunes, and exceptionally dull poetry ("Standing O," "One Sunday Morning") ***

 

The Mountain Goats: All Eternals Deck (Merge)

Four great songs, all of which address mortality directly instead of implying it the way the nine merely ambitious ones do ("Estate Sale Sign," "For Charles Bronson," "Sourdoire Valley Song," "Beautiful Gas Mask") ***

 

Radiohead: The King of Limbs (XL/TBD)

So much more fun than Eno these days ("Little by Little," "Bloom") **

 

Comet Gain: Howl of the Lonely Crowd (What's Your Rupture?)

Desperate times catch up with desperate punk love poetry ("Clang of the Concrete Swans," "Ballad of Frankie Machine") **

 

 

Giant Sand: Blurry Blue Mountain (Fire)

With nothing much at stake but the shape of his life, Howe Gelb keeps his slow hand in ("Fields of Green," "Better Man Than Me") **


Faust: Something Dirty (Bureau B)

Synth-free after lo these many decades, their experiments have more oomph, especially the Hawkwind homages ("Tell the Bitch to Go Home," "Dampfauslass 2") **

 

Wire: Red Barked Tree (Pink Flag)

Even formalists get the grays--well, especially formalists ("Bad Worn Thing," "Please Take") **


New York Dolls: Dancing Backwards in High Heels (429)

Weary blues from trying ("Talk to Me Baby," "End of the Summer") *

 

248Comments
Nov 15, 2011 10:43AM
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While waiting for the results of the 1990 poll, I was wondering people here would think about a poll of classical music recordings? Or a series of polls--I'd start by concentrating on living composers and work backward from there in subsequent polls. Thumbs up for "yes," thumbs down for "no."

I understand that our host is no friend of classical music, but I can't imagine all of his readers necessarily share that bias. In fact, I'm curious as to whether the classical music favored by Xgau's readers would reinforce the canon or depart from it in interesting ways, especially since I'd open the poll(s) to pop manifestations of classical music (e.g. Strauss waltzes, Stephen Foster songs, Gershwin tone poems, "third stream" works, e.g. movie scores) that (some) classical purists look down upon.

Nov 16, 2011 10:00PM
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On any other year, Rosanne Cash would have probably walked away with the Legendary Hearts award for overrated album of the year. But in 1990, one album annihilated the competition, managing the awesome feat of being simultaneously as wussy as The Shins and as annoying as C+C Music Factory. Fellow Witnesses, I give you Submarine Bells.
Nov 16, 2011 6:40PM
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Rock and Roll aspires to going out and getting some of those CAKES!!!!!

BLUH BLUH BLUH BLUH BLUH BLUH BLAH BLAH BLAH!!!!

Nov 16, 2011 3:02PM
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After having my declaration of "Quadrophenia"'s supreme domination over every other rock album rated the second most "controversial" post, I take it there aren't that many Who fans in the forum? Whatever. 

How about this, if you're not going to say it's the best album ever, at least admit it's the closest rock ever came to being all the things it promised to, and claimed to, be at once. And if you still won't give in, at least say "5.15" is a good song. Everyone likes horns in their rock n roll right? 

::awaits for more dislikes::
Nov 15, 2011 3:04PM
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The Who's "Quadrophenia" gets the deluxe edition treatment today. I bought the 5 disc edition (still waiting for it to come in the mail). I know Xgau said stay away from big boxes, but I can't help myself. I tend to make exceptions for the greatest rock album of all time. 
Nov 17, 2011 5:09PM
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Hey everybody, it's 2011! (Note that the Wire is the only complete album of the set I've listened all the way through.)

Wilco: Now we know why, after years of telling him knock it off, Tweedy still has literary pretensions. Thanks, Jane Smiley's boyfriend!

The Mountain Goats: Black Sabbath should reply to Darnielle's offer to write for their reunion by offering to write one for him.

Radiohead: So much less bottom-end than most artists on Hyperdub these days.

Comet Gain: David Feck is aggrieved that he still has to sing political songs at his age; hence the clang.

Giant Sand: Howe Gelb thinks time flies at 50? Wait until the reaper starts swathing through his disciples' heroes.

Faust: So much less fun than Radiohead these days. Not bereft of fun, but they need more Scorpions.

Wire: They're not at all surprised they still have to play political songs at their ages, which doesn't make it easier to muster up the energy for them.

New York Dolls: They got one more summer before they left. Then another, and another. Still easier for the kids to bear than Kim and Thurston.
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Ugh, sorry guys, won't be able to post poll results tonight. =8-/
Nov 15, 2011 3:56PM
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I cheated and went to the end of the SY show.  Kim leaves the stage first, leaving the guys.  Thurston sits down on the drum platform for a few seconds.  Gets up, smacks Ibold on the butt, and he, Ibold and Lee walk off.  The end.Sad
Nov 16, 2011 5:01PM
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I'm firmly in the thumbs up-for-Quadrophenia camp, and Jon articulated the reasons why well. Now that I've explored the Lifehouse project (which is worth exploring, but not setting aside Who's Next for), I've come to the conclusion that Townshend wrote almost every worthwhile Who song post-Tommy in two big chunks: for Lifehouse (he dribbled out the better non-Next tunes over many years and albums) and Quadrophenia. And that was it. Outside the band, he kept it going a little longer-- I'm a fan of each of his first three solo albums. But it seems that Townshend totally lost the ability to write for the Who after Quadrophenia, and to write period only a few short years after that. It's like Rod Stewart in a way, except that instead of selling his soul, Townshend just turned off the lights and powered down. Maybe he should have said "I hope I stop writing songs before I get old." 

And then there was the kiddie porn.
Nov 18, 2011 7:05AM
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Keith Olbermann's recent historical diatribe
+1

http://goo.gl/in7rr
Nov 16, 2011 7:19PM
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To this day I still can't listen to "Love, Reign O'er Me" without wanting to drive my car off a cliff like Jimmy does in the movie.
I can't listen that song without thinking of that complete abortion of a movie Reign Over Me with Adam Sandler. what a pos
Nov 17, 2011 12:37AM
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"a grand honeymoon"? "twilight years"?? "sipping from a well of wisdom"???

Tell me this is satire or the honeymoon's over.
Nov 16, 2011 6:22PM
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as for what rock and roll aspires to be:

A-well-a, everybody's heard about the bird
Bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, the bird is the word
A-well-a, bird, bird, bird, well, the bird is the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, well, the bird is the word
A-well-a, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, well, the bird is the word
A-well-a, bird, bird, b-bird's the word
A-well-a, don't you know about the bird
Well, everybody knows that the bird is the word
A-well-a, bird, bird, b-bird's the word
A-well-a


A-well-a, everybody's heard about the bird
Bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, bird, bird, bird, b-bird's the word
A-well-a, don't you know about the bird
Well, everybody's talking about the bird
A-well-a, bird, bird, b-bird's the word
A-well-a, bird


Surfin' bird
Bbbbbbbbbbbbbbbbbb, aaah


Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa
Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-ooma-mow-mow
Papa-ooma-mow-mow


Papa-ooma-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, papa-ooma-mow-mow
Ooma-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, papa-ooma-mow-mow
Oom-oom-oom-oom-ooma-mow-mow
Papa-ooma-mow-mow, papa-oom-oom-oom
Oom-ooma-mow-mow, papa-ooma-mow-mow
Ooma-mow-mow, papa-ooma-mow-mow
Papa-a-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, ooma-mow-mow
Papa-ooma-mow-mow, ooma-mow-mow
Papa-oom-oom-oom-oom-ooma-mow-mow
Oom-oom-oom-oom-ooma-mow-mow
Ooma-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, ooma-mow-mow
Well, don't you know about the bird
Well, everybody knows that the bird is the word
A-well-a, bird, bird, b-bird's the word


Papa-ooma-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, papa-ooma-mow-mow
Papa-ooma-mow-mow, papa-ooma-mow-mow...
Nov 18, 2011 1:09AM
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My 1990 ballot, done quick at the last moment:

  1. The Beautiful South: Welcome to the Beautiful South (Go! Discs) 17
  2. Pet Shop Boys: Behavior (EMI America) 16
  3. Pharoah Sanders: Welcome to Love (Timeless) 13
  4. Carlene Carter: I Fell in Love (Reprise) 10
  5. L.L. Cool J: Mama Said Knock You Out (Def Jam) 8
  6. The Chills: Submarine Bells (Slash) 8
  7. Public Enemy: Fear of a Black Planet (Def Jam) 8
  8. Beats International: Let Them Eat Bingo (Elektra) 8
  9. K.T. Oslin: Love in a Small Town (RCA) 6
  10. David Murray/George Arvanitas: Tea for Two (Fresh Sound) 6

Also sent in a long list of HMs (the balance of my A-list). Omitting the top 40 finishers (not that that loses much):

  • Marcia Ball/Angela Strehli/Lou Ann Barton: Dreams Come True (Antone's)
  • Salt-N-Pepa: Black's Magic (London)
  • Madonna: I'm Breathless (Sire)
  • David Murray: Ballads (DIW)
  • Eyuphuro: Mama Mosambiki (Real World)
  • Eddie Harris: There Was a Time (Echo of Harlem) (Enja)
  • Marian McPartland: Plays the Benny Carter Songbook (Concord)
  • Was (Not Was): Are You Okay? (Chrysalis)
  • Sonny Sharrock: Highlife (Enemy)
  • Betty Boo: Boomania (Warner Brothers)
  • Don Pullen: Random Thoughts (Blue Note)
  • David Murray: Spirituals (DIW)
  • Macka-B: Natural Suntan (RAS)
  • Loketo: Soukous Trouble (Shanachie)
  • Herb Geller: Birdland Stomp (Fresh Sound)
  • Macka-B: Looks Are Deceiving (RAS)
  • Marty Grosz/Keith Ingham: Unsaturated Fats (Stomp Off)
  • The Deighton Family: Mama Was Right (Philo)
  • Bud Shank: Lost in the Stars (Fresh Sound)
  • Samba Mapangala/Orchestra Virunga: Virunga Volcano (Earthworks)
  • Art Blakey/Dr. John/David "Fathead" Newman: Bluesiana Triangle (Windham Hill)
  • Soul II Soul: Vol. II A New Decade (Virgin)
  • Daniel Owino Misiani: Benga Blast! (Earthworks)
  • Michael Hashim: Lotus Blossom (Stash)
  • Michael Formanek: Wide Open Spaces (Enja)
  • Digital Underground: Sex Packets (Tommy Boy)
  • The La's: The La's (London)
  • Sheila Jordan: Lost and Found (Muse)
  • Wynton Marsalis: Tune In Tomorrow (Columbia)
  • Ali Farka Touré: The River (Mango)
  • Either/Orchestra: The Calculus of Pleasure (Accurate)
  • Jan Garbarek/Ustad Fateh Ali Khan: Ragas and Sagas (ECM)
  • C+C Music Factory: Gonna Make You Sweat (Columbia)
  • Digital Underground: This Is an E.P. Release (Tommy Boy)
  • Jackie McLean: Dynasty (Triloka)
  • Simon Shaheen: The Music of Mohamed Abdel Wahab (Axiom)
  • Archie Shepp: I Didn't Know About You (Timeless)
  • Lester Bowie: My Way (DIW)
  • Cecil Taylor: Looking (Berlin Version) The Feel Trio (FMP)
  • Victoria Williams: Swing the Statue! (Rough Trade)
  • Dick Berk: Bouncin' With Berk (Nine Winds)

Going through the 1990 list I'm struck by a couple memories. One is that a lot of my top-rated records were ones that I first heard at Georgia Christgau's house in the Catskills. We met Bob and Carola there and he brought along his usual travel box, and for some reason an exceptional number of them clicked. The other is that a lot of the jazz came from Francis Davis' Jazz CG and Gary Giddins' year-end list, which got me started on my 1990s jazz immersion. I wasn't reviewing anything at the time, but in many ways this year got me going again.


Nov 17, 2011 7:32PM
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What would probably be most helpful for me would be write Maura Johnston at the Voice and ask when the next Jazz Consumer Guide is coming out. Last one came out on May 11, 2011, but you know there's another one (or two or three) in the pipeline because Hull's been writing about his writing every week on his blog, posting notes about records he's promised to review in the Voice sooner or later. The fact is that we have a deal in principle but I can't get started until she does some things and she's been incommunicado (her term is "radio silence") for 3-5 weeks now. My guess is that she's busy and harried and isn't interested in jazz and won't do anything until she feels some pressure. It might help to point out that ever since Gary Giddins started there (or you started reading it, which was probably later) the Voice has been your favorite source for an adventurous, alternative take on jazz. It probably won't help to vent about how the Voice has gone to the dogs since, well, any of a number of bumps on their path to hell, but if you must, go with it.

In the latter vein, I'm aware that the Voice's Jazz Critics Poll has been killed this year, and that Francis Davis will no longer be writing for the Voice (although he has one more article in the pipeline -- one that's been there about as long as my Jazz CG draft).

I'll also note that people who know her tell me that Johnston isn't the "villain" here -- the favorite seems to be the New Times brass, or maybe it's just capitalism. But manners would have helped.


Nov 16, 2011 11:49AM
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Top 10- no more -no less. Tough choices is what would make it

interesting. Obviously one could live very well with the albums that

don't make the cut.

Nov 16, 2011 7:03PM
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I, who have yet to vote in a poll on this blog, would definitely participate in an all-time Top 10, Top 100 - whatever.
Surprising!  Or did I miss when you suggested it?
Nov 16, 2011 12:10PM
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Top 10- no more -no less. Tough choices is what would make it interesting.
I totally agree Greg.

If we're going to continue with the polling (and I hope we do!), can we start compiling lists of resources that voters use to discover albums? What polls do you follow or reference? Obviously most of us follow Bob's Dean's Lists and many of us follow Pazz & Jop. But there are many more resources online. What are some of yours? Post them here or email me at postwarjazz@gmail.com and I'll compile a resource list. Here's a start: Rocklist.net: http://goo.gl/SYVpD

Nov 16, 2011 5:43AM
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Deft, devastating, and scary.
I suppose some people think "peaceful protest" means unobtrusive and silent. Great piece. Thanks for recommending it!
Nov 16, 2011 4:53PM
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What does rock and roll aspire to be?
A hit record?  Okay, more than that sometimes, but, one hopes, never less than that.
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about the blogger

Robert Christgau

Starting in 1967, Robert Christgau has covered popular music for The Village Voice, Esquire, Blender, Playboy, Rolling Stone, and many other publications. He teaches in New York University's Clive Davis Department of Recorded Music, maintains a comprehensive website at robertchristgau.com, and has published five books based on his journalism. He has written for MSN Music since 2006.

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