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Keith Urban holds his own as a new “American Idol” judge

Country star calls the “Idol” cast a “dysfunctional family”

By Phyllis Stark Jan 10, 2013 4:58PM

With the supposed feud between new judges Mariah Carey and Nicki Minaj dominating headlines about season 12 of “American Idol,” you might expect another new judge—country’s Keith Urban—to get lost in the shuffle. Not so.

 

Based on a lengthy preview of highlights from the season’s first two episodes screened for “Idol” fans, contestants and media in 11 theaters around the country last night, Urban (pictured on the right) will play a prominent role when the new season begins airing on FOX next week.

 

Prior to the screening, executive producer Nigel Lythgoe noted that Urban focused during the auditions of finding an “authentic” singer.  But clearly, not everyone lived up to his standards. Urban displays a range of amusing facial expressions during the worst of the auditions, and for reasons that have yet to be explained, even falls off his chair at one point, a clip the show’s producers seemed to take great delight in showing repeatedly.

 

Seated between Carey and Minaj at the auditions, Urban also displays great skills as a mediator and diplomat. But the catfight between the divas is not lost on him. At one point, Urban is shown beating his head on the judging table and saying “I feel like a scratching post.” Urban also noted once that Minaj was “drinking catnip.”

 

It’s clear from the preview that the best part of this season will be watching the two women react to each other’s comments. Watch for Carey’s priceless reaction after Minaj tells a female contestant she’s saying “no” to her audition because the contestant is wearing the same color eye shadow as Minaj and, therefore, setting up what Minaj describes as “a rivalry.”

 

But all of the judges seem to have warned up to Urban quickly. In a Q&A following the screening, Minaj called him “hilarious.” And in a rare moment of agreement, Carey seconded that thought, saying Urban has “a caustic wit. It diffuses you sometimes.”

 

In what’s clearly being set up as one of the show’s inspirational storylines, watch for a poignant audition from Lazaro Arbos, a contestant from Naples, Fla., with a pronounced stutter when he speaks, but not when he sings. Arbos’s rendition of Simon and Garfunkel’s “Bridge Over Troubled Water” wows the judges and sends him through to Hollywood. The theater audience watching the screening in Nashville broke out into applause for Arbos two different times.

 

The screening was followed by a live Q&A with all four judges—including the returning Randy Jackson—moderated by host Ryan Seacrest and beamed to all of the participating theaters via satellite from Los Angeles. One again, Urban held his own, and spoke about why he’s enjoying his time on the judging panel.

 

“This dysfunctional family you see before you,” he said, “I love being part of it . . . and the unpredictability on the set.” 

2Comments
Jan 11, 2013 7:59AM
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And this story is why I gave up on this show awhile ago. It started out with promise- an opportunity for the potential greatness hidden among us to get a shot at the brass ring. But over the years, it has evolved into a sideshow, with the actual talented people  being little more than props to feature the horribly untalented egos and denial-filled human train wrecks that have become the reason to tune in. And then there are the judges themselves, speaking of untalented egos, who have become the focus of attention once the William Hungs and the "Pants On The Ground" guys have run their course. 

If you are going to air a real talent contest, get judges who are not  circus clowns. Steve Tyler? Nicky Minaj? Paula Abdul? Really? This show is not about talent, it's about faux created drama and what glasses Randy Jackson will be wearing this week. Any talent that emerges from it is purely a byproduct. 
Jan 11, 2013 6:46AM
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cant wait for the auditions - THE BEST PART OF THE SHOW!   then it goes down hill fast.
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about the blogger

Phyllis Stark

Veteran entertainment journalist Phyllis Stark has been reporting extensively on the music industry for two decades. As a freelance writer, her work appears regularly in numerous publications and sites. She previously was Nashville Bureau Chief at Billboard magazine.

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